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This book is an invaluable survey of the allusions to ancient Greek and Roman culture in the work of seven major modern American novelists: Willa Cather, F. Scott Fitzgerald, William Faulkner, Ralph Ellison, Toni Morrison, Philip Roth and Marilynne Robinson.
This book is an invaluable survey of the allusions to ancient Greek and Roman culture in the work of seven major modern American novelists: Willa Cather, F. Scott Fitzgerald, William Faulkner, Ralph Ellison, Toni Morrison, Philip Roth and Marilynne Robinson.
Reading, Learning, Teaching Toni Morrison draws on contemporary scholarship and Morrison's own commentary to explicate all of her novels published to date, including her 2008 novel A Mercy. Morrison, the 1993 Nobel Prize winner, is an unabashedly confrontational author. Her profound and complex novels address problems such as slavery, violence, poverty, and sexual abuse. Morrison's work encompasses a project of total cultural renewal: she re-imagines and reaffirms the experience of African Americans from the earliest days of slavery up to the present, avoiding stereotypes or oversimplification. She employs African and Western literary traditions and conventions as a basis for both structure and critique, re-writing some of the «master narratives» of American culture and history. This book analyzes Morrison's novels in the context of African American history and literature, and provides supplemental material to guide teachers and students to understand and appreciate Morrison's novels.
Reconceptualizing the epic genre and opening it up to a world of storytelling, The Epic World makes a timely and bold intervention toward understanding the human propensity to aestheticize and normalize mass deployments of power and violence. The collection broadly considers three kinds of epic literature: conventional celebratory tales of conquest that glorify heroism, especially male heroism; anti-epics or stories of conquest from the perspectives of the dispossessed, the oppressed, the despised, and the murdered; and heroic stories utilized for imperialist or nationalist purposes. The Epic World illustrates global patterns of epic storytelling, such as the durability of stories tied to re...
Lively and accessibly written, this Introduction offers readers a guide to the complex and rewarding literature of Toni Morrison.
In this volume, Roynon explores Toni Morrison's widespread engagement with ancient Greek and Roman tradition. Combining original and detailed close readings with broader theoretical discussions, she argues that classicism is fundamental to the transformative critique of American culture that Morrison's work effects.
From the US Capitol to the Lincoln Memorial and the 9/11 Memorial Museum, classical forms and ideas have been central to an American nationalist aesthetic. Beginning with an understanding of this centrality of the classical tradition to the construction of American national identity and the projection of American power, Empire of Ruin describes a mode of black classicism that has been integral to the larger critique of American politics, aesthetics, and historiography that African American cultural production has more generally advanced. While the classical tradition has provided a repository of ideas and images that have allowed white American elites to conceive of the nation as an ideal Re...
Conventional wisdom holds that tradition and history meant little to nineteenth-century American Protestants, who relied on common sense and "the Bible alone." The Old Faith in a New Nation challenges this portrayal by recovering evangelical engagement with the Christian past. Even when they appeared to be most scornful toward tradition, most optimistic and forward-looking, and most confident in their grasp of the Bible, evangelicals found themselves returning, time and again, to Christian history. They studied religious historiography, reinterpreted the history of the church, and argued over its implications for the present. Between the Revolution and the Civil War, American Protestants wer...
The role of migration for Christianity as a world religion during the last two centuries has drawn considerable attention from scholars in different fields. The main issue this book seeks to address is the question whether and to what extent migration and diaspora formation should be considered as elements of a new historiography of global Christianity, including the reflection upon earlier epochs. By focusing on migration and diaspora, the emerging map of Christianity will include the dimension of movement and interaction between actors in different regions, providing a more comprehensive ‘map of agency’ of individuals and groups previously regarded as passive. Furthermore, local histories will become parts of a broader picture and historiography might correlate both local and transregional perspectives in a balanced manner. Behind this approach lies the desire to broaden the perspective of Ecclesiastical History – and religious history in general – in a more systematic manner by questioning the traditional criteria of selection. This might help us to recover previously lost actors and forgotten dynamics.
An award-winning scholar's sweeping history of American secularism, from Jefferson to Trump "Insights that are both illuminating and alarming."--Linda Greenhouse, New York Review of Books "An essential book for understanding today's culture wars. Sehat's clear-eyed and elegant narrative will change how you think about our supposedly secular age."--Molly Worthen, University of North Carolina at Chapel Hill In This Earthly Frame, David Sehat narrates the making of American secularism through its most prominent proponents and most significant detractors. He shows how its foundations were laid in the U.S. Constitution and how it fully emerged only in the twentieth century. Religious and nonrelig...