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The Madhouse of Language
Language has always been used as a measure of social, ideological, and psychological contexts for the exploration of madness. The Madhouse of Language considers the relations between madness and language from the late seventeenth to early nineteenth centuries, focusing on the close analysis of both medical records and texts by mad writers. It presents a highly original account of the linguistic relations between madness and sanity, of the appropriation by sane writers of the forms of English, and of attempts by mad patients to gain access to the expressive potential of language.
The Enterprise of Enlightenment
Published on the occasion of his retirement in honour of his outstanding contribution to French Enlightenment studies, this volume explores those areas of research in which David Williams has excelled and continues to excel: literary criticism, particularly Voltaire, the history of ideas, women and Enlightenment, colonial practices and revolutionary politics. It brings together a collection of essays from some of the most prestigious international names in the field and tackles subjects which expose in all their splendid diversity the enterprise - both innovation and undertaking - of the Siècle des Lumières.
Disturbing Nature in Narrative Literature
Disturbing Nature in Narrative Literature identifies and analyses encounters with unexpected, disconcerting, and unsettling aspects of the natural world, as these have been represented across a wide range of literary texts. It includes in‐depth discussion of both familiar and less familiar works from the British, American, and European literary traditions, and from the Classical period to today. The motifs discussed include earthquakes, forests, storms, animals, and oceanic depth, and the writers include Virgil, Ovid, Dante, Shakespeare, Aphra Behn, Voltaire, Heinrich von Kleist, Herman Melville, H.G. Wells, J.R.R. Tolkien, Gabriel García Márquez, José Saramago, Margaret Atwood, and Annie Proulx. Rich in both close textual analysis and contextual discussion, Disturbing Nature in Narrative Literature offers a vivid introduction to several topical approaches to literary‐critical analysis, including ecocriticism, new materialism, affect theory, and human‐animal studies, thereby demonstrating how literature shapes and is shaped by our response to the pressing questions of our time.
News in Early Modern Europe
News in Early Modern Europe presents new research on the nature, production, and dissemination of a variety of forms of news writing from across Europe during the early modern period.
Historical Disasters in Context
Growing concerns about climate change and the increasing occurrence of ever more devastating natural disasters in some parts of the world and their consequences for human life, not only in the immediately affected regions, but for all of us, have increased our desire to learn more about disaster experiences in the past. How did disaster experiences impact on the development of modern sciences in the early modern era? Why did religion continue to play such an important role in the encounter with disasters, despite the strong trend towards secularization in the modern world? What was the political role of disasters? Historical Disasters in Context illustrates how past societies coped with a th...
Catastrophe, Gender and Urban Experience, 1648-1920
As Enlightenment notions of predictability, progress and the sense that humans could control and shape their environments informed European thought, catastrophes shook many towns to the core, challenging the new world view with dramatic impact. This book concentrates on a period marked by passage from a society of scarcity to one of expenditure and accumulation, from ranks and orders to greater social mobility, from traditional village life to new bourgeois and even individualistic urbanism. The volume employs a broad definition of catastrophe, as it examines how urban communities conceived, adapted to, and were transformed by catastrophes, both natural and human-made. Competing views of gen...
The King's Crown
Basil Guy is Professor Emeritus of French, University of California, Berkeley. A decorated World War II veteran, he is the author of several books and editions, including an outstanding translation of Charles-Joseph de Ligne Coup d'oeil sur Beloeil (University of California Press, 1986). His work reflects a wide variety of academic interests, ranging from Voltaire and Rousseau to art history and the literature of gardens, to European perceptions of China in the 18th century. He has directed and participated in directing numerous theses and dissertations in French, history, and art history at the University of California, Berkeley. He has forged enduring academic and intellectual friendships across both the Atlantic and the Pacific oceans. His former students teach at universities across the United States.
Perfecting Perfection
Henry D. Rack is one of the most profound historians of the Methodist movement in modern times. He has spent a lifetime researching and writing about the rise and significance of John Wesley and his Methodist followers in the eighteenth century and has also uncovered the historical significance of the Methodist Church in the nineteenth and twentieth centuries. Collected here in this volume are thirteen essays honoring the life and scholarship of Dr. Rack from a host of international scholars in the field. The topics range from Wesley's view of grace in the eighteenth century to the dynamic intersection of the Methodist and Tractarian movements in the nineteenth century. A bibliographical essay of Rack's most prominent publications in the field of Methodist studies is also provided. In the end, the collection of essays offered here in honor of Dr. Rack will be engaging and provocative for considering Methodist Studies in the present and future generations.
The Culture of Disaster
From antiquity through the Enlightenment, disasters were attributed to the obscure power of the stars or the vengeance of angry gods. As philosophers sought to reassess the origins of natural disasters, they also made it clear that humans shared responsibility for the damages caused by a violent universe. This far-ranging book explores the way writers, thinkers, and artists have responded to the increasingly political concept of disaster from the Enlightenment until today. Marie-Hélène Huet argues that post-Enlightenment culture has been haunted by the sense of emergency that made natural catastrophes and human deeds both a collective crisis and a personal tragedy. From the plague of 1720 to the cholera of 1832, from shipwrecks to film dystopias, disasters raise questions about identity and memory, technology, control, and liability. In her analysis, Huet considers anew the mythical figures of Medusa and Apollo, theories of epidemics, earthquakes, political crises, and films such as Blow-Up and Blade Runner. With its scope and precision, The Culture of Disaster will appeal to a wide public interested in modern culture, philosophy, and intellectual history.
Major Women Writers of Seventeenth-century England
The first comprehensive anthology of seventeenth-century English women writers
