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The Romano-British Villa at Castle Copse, Great Bedwyn
These efforts have shed light not only on the history of the villa itself, but also on the shifting focus of power over the course of a millennium at the sites associated with Castle Copse in the immediate region - the Iron Age hillfort of Chisbury, a post-Roman settlement, and a Saxon village destined to become an urban center.
Regents' Proceedings
None
Morgantina Studies, Volume II
This volume continues documenting the well-known excavations at Morgantina, a Greek town in central Sicily, in a presentation of the largest body of coins ever unearthed at an Italian site and published as a group. The excavations, conducted by Princeton University, The University of Illinois, and The University of Virginia between 1955 and 1981, produced nearly 10,000 identifiable coins--most of them at of Sicilian Greek and Roman issues, struck before the end of the first century B.C. The numismatic evidence not only made possible the initial identification fo the side as Morgantina, but has subsequently opened the way to reconstructing the history of early Roman Republican coinage and the...
Pirro Ligorio’s Worlds
Pirro Ligorio’s Worlds brings renowned Ligorio specialists into conversation with emerging young scholars, on various aspects of the artistic, antiquarian and intellectual production of one of the most fascinating and learned antiquaries in the prestigious entourage of Cardinal Alessandro Farnese. The book takes a more nuanced approach to the complex topic of Ligorio’s ‘forgeries’, investigating them in relation to previously neglected aspects of his life and work.
Right and Left in Early Christian and Medieval Art
Robert Couzin’s Right and Left in Early Christian and Medieval Art provides the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century.
Handbook of Medieval Studies
This interdisciplinary handbook provides extensive information about research in medieval studies and its most important results over the last decades. The handbook is a reference work which enables the readers to quickly and purposely gain insight into the important research discussions and to inform themselves about the current status of research in the field. The handbook consists of four parts. The first, large section offers articles on all of the main disciplines and discussions of the field. The second section presents articles on the key concepts of modern medieval studies and the debates therein. The third section is a lexicon of the most important text genres of the Middle Ages. The fourth section provides an international bio-bibliographical lexicon of the most prominent medievalists in all disciplines. A comprehensive bibliography rounds off the compendium. The result is a reference work which exhaustively documents the current status of research in medieval studies and brings the disciplines and experts of the field together.
Corpus monumentorum religionis dei Menis (CMRDM), Volume 1 Monuments and Inscriptions
Preliminary material -- GRAECIA -- DACIA -- ITALIA -- ASIA MINOR -- DUBIA -- ADDENDA -- TOPOGRAPHICAL INDEX -- MUSEUM INDEX -- PLATES I-CV.
Money in the Age of Tiberius
During the two centuries before the birth of Christ, all the lands around the Mediterranean came under the control of the Romans. Their power extended into Europe as far as the Rhine and the Danube and into Asia as far as the Euphrates. Some use was made of coined money over the whole of that area before the Romans came; there were diverse currencies, based on a number of different systems. By the middle of the first century A.D. Roman gold and silver had taken the place of almost all other value currencies, and in much of the area Roman bronze and copper had taken the place of other kinds of small change. So much is clear, but much else remains far from clear. What purposes had the Roman go...
The Oxford Handbook of Roman Imagery and Iconography
"Roman imagery and iconography are typically studied under the more general umbrella of Roman art and in broader, medium-specific studies. This handbook focuses primarily on visual imagery in the Roman world, examined by context and period, and the evolving scholarly traditions of iconographic analysis and visual semiotics that have framed the modern study of these images. As such topics-or, more directly, the isolation of these topics from medium-specific or strictly temporal evaluations of Roman art-are uncommon in monograph-length studies, our goal is that this handbook will be an important reference for both the communicative value of images in the Roman world and the tradition of iconographical analysis. The chapters herein represent contributions from a number of leading and emerging authorities on Roman imagery and iconography from across the world, representing a variety of academic traditions and methods of image analysis"--
