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On the Edge of America
"The past quarter century has witnessed the emergence of a scholarly appreciation of American art in California. Yet assessments of the early modern (pre-1950) have been haphazard. Now in one bold volume, these scholars have remedied that deficiency. Thanks to the rich essays of this wonderful book, the art history of California--and the nation!--is graced with further light."--Dr. Kevin Starr, State Librarian of California "The authors of these essays illuminate a diverse and compelling history, one in which what happened at the geographic edges sheds new light on the European points of original. A lively and valuable contribution, not just to regional history, but to the making and transmi...
Master the GMAT: Practice Test 3
Master the GMAT: Practice Test 3, part of Peterson's Master the GMAT, is a full-length practice test for the GMAT, with detailed answer explanations for each question. This practice test contains the same number and mix of question types that you will encounter on the actual GMAT. The answer explanations are invaluable for helping you learn from your mistakes. To accurately measure your performance, try to strictly adhere to the state time limits for each section.
The Positive Image
The Positive Image tells the largely untold story of women photographers in turn of the century America. Women like Gertrude Käsebier, Frances Benjamin Johnston, Alice Austen, Catherine Weed Ward, and Eva Watson-Schütze were among thousands of women who as professional and amateur photographers sought personal, artistic, and professional fulfillment while still connected to the traditional domestic environment. These women created a positive experience for themselves in photography through an identifiable female network of women photographers, through membership in camera clubs, and in many cases, through their association with photography great Alfred Stieglitz. Theirs became an alliance between women, art, culture, and technology in a time of intense social change in the United States.
Women's Camera Work
Gertrude Kasebier, Imogen Cunningham, Dorothea Lange, Laura Gilpin--author Judith Fryer Davidov examines the influence of the lives and work of a particular network of women photographers linked by time, interaction, and friendship. In presenting one of the most important strands of American photography, this richly illustrated book will interest students of American visual culture, women's studies, and general readers alike. 220 photos.
John Vachon’s America
From 1936 to 1943, John Vachon traveled across America as part of the Farm Security Administration photography project, documenting the desperate world of the Great Depression and also the efforts at resistance—from strikes to stoic determination. This collection, the first to feature Vachon's work, offers a stirring and elegant record of this extraordinary photographer's vision and of America's land and people as the country moved from the depths of the Depression to the dramatic mobilization for World War II. Vachon's portraits of white and black Americans are among the most affecting that FSA photographers produced; and his portrayals of the American landscape, from rural scenes to smal...
Ioway Life
In 1837 the Ioways, an Indigenous people who had called most of present-day Iowa and Missouri home, were suddenly bound by the Treaty of 1836 with the U.S. federal government to restrict themselves to a two-hundred-square-mile parcel of land west of the Missouri River. Forcibly removed to the newly created Great Nemaha Agency, the Ioway men, women, and children, numbering nearly a thousand, were promised that through hard work and discipline they could enter mainstream American society. All that was required was that they give up everything that made them Ioway. In Ioway Life, Greg Olson provides the first detailed account of how the tribe met this challenge during the first two decades of t...
Publications of the Metropolitan Museum of Art, 1964-2005
The present volume, Publications of The Metropolitan Museum of Art, 1964-2005, is a successor to a volume published by the Museum in 1965 entitled Publications of The Metropolitan Museum of Art, 1870-1964. These two bibliographic volumes endeavor to list all the known books, pamphlets, and serial publications bearing the Museum's imprint, and issued by the institution during the first 135 years of its existence (through June 2005). The first volume was compiled by Albert TenEyck Gardner, at the time an Associate Curator of American Paintings and Sculpture, and the present volume has been compiled from the Annual Reports issued by the Museum during the relevant years. Together the two volumes...
Iron Muse
The construction of the transcontinental railroad (1865Ð1869) marked a milestone in United States history, symbolizing both the joining of the countryÕs two coasts and the taming of its frontier wilderness by modern technology. But it was through the power of imagesÑand especially the photographÑthat the railroad attained its iconic status. Iron Muse provides a unique look at the production, distribution, and publication of images of the transcontinental railroad: from their use as an official record by the railroad corporations, to their reproduction in the illustrated press and travel guides, and finally to their adaptation to direct sales and albums in the late nineteenth and twentieth centuries. Tracing the complex relationships and occasional conflicts between photographer, publisher, and curator as they crafted the photographsÕ different meanings over time, Willumson provides a comprehensive portrayal of the creation and evolution of an important slice of American visual culture.
Art of the Gold Rush
Brochure of an exhibition of paintings and drawings about life in nineteenth century California shortly after the Gold Rush. With artist, title, date, dimensions, and owning museum.
Picturing Arizona
The more than one hundred images--by well-known photographers such as Dorothea Lange and Laura Gilpin as well as by an array of less familiar ones--places the work of local Arizonans alongside that of federal photographers both to illuminate the impact of the Depression on the state's distinctive racial and natural landscapes and to show the influence of differing cultural agendas on the photographic record. Includes essays by a variety of authors on life in 1930s Arizona and the photographers who documented it.
