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Law Student Professional Development and Formation
Offers actionable steps to legal educators to foster each student's professional identity.
Arion
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Harper's New Monthly Magazine
Important American periodical dating back to 1850.
A Kiss from Moët
She's young. Gorgeous. Cursed.And she's so not going to put up with it.Moët Arkady is a Lecora -cursed by an ancient swamp magic so that any man she kisses could end up not only possessing HER but a lifetime of fabulously good luck to boot. Not exactly helpful when returning home after years of banishment BAM! Moët's plane crashes right into the swamp that created the curse in the first place. So when Moët must play good Samaritan to a drowning passenger, what was that? A kiss? Better not be, because he's Moses Gentry, the indomitable Gentry in The Consortium v. Gentry Refinery, the biggest most dangerous legal war these southern Parishes have ever seen, the one that will decide whether t...
Seduction and Power
Based on a conference held at the University of Bristol in September, 2010.
Riccardo Freda
In an eclectic career spanning four decades, Italian director Riccardo Freda (1909-1999) produced films of remarkable technical skill and powerful visual style, including the swashbuckler Black Eagle (1946), an adaptation of Les Miserables (1947), the peplum Theodora, Slave Empress (1954) and a number of cult-favorite Gothic and horror films such as I Vampiri (1957), The Horrible Dr. Hichcock (1962) and The Ghost (1963). Freda was first championed in the 1960s by French critics who labeled him "the European Raoul Walsh," and enjoyed growing critical esteem over the years. This book covers his life and career for the first time in English, with detailed analyses of his films and exclusive interviews with his collaborators and family.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
