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The Directors Lab
A new manual containing the collected advice Evan Tsitsias has received from hundreds of directors all over the world through his decade of involvement with The Directors Lab.
The Don
An in-depth exploration of the Don Jail from its inception through jailbreaks and overcrowding to its eventual shuttering and rebirth. Conceived as a “palace for prisoners,” the Don Jail never lived up to its promise. Although based on progressive nineteenth-century penal reform and architectural principles, the institution quickly deteriorated into a place of infamy where both inmates and staff were in constant danger of violence and death. Its mid-twentieth-century replacement, the New Don, soon became equally tainted. Along with investigating the origins and evolution of Toronto’s infamous jail, The Don presents a kaleidoscope of memorable characters — inmates, guards, governors, murderous gangs, meddlesome politicians, harried architects, and even a pair of star-crossed lovers whose doomed romance unfolded in the shadow of the gallows. This is the story of the Don’s tumultuous descent from palace to hellhole, its shuttering and lapse into decay, and its astonishing modern-day metamorphosis. Speaker's Book Award 2021 — Shortlisted | Brass Knuckles Award for Best Nonfiction Crime Book 2022 — Shortlisted
Refractions
This collection can be used both as a source for actors and students, or as a primer on diverse Canadian theatre and an entry point into new works. Refractions: Scenes includes work by Michaela di Cesare, Rob Salerno, Lisa Codrington, Patti Flather, Ciarán Myers, Reneltta Arluk, Colleen Murphy, Deidre Walton, David Yee, and many more.
The Idea of the Avant Garde
The concept of the avant garde is highly contested, whether one consigns it to history or claims it for present-day or future uses. The first volume of The Idea of the Avant Garde – And What It Means Today provided a lively forum on the kinds of radical art theory and partisan practices that are possible in today’s world of global art markets and creative industry entrepreneurialism. This second volume presents the work of another 50 artists and writers, exploring the diverse ways that avant-gardism develops reflexive and experimental combinations of aesthetic and political praxis. The manifest strategies, temporalities, and genealogies of avant-garde art and politics are expressed through an international, intergenerational, and interdisciplinary convocation of ideas that covers the fields of film, video, architecture, visual art, art activism, literature, poetry, theatre, performance, intermedia and music.
Beyond Text
Taking up the work of prominent theater and performance artists, Beyond Text reveals the audacity and beauty of avant-garde performance in print. With extended analyses of the works of Edward Gordon Craig, German expressionist Lothar Schreyer, the Living Theatre, Carolee Schneemann, and Guillermo Gómez-Peña, the book shows how live performance and print aesthetically revived one another during a period in which both were supposed to be in a state of terminal cultural decline. While the European and American avant-gardes did indeed dismiss the dramatic author, they also adopted print as a theatrical medium, altering the status, form, and function of text and image in ways that continue to i...
Lion in the Streets
Seventeen years ago, Isobel was murdered at the tender age of nine. Now she finds herself back in her previous life as a ghost, searching for the person responsible for her untimely death. But this time she's powerful, having the ability ot watch over the living, observe them, and sometimes interact with them. Of special interest are Isobel's former neighbours, whom she begins to suffer along with during their dark private experiences. Will she finally get the peace she's been yearning for? One of Judith Thompson's most enduring plays, Lion in the Streets looks at the inner turmoil of ordinary people and the ways in which they cope.
Pragmatist Philosophy and Dance
This book investigates how Pragmatist philosophy as a philosophical method contributes to the understanding and practice of interdisciplinary dance research. It uses the author's own practice-based research project, Later Rain, to illustrate this. Later Rain is a post-dramatic dance theater work that engages primarily with issues in the philosophy of religion and socio-political philosophy. It focuses on ecstatic states that arise in Appalachian charismatic Pentecostal church services, states characterized by dancing, paroxysms, shouting, and speaking in tongues (glossolalia). Research for this work is interdisciplinary as it draws on studio practice, ethnographic field work, cultural histor...
Theatre World 2008-2009
Scenes from the plays and portraits of leading actors accompany a statistical record of the current season
This Is Beyond
In this rapid moment of expansion in queer theatre, when everything is exposed, interrogated, and investigated, This is Beyond is a time capsule of where we are now and a map for where we might go next. Co-editors Evan Tsitsias and Bilal Baig strike out to capture the magnitude of this seismic shift, asking: How far have we come? What's changed? What's stayed the same? What do we need to do to continue to change things? An anthology that moves like a satellite in the sky, This is Beyond confronts and expands our current perceptions so that we may continue to explore the new and unknown. Monologues, essays, poetry, and opinion pieces speak to the transformation of queer theatre through a myriad of diverse experiences, using stories, myths, and magic to unveil the intersections of queerness and cultures. Each piece gives voice to what it means to be a member of the queer community in an ever-evolving society, offering actors of every age, colour, culture, and generation empowered queer stories to play with, ponder over, learn from, and embody within our current cultural moment.
Kaddish
Tadeusz Kantor (1915-90) was renowned for his revolutionary theater performances in both his native Poland and abroad. Despite nominally being a Catholic, Kantor had a unique relationship with Jewish culture and incorporated many elements of Jewish theater into his works. In Kaddish, Jan Kott, an equally important figure in twentieth-century theater criticism, presents one of the most poignant descriptions of what might be called "the experience of Kantor." At the core of the book is a fundamental philosophical question: What can save the memory of Kantor's "Theatre of Death"--the Image, or the Word/Logos? Kott's biblical answer in Kaddish is that Kantor's theatre can be saved in its essence only by the Word, the Logos. This slim volume, Kott's final work, is a distilled meditation that casts light on how two of the most prominent figures in Western theater reflected on the philosophy of the stage.
