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Wild Words
As the first collection of literary criticism focusing on Alberta writers, Wild Words establishes a basis for identifying Alberta fiction, poetry, drama, and nonfiction as valid subjects of study in their own right. The idea for this collection began with 100 years of literary tradition for Alberta's centenary. However, Alberta's literary roots go back much farther than that to the oration of First Nation's peoples and the colonizing exploration and travel literature of the 18th and 19th centuries.
Midlife
[I tell her] “golf is sacred. Holy. Sacrosanct.” I like that. Sacrosanct. So she tells me about this article she read, about the attitude of the average middle-aged guy toward the game of golf…Anyway, according to Darlene, the idea behind this stupid article is that at a certain age, men give up on sex and spend all their time and energy on golf instead. To which I asked, So what’s your point? That didn’t go down so well. (Jack in Act I) The landscape of middle-aged male bravado and angst that Eugene Stickland populates here with Calgary oilmen and their romantic difficulties has been visited before—by John Updike, Richard Ford, and other prose writers of the past generation. But rarely has it been visited in dramatic form with the combination of broad humor and gentle wit that Stickland brings to this new comedy. Midlife is being published in conjunction with its world premiere as part of Alberta Theatre Projects playRites Festival, February/March 2002.
West-words
West-words gives the reader a bird's-eye view of the contemporary theatre scene across the prairies.
Behind the Scenes
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The Theatre Listing
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Behind the Scenes
"Scenes from Canadian plays for two to six actors. Thirty-two excellent opportunities for young thespians ... these are texts which I would certainly use with my own senior students of dramatic arts." -Reviewing Librarian
Hot Thespian Action!
In Hot Thespian Action! Robin Whittaker argues that new plays can thrive in amateur theatres, which have freedoms unavailable to professional companies. He proves it with ten relevant, engaging playscripts originally produced by one of Canada's longest-running theatres, Edmonton's acclaimed Walterdale Theatre Associates. This collection challenges notions that amateur theatre is solely a phenomenon of the pre-professional past. Whittaker makes an important contribution to Canadian theatre studies with the first North American anthology in 80 years to collect plays first produced by a nonprofessionalized theatre company.
History of Literature in Canada
The development of literature in Canada with an eye to its multicultural, multiethnic, multilingual nature. From modest colonial beginnings, literature in Canada has arrived at the center stage of world literature. Works by English-Canadian writers -- both established writers such as Margaret Atwood and new talents such as Yann Martel -- make regular appearances on international bestseller lists. French-Canadian literature has also found its own voice in the North American and francophone worlds. "CanLit" has likewise developed into a staple of academic interest, pursued in Canadian Studies programs in Canada and around the world. This volume draws on the expertise of scholars from Canada, G...
The Playwright's Muse
August Wilson penned his first play after seeing a man shot to death. Horton Foote began writing plays to create parts for himself as an actor. Edward Albee faced commercial pressures to modify his scripts-and resisted. After Wit, Margaret Edson swore off playwriting altogether and decided to keep her day job as a kindergarten teacher, instead. The Playwright's Muse presents never-before-published interviews with some of the greatest names of American drama-all recent winners of the Pulitzer Prize. In these scintillating exchanges with eleven leading dramatists, we learn about their inspirations and begin to grasp how the creative process works in the mind of a writer. We learn how their first plays took shape, how it felt to read their first reviews, and what keeps them writing for theater today. Introductory essays on each playwright's life and work, written by theater artists and scholars with strong professional relationships to their subjects, provide additional insight into the writers' contributions to contemporary theater.
The Cambridge Guide to Theatre
Provides information on the history and present practice of theater in the world.
