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The Cambridge Companion to the Classic Russian Novel
Many Russian novels of the nineteenth and twentieth centuries have made a huge impact, not only inside the boundaries of their own country but across the western world. The Cambridge Companion to the Classic Russian Novel offers a thematic account of these novels, in fourteen newly-commissioned essays by prominent European and North American scholars. There are chapters on the city, the countryside, politics, satire, religion, psychology, philosophy; the romantic, realist and modernist traditions; and technique, gender and theory. In this context the work of Pushkin, Dostoevsky, Tolstoy, Turgenev, Bulgakov, Nabokov, Pasternak and Solzhenitsyn, among others, is described and discussed. There is a chronology and guide to further reading; all quotations are in English. This volume will be invaluable not only for students and scholars but for anyone interested in the Russian novel.
Mikhail Bulgakov
A foremost Russian writer of the Soviet period, Bulgakov (1891-1940) has attracted much critical attention, yet Haber is the first to explore in depth his formative years. Blending biography and literary analysis of motifs, story, and characterization, Haber tracks one writer's answer to the dislocations of revolution, civil war, and Bolshevism.
The Master & Margarita
This volume considers the Russian writer Bulgakov's work, The master and Margarita. It opens with the editor's general introduction, discussing the work in the context of the writer's oeuvre as well as its place within the Russian literary tradition. The introductory section also includes considerations of existing translations and of textual problems in the original Russian. The following sections contain several wide-ranging articles by other scholars, primary sources and background material such as letters, memoirs, early reviews and maps.
The Major Plays
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Wandering in Circles
Wandering in Circles: Venichka’s Journey of Redemption in “Moskva-Petushki” examines the definition of redemption in Venedikt Erofeev’s Moskva-Petushki. By placing Erofeev’s poema in conversation with other travel narratives from Russia and the West, the book explores the meaning of redemption across societies and cultures, and how Erofeev creates a commentary on the possibility of redemption in a broken political and social system. Through this comparative approach to Moskva-Petushki, this work offers a new reading of the text as a journey of failed social and personal redemption.
Urban Spaces After Socialism
The two decades following the collapse of the Soviet Union brought great changes to the new nations on its periphery. This text offers a detailed ethnographic look at one area of change - the use and understanding of public space in the region's cities.
Jews and the Making of Modern German Theatre
While it is common knowledge that Jews were prominent in literature, music, cinema, and science in pre-1933 Germany, the fascinating story of Jewish co-creation of modern German theatre is less often discussed. Yet for a brief time, during the Second Reich and the Weimar Republic, Jewish artists and intellectuals moved away from a segregated Jewish theatre to work within canonic German theatre and performance venues, claiming the right to be part of the very fabric of German culture. Their involvement, especially in the theatre capital of Berlin, was of a major magnitude both numerically and in terms of power and influence. The essays in this stimulating collection etch onto the conventional...
Ibss: Anthropology: 1996
Provides an unrivelled overview of intellectual development in anthropology.
Comparative Criticism: Volume 14, Knowledge and Performance
Addresses literary theory and criticism, comparative studies in terms of theme, genre movement and influence, and interdisciplinary perspectives.
The Culture of Russia
Though current events have brought Russia into the spotlight of late, many Americans still have only the haziest notion of Russian culture. This wide-ranging reference introduces the peoples, languages, and religions of Russia and also delves into such facets of Russian culture as sports, the media, holidays, traditional foods, and education. Chapters devoted to architecture, the visual arts, literature, and the performing arts highlight the best of Russia's cultural heritage, including the novels of Leo Tolstoy and Fyodor Dostoyevsky, the films of Sergey Eisenstein, the music of Tchaikovsky and Sergey Prokofiev, and the churches of Pskov. Readers will find this volume to be a fascinating introduction to a rich, complex culture.
