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Lauded by Peter Marks of The New York Times as "powerfully unsettling...an enormously moving play," Side Man is the comic and tender story of Clifford, a young man who looks back on his family life; prior to leaving home, Clifford reconciles the role that he has long played as parent to his parents. Smoothly gliding between present and past, the play tells the story of a time before the Beatles and Elvis, when jazzmen were heroic like ballplayers and there was no shortage of Saturday-night gigs. Side Man is both a tribute to the men whose lives were their music and a sober look at a family drama left in the wake of that passion.
Tibetan medicine is a unique and holistic system of healing. It has been continuously practised for over a thousand years but has still take its place in the history of medicine as we know it in the West. This volume presents for the first time a comprehensive introduction to the arcane Tibetan art of healing. The author has provided a well-documented, original and detailed study of Tibetan psychiatry, the world's oldest system of medical psychiatry. Translated here--for the first time in English--are three fascinating chapters about mental illness from the rGyud-bzhi, the ancient and most important Tibetan medical work. Reproductions of the rare Tibetan texts are also included. Supplementin...
The text takes a theoretical approach to media criticism, and includes aesthetic, sociological, economic, structural, psychoanalytical, and ethical perspectives. For students in media criticism, literacy, media & society, and related areas.
To what extent have Hollywood feature films shaped the meanings that Americans attach to alcoholics, their families, and the alcoholic condition? To what extent has the mass culture of the movie industry itself been conceptually shaped by a broad, external societal discourse? Norman Denzin brings to his life-long study of alcoholism a searching interest in how cultural texts signify and lend themselves to interpretation within a social nexus. Both historical and diachronic in his approach, Denzin identifies five periods in the alcoholism films made between 1932 and the end of the 1980s, and offers a detailed critical reading of thirty-seven films produced during these six decades. "Professor...