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Stolen Glances
A collation of the photographic and literary work surrounding the depiction of lesbian sexuality. Organized thematically, this book touches on such issues as race, class and sexuality in both America and the United Kingdom.
Ecstatic Antibodies
This book and the exhibition launches with it represent a powerful exploration in both image and text of the impact of the AIDS crisis. Different voices reveal the profound inadequacies in our attitudes to disease. The contributors disrupt the politically laden mythology of HIV and AIDS, and affirm the persistence of love and desire in the face of death. More than an interruption to personal life, AIDS has stimulated an eruption in creative life. By wresting control of the imagery of AIDS, Ecstatic antibodies demystifies icons like the nation and the family and illuminated attitudes to gender, sexuality, racial, and moral diversity. Ecstatic antibodies was defined to actively encourage cultureal practice. It was seen to include a variety of media bsed work using AIDS as its subject matter, including photography, installation, and video.
Queer Methodology for Photography
This book presents new ways of approaching photographic discourse from a queer perspective, offering discussions on what a queering methodology for photography may entail by drawing links between artistic strategies in photographic practice and key theoretical concepts from photography theory, queer theory, critical theory, and philosophy. With different examples of conceptual perspectives, including representation, formalism, and mediumlessness, it seeks to diversify queer methodology for photography. While primarily addressing photography, this book is entwined with broader philosophical questions concerning identity, difference, and the creations of systems of thought that limit the possibilities of existence to binary categorisation. It proposes a new concept of the photographic image that addresses its materiality, in the form of the poetic and the political, in relationship to a generative principle that is named as a queer quality: the photograph’s ability to voice queer concerns also beyond its role as representation. This book will be of interest to scholars working in photography, art history, queer studies, new materialism, and posthumanism.
The Body of This Death
"Tanizaki Jun'ichiro is read to examine historiographical representation and to consider the possibilities of the parodic as a fundamentally perverse, queer practice. Finally, a study of selected essays by Sue Golding points a way to think toward the necessary conjunction of the ethical, the political, and the perverse; in order, that is to say, to think toward a politics of inconsolable perversity."--BOOK JACKET.
Queering Desire
Queering Desire explores, with unprecedented interdisciplinary scope, contemporary configurations of lesbian, bi, queer women’s, and non-binary people’s experiences of identity and desire. Taking an intersectional feminist and trans-inclusive approach, and incorporating new and established identities such as non-binary, masculine of centre (MOC), butch, and femme, this collection examines how the changing landscape for gender and sexual identities impacts on queer culture in productive and transformative ways. Within queer studies, explorations of desire, longing, and eroticism have often neglected AFAB, transfeminine, and non-binary people’s experiences. Through 25 newly commissioned ...
Queer Looks
Queer Looks is a collection of writing by video artists, filmmakers, and critics which explores the recent explosion of lesbian and gay independent media culture. A compelling compilation of artists' statements and critical theory, producer interviews and image-text works, this anthology demonstrates the vitality of queer artists under attack and fighting back. Each maker and writer deploys a surprising array of techniques and tactics, negotiating the difficult terrain between street pragmatism and theoretical inquiry, finding voices rich in chutzpah and subtlety. From guerilla Super-8 in Manila to AIDS video activism in New York, Queer Looks zooms in on this very queer place in media culture, revealing a wealth of strategies, a plurality of aesthetics, and an artillary of resistances.
New Right Discourse on Race and Sexuality
The first book in the Cultural Margins series is a 1994 study of racism and homophobia in British politics, which demonstrates the demonisation of blacks, lesbians, and gays in New Right discourse. Anna Marie Smith develops theoretical insights from literary and cultural critics, including Nietzsche, Foucault, Derrida, Hall, and Gilroy, to produce detailed readings of two key moments in New Right discourse: the speeches of Enoch Powell on black immigration (1968-72) and the legislative campaign of the late 1980s to prohibit the promotion of homosexuality. Her analysis challenges the silence on racism and homophobia in previous studies of Thatcherism and the New Right, and shows how demonisation of lesbians and gays depends on previous demonisations of black immigrant and criminal figures. Overall, this book offers a devastating critique of racism and homophobia in late twentieth-century Britain.
Critical Theory and Performance
The first comprehensive survey of the major critical currents and approaches in the lively field of performance studies
Tangled Memories
On American cultural memory
A Queer Romance
It's here and it's queer - popular culture inhabits all our lives, whether it comes in the form of movies or magazines, TV or shopping. A Queer Romance brings together critics, writers and artists to debate the possibilites of popular culture for lesbians and gay men. In a collection that is in-yer-face but never out-to-lunch, the contributors variously revisit debates about the gaze to provide a new theory of Queer viewing; discuss texts coded as queer - from lesbian vampires to Hollywood's use of gay codes in mainstream films such as Top Gun and Black Widow; consider the sexual and cultural narratives at play in the world of home shopping catalogues; explore the pleasures and perils of gay cultural production, from the radically queer film-making of Monika Treut to the wild world of homocore fanzines, and address the possibilities of texts claiming to be for the gay spectator - from pornography `by women, for women and about women' to `Out' TV. The contributors to A Queer Romance don't all agree but, taken together, the collection argues strongly that everyone can have their queer moments.
