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Out of Concealment
"Out of Concealment presents the origin stories of the Haida Nation through the vibrant depiction of its female supernatural beings. Passed on from generation to generation through oral tradition, these stories are important historical narratives that illustrate the Haida's values, customs, rituals, and relationships with the earthly and metaphysical realms. This book features over thirty full-colour surreal photo collages by Haida artist, performer, and activist Terri-Lynn Williams-Davidson. Each image is accompanied by insightful, reflective text describing the being's place in Haida mythology. Out of Concealment encourages readers to see the feminine in the powerful land and seascapes of Haida Gwaii, through a worldview where the environment is worthy of respect, not to be dominated or exploited."--
Magical Beings of Haida Gwaii
Based on ancient Haida narratives, this vibrantly illustrated children's book empowers young people and teaches them to live in harmony with nature. Haida Gwaii is home to a rich and vibrant culture whose origins date back thousands of years. Today, the Haida People are known throughout Canada and the world for their artistic achievements, their commitment to social justice and environmental protection, and their deep connection to the natural world. Embedded in Haida culture and drawn from ancient oral narratives are a number of Supernatural Beings, many of them female, who embody these connections to the land, the sea, and the sky. Magical Beings of Haida Gwaii features ten of these ancient figures and presents them to children as visually engaging, empowering, and meaningful examples of living in balance with nature. Developed by renowned Haida activist, lawyer, performer, and artist Terri-Lynn Williams-Davidson and Haida educator Sara Florence Davidson, this book challenges stereotypes, helps advance reconciliation, and celebrates Indigenous identity and culture.
The Raven's Tail
To produce this book, Cheryl Samuel travelled to Leningrad, Copenhagen, and London to examine the six robes in Europe. She also studied the robes housed in museums in Canada and the United States. In 1985, she reconstructed Chief Kotlean's robe, using information she had gathered from her study of the actual robes and Tikhanov's paintings. In the process, she resurrected an old weaving style no longer used by the Native people on the northern coast. Through her extensive and careful research, Cheryl Samuel makes an important contribution to the knowledge of early Indian weaving.
A Haida Wedding
A visual and cultural celebration of a traditional Haida wedding ceremony, exploring its roots, rituals, symbolism, joyfulness, and contemporary significance for a thriving Indigenous Nation. In 1996, Terri-Lynn Williams and Robert Davidson celebrated their wedding with a traditional ceremony, the first in over a century that was legalized under Haida law. This book provides an intimate photographic window into that momentous day and marks the resurgence of a tradition that was nearly lost to colonial forces. Relying on recorded knowledge their ancestors had shared with ethnographers and anthropologists, and the few details living Elders could recall about the tradition of guud 'iina Gihl ("becoming married") in the time before the arrival of Christian missionaries, the couple carefully planned out a seven-part celebration. It involved a canoe procession, ceremony, feast, dancing, and dowry payment, signifying the coming together of two people, two families, and two clans. The occasion is lovingly and painstakingly recounted through imagery and text in this fascinating tribute to a resilient culture and the unbreakable bonds of love and family.
Outdoor School
Outdoor School features recent works of contemporary environmental art and writing by more than twenty-five Canadian and Indigenous artists who propose radical new ways of thinking about and being outdoors together.
Paradigm Wars
In this spirited book, best-selling author Jerry Mander partners with one of the world's most celebrated indigenous leaders, Victoria Tauli-Corpuz, to gather powerful firsthand reports on a momentous collision of worldviews that pits the forces of economic globalization against the Earth's indigenous peoples. With many of the planet's remaining natural resources on indigenous lands, traditional indigenous practices of biodiversity preservation have, ironically, made these lands targets for global corporations seeking the last forests, genetic and plant materials, oil, and minerals to feed their unsustainable growth. Corporate invaders often employ military force, as well as harsh pressures from the World Bank, IMF, and WTO. But native peoples refuse to be victims. Their stories of resistance and growing success are inspirational. Book jacket.
Nibi's Water Song
"Nibi, a Native American girl, cannot get clean water from her tap or the river, so she goes on a journey to connect with fellow water protectors and get clean water for all"--
Potlatch as Pedagogy
Based on the potlatch, the foundational ceremony of the Haida people, Potlatch as Pedagogy presents a model for learning that is holistic, relational, practical, and continuous.
The Haida Gwaii Lesson
In The Haida Gwaii Lesson, former University of California journalism professor and Mother Jones editor Mark Dowie shares the story of the Haida people, relating their struggle for sovereignty and title over their ancient homeland as a strategic playbook for other indigenous peoples. For over 10,000 years, the Haida people thrived on a rugged and fecund archipelago south of Alaska, which they called Haida Gwaii. Nicknamed "the Galapagos of the North," the islands are blessed with a diversity of species unmatched in the northern hemisphere. As western Canada was settled by Europeans, the pressure on natural resources spread with the growing population and its demand for fur, fish, minerals and lumber. Industries found their way to the coastal islands, where they ignored native tribes and commenced what has become one the Pacific coast's most monstrous natural resource extraction campaigns. After almost a century of non-stop exploitation, the Haida people said "enough" and began to resist. Their audacious four-decade struggle involving the courts, human blockades, public testimony and the media became a living object lesson for communities in the same situation the world over.
Where the Power Is
This collection brings together contemporary Indigenous knowledge holders with extraordinary works of historical Northwest Coast art. The photographs and commentaries speak to the connections between tangible and intangible cultural belongings; how "art" remains part of Northwest Coast peoples' ongoing relationships to their territories and governance; Indigenous experiences of reconnection, reclamation, and return; and critical and necessary conversations around the role of museums. Residence: Vancouver, B.C. Print run 3,500.
