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The Classical Tradition in Modern American Fiction
This book is an invaluable survey of the allusions to ancient Greek and Roman culture in the work of seven major modern American novelists: Willa Cather, F. Scott Fitzgerald, William Faulkner, Ralph Ellison, Toni Morrison, Philip Roth and Marilynne Robinson.
The Classical Tradition in Modern American Fiction
This book is an invaluable survey of the allusions to ancient Greek and Roman culture in the work of seven major modern American novelists: Willa Cather, F. Scott Fitzgerald, William Faulkner, Ralph Ellison, Toni Morrison, Philip Roth and Marilynne Robinson.
Reading, Learning, Teaching Toni Morrison
Reading, Learning, Teaching Toni Morrison draws on contemporary scholarship and Morrison's own commentary to explicate all of her novels published to date, including her 2008 novel A Mercy. Morrison, the 1993 Nobel Prize winner, is an unabashedly confrontational author. Her profound and complex novels address problems such as slavery, violence, poverty, and sexual abuse. Morrison's work encompasses a project of total cultural renewal: she re-imagines and reaffirms the experience of African Americans from the earliest days of slavery up to the present, avoiding stereotypes or oversimplification. She employs African and Western literary traditions and conventions as a basis for both structure and critique, re-writing some of the «master narratives» of American culture and history. This book analyzes Morrison's novels in the context of African American history and literature, and provides supplemental material to guide teachers and students to understand and appreciate Morrison's novels.
Toni Morrison and the Classical Tradition
In this volume, Roynon explores Toni Morrison's widespread engagement with ancient Greek and Roman tradition. Combining original and detailed close readings with broader theoretical discussions, she argues that classicism is fundamental to the transformative critique of American culture that Morrison's work effects.
The Cambridge Introduction to Toni Morrison
Lively and accessibly written, this Introduction offers readers a guide to the complex and rewarding literature of Toni Morrison.
The Epic World
Reconceptualizing the epic genre and opening it up to a world of storytelling, The Epic World makes a timely and bold intervention toward understanding the human propensity to aestheticize and normalize mass deployments of power and violence. The collection broadly considers three kinds of epic literature: conventional celebratory tales of conquest that glorify heroism, especially male heroism; anti-epics or stories of conquest from the perspectives of the dispossessed, the oppressed, the despised, and the murdered; and heroic stories utilized for imperialist or nationalist purposes. The Epic World illustrates global patterns of epic storytelling, such as the durability of stories tied to re...
Contemporary African-American Fiction, Volume 1
Contemporary African-American Fiction, Volume 1 is a collection of scholarly essays and recent reviews of the best of contemporary African-American literary fiction, including the following titles: A Mercy by Toni Morrison The Underground Railroad by Colson Whitehead The Mothers by Brit Bennett Homegoing by Yaa Gyasi Sing, Unburied, Sing by Jesmyn Ward.
Ethics and Aesthetics in Toni Morrison’s Fiction
Ethics and Aesthetics in Toni Morrison’s Fiction investigates Morrison’s aesthetics in terms of narrative’s ethical import. Morrison’s writing is concerned with ethically debatable issues and it offers a problematic representation of human experiences in African American history. Whilst previous critical studies consider ethics in relation to events in the story, Palladino explores its intersection with aesthetics. Narrativizing the moral law, Morrison’s imperative is to relate the past, and to find ways to tell what is often unspeakable. The quest for ways to narrate horrific facts is a quest for an aesthetics which includes an appeal to the reader and thus necessarily engages with the ethical. This study foregrounds the equivocal as a key feature of narrative ethics.
Thy Truth Then Be Thy Dowry
This collection of essays provides new insights into the theme of inheritance in American women’s writing, ranging from Emily Dickinson’s appropriation of Shakespeare’s legacy to Meredith Sue Willis’s exploration of the tension between material inheritance and spiritual heritage in the Appalachian context. Using diverse critical and theoretical models, the twelve contributors examine women’s problematic relationship to inheritance in a variety of historical, geographical, and personal contexts, bringing to the fore a number of strategies of resistance and empowerment that have helped women cope with the burden or the lack of any inheritance through the centuries. Grouped into four ...
The Old Faith in a New Nation
Conventional wisdom holds that tradition and history meant little to nineteenth-century American Protestants, who relied on common sense and "the Bible alone." The Old Faith in a New Nation challenges this portrayal by recovering evangelical engagement with the Christian past. Even when they appeared to be most scornful toward tradition, most optimistic and forward-looking, and most confident in their grasp of the Bible, evangelicals found themselves returning, time and again, to Christian history. They studied religious historiography, reinterpreted the history of the church, and argued over its implications for the present. Between the Revolution and the Civil War, American Protestants wer...
