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Trouble in Mind
“A masterpiece . . . Trouble in Mind still contains astonishing power; it could have been written yesterday.” —Vulture Ahead of its time, Trouble in Mind, written in 1955, follows the rehearsal process of an anti-lynching play preparing for its Broadway debut. When Wiletta, a Black actress and veteran of the stage, challenges the play’s stereotypical portrayal of the Black characters, unsettling biases come to the forefront and reveal the ways so-called progressive art can be used to uphold racist attitudes. Scheduled to open on Broadway in 1957, Childress objected to the requested changes in the script that would “sanitize” the play for mainstream audiences, and the production was canceled as a result. Childress’s final script is published here with an essay by playwright Branden Jacobs-Jenkins, editor of TCG Illuminations.
Truth in Play
A collection of short scenes from Canadian plays geared towards helping youth in theater performances.
Mr Thomas
Kathy Burke's first play is a gritty, darkly funny look at attitudes to homosexuality in the 1950s, a portrait of repressed sexuality and alcoholism - and an homage to the great masters of British theatre, Wilde, Coward, Pinter and Orton.
Trace
An elegant and sweeping story of a Chinese family's history, trace follows the footsteps of four generations as their homes and identities are challenged. Jeff Ho brings life to his great-grandmother, grandmother, and mother through considerate storytelling as they recount their pasts, leading to a paralleled present.
Between the Sheets
This debut play depicts an intense power struggle between two women who may have more in common than they thought.
Q2Q
A companion anthology to Q2Q: Queer Canadian Theatre and Performance, the work contained in this volume provides a snapshot of Canadian contemporary queer performance practices--from solo performance to political allegory to family melodrama to intersectional narratives that combine text, movement, and music.
Mahmoud
A play about strangers, racism, sexism, homophobia, and homesickness.
Interdependent Magic
Interdependent Magic: Disability Performance in Canada is a collection of plays and interviews by, for, and about Disabled theatre artists that invites readers into the magical worlds of Disability arts culture. The book features four plays as well as interviews with artists Justin Manyfingers and Niall McNeill. In Smudge by Alex Bulmer, a woman details her journey toward Blindness, mourning what she loses and discovering what her other senses provide. Access Me by Boys in Chairs Collective is a celebration of sex and Disability, providing an all-access safe space to spin around. Antarctica by Syrus Marcus Ware imagines a world where racialized people have survived multiple catastrophes and must begin terraforming a new colony. And in Deafy by Chris Dodd, a Deaf public speaker takes the audience on an unexpected journey of discovering what it really means to belong.
Queer/play
Queer / Play includes plays, performances, interviews, and more, shining a light on important and radical voices in Canada's performance community. Through these works by both emerging and established Canadian queer artists, this diverse anthology finds itself at the intersection of queer life and art, delving into the resulting subcultures and always-changing concepts of identity and performance. In this book, queer is not just something someone is; it's also something they do.
When Words Sing
When Words Sing turns the spotlight on everything that goes into writing for opera, featuring seven contemporary Canadian libretti.
