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The Tantra
Bibliography Index The Tantra Is A Body Of Theories, Techniques And Rituals Developed In India In Antiquity, Which Has Two Fundamental Aspects. The First Aspect Of The Tantra Is The Theory Of Creation, Which Posits That The Universe Has No Beginning And No End, And That All Its Manifestations Are Merely The Projections Of Divine Energy Of Its Creator. The Second Aspect Of The Tantra Is The Belief That The Performance Of Tantrik Techniques And Rituals Facilitates Access To This Divine Energy, Enabling Their Practitioners To Empower Themselves, As Well As Empower Others Associated With Them In The Guru-Disciple Relationship. Thus The Knowledge And Proper Application Of Tantrik Techniques And R...
The Thousand-armed Avalokiteśvara
A Fundamental Work Based On Original Sanskrit, Chinese, Korean, Japanese, The Lost Iranian Language Sogdian And Tibetan Works-On The Origin Of Avalokitesvara. It Indentifies The Several Prevalent Folk-Deities Which Were Assimilated Into The Iconographical Form. The Worship Of Avalokitesvara Was Accompanied By A Dharani (Recited Hymn). This Work Describes Five Versions Of Thedharani. The Dharani Is An Essential Part Of The Zen Repertoire Of Sutras. It Was Transliterated Into Chinese Eight Times Over A Span Of Eight Enturies: From The 7 Th To The 14 Th Century. The Present Edition Is Not Only A Reconstruction Of The Original Sanskrit Text Of The Hymn, But A Detailed Study With The Texts Of Bha...
眞言密教圖印集
The book is the first comprehensive and illustrated treasury of esoteric mudras in the English language. Mudras in Japan by Lokesh Chandra and his late wife Sharada Rani is a collection of symbolic hand postures used in the rituals of Japanese Esoteric Buddhism of the Shingon denomination. The mudras have been an integral part of Buddhist iconography as well as of ritual. In Tantric rituals, the recitation of a mantra was accompanied by a mudra, and a ritual action. In the Mahavairocana-sutra, mudras are vital constituents of worship and meditation. Japan has the earliest manuscript of the mudras. The most ancient scroll is from the pen of Subhakarasimha of Nalanda, who lived from 637 to 735. The copy at the Onjoji monastery is dated 855. Another manuscript dated 864 has Mudras of the Susiddhi-tantra.
Tibetan Art
The rich artistic heritage of Tibet reveals the depths of meditations of great masters, translated into the majestic abundance of iconic symbols that take the form of three-dimensional images or two-dimensional thankas. Tibetan Art is a comprehensive introduction to the complex iconography of thankas. It provides a glimpse of the mindground of this art and the land where it flourished. Although Tibetan Art portrays the historic Buddha Sakyamuni, the arhats, spiritual masters, great lamas, and founders of different religious lineages, the preponderance of its images depict supramundane beings. Predominantly these are: the Buddhas, Bodhisattvas, female deities, protectors or tutelary gods (yi-dams), defenders of the faith, guardians of the four cardinal points, minor deities and supernatural beings.
Mahāvairocana-sūtra
Though fragments of the Sutra were translated in Europe as early as 1723,no complete translation has been attempted so far.In 1936 R.Tajima translated its first chapter in his Etude sur le Mahavairocana-sutra (Dainichikyuo )and gave a resume of the whole text.Prof.Chikyo Yamamoto has taken courage of presenting an English translation of the complete Chinese text of the Sutra ,comprising 36 chapters (hon )in seven scrolls (kwan ).
Ruthless Compassion
The historical development of Esoteric Buddhism in India is still known only in outline. A few verifiably early texts do give some insight into the origin of the ideas which would later develop and spread to East and Southeast Asia, and to Tibet. However, there is another kind of evidence which can be harnessed to the project of reconstructing the history of Esoteric Buddhist doctrines and practice. This evidence consists of art objects, mainly sculpture, which survive in significant numbers from the 6th to the 13th century.
The Black Master
The Black Master is a Festschrift with 16 papers written by colleagues or former students of Professor Gyorgy Kara, including some of the most renowned scholars in the field. The themes of the articles reflect the wide scope of Gyorgi Kara's research, with texts on Central Eurasian linguistics, history or ethnology. A list of his publications completes the volume. From the table of contents (17 contributions): C. Atwood, Poems of Fraternity: Literary Responses to the Attempted Reunification of Inner Mongolia and the Mongolian's People Republic B. Baumann, "Nakshatra Astrology" in Antoine Mostaert's Manual of Mongolian Astrology and Divination A. Birtalan, An Invocation to Dayan Derx Collecte...
