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Issued in connection with an exhibition held May 27-Aug. 15, 2010, Yale Center for British Art, New Haven, Connecticut.
An expansive take on American Art Deco that explores Chicago's pivotal role in developing the architecture, graphic design, and product design that came to define middle-class style in the twentieth century Frank Lloyd Wright’s lost Midway Gardens, the iconic Sunbeam Mixmaster, and Marshall Field’s famed window displays: despite the differences in scale and medium, each belongs to the broad current of an Art Deco style that developed in Chicago in the first half of the twentieth century. This ambitious overview of the city’s architectural, product, industrial, and graphic design between 1910 and 1950 offers a fresh perspective on a style that would come to represent the dominant mode o...
"While browsing the stacks of the Regenstein Library at the University of Chicago some years ago, noted historian Neil Harris made a surprising discovery: a group of nine plainly bound volumes whose unassuming spines bore the name The Chicagoan." "Here Harris brings this lost magazine of the Jazz Age back to life. Harris's substantial introductory essay here sets the stage, exploring the ambitions, tastes, and prejudices of Chicagoans during the 1920s and 30s. The author then lets the Chicagoan speak for itself in lavish full-color segments that reproduce its many elements: from covers, cartoons, and editorials to reviews, features - and even one issue reprinted in its entirety." "Recalling a vivid moment in the life of the Windy City, the Chicagoan is a forgotten treasure, offered here for a whole new age to enjoy."--BOOK JACKET.
Explores World War I through French graphics from books, magazines, and prints of the period, presenting a wide range of perspectives.
American art museums flourished in the late twentieth century, and the impresario leading much of this growth was J. Carter Brown, director of the National Gallery of Art in Washington, DC, from 1969 to 1992. Along with S. Dillon Ripley, who served as Smithsonian secretary for much of this time, Brown reinvented the museum experience in ways that had important consequences for the cultural life of Washington and its visitors as well as for American museums in general. In Capital Culture, distinguished historian Neil Harris provides a wide-ranging look at Brown’s achievement and the growth of museum culture during this crucial period. Harris combines his in-depth knowledge of American histo...
A richly visual architectural history and theory of modernity that reexamines Thorstein Veblen’s classic text The Theory of the Leisure Class through the lens of Chicago in the 1890s. An important critic of modern culture, American economist Thorstein Veblen is best known for the concept of “conspicuous consumption,” the ostentatious and wasteful display of goods in the service of social status—a term he coined in his 1899 classic The Theory of the Leisure Class. In the field of architectural history, scholars have employed Veblen in support of a wide range of arguments about modern architecture, but never has he attracted a comprehensive and critical treatment from the viewpoint of ...
The story of the world's first fashion-obsessed society in eighteenth-century London - and the colourful tales of extravagance, vanity, intrigue, and sexual indiscretion that accompanied it
Ill. on lining papers.
War is no laughing matter. During a war, however, laughter can play a vital role in sustaining morale, both in the armies at the Front and in their homelands. Among wars, the 1914–18 conflict has left a haunting legacy, and remains a central topic in modern European history. This book offers a comparative study of the impact of the war in four countries, and breaks new ground by exploring this through the medium of what their respective populations laughed at. By searching the pages of four humorous-satirical magazines, Punch in the UK, Le Rire (France), Simplicissimus (Germany), and Novy Satirikon (Russia), all of which supported the national war efforts, it examines the ways in which hum...
Despite its rough-and-tumble image, Chicago has long been identified as a city where books take center stage. In fact, a volume by A. J. Liebling gave the Second City its nickname. Upton Sinclair’s The Jungle arose from the midwestern capital’s most infamous industry. The great Chicago Fire led to the founding of the Chicago Public Library. The city has fostered writers such as Nelson Algren, Saul Bellow, and Gwendolyn Brooks. Chicago’s literary magazines The Little Review and Poetry introduced the world to Eliot, Hemingway, Joyce, and Pound. The city’s robust commercial printing industry supported a flourishing culture of the book. With this beautifully produced collection, Chicago...