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அறிஞர் தொ. பரமசிவனின் ‘அழகர் கோயில்’ தமிழில் கோயில்சார் பண்பாட்டாய்வுக்கு எடுத்துக்காட்டான முழுமுதல் நூல். கல்விப் புலத்தில் உயராய்வு நிலையில் அதன் தாக்கம் உணரப்பட்டது. கல்விப்புலக் கோட்பாடுகளின் குறுக்கமற்ற உரையாடல் மரபிலான ஒரு முறையியலையும் திராவிடவி...
This is a book about the newness of old things. It concerns an oratorical revolution, a transformation of oratorical style linked to larger transformations in society at large. It explores the aesthetics of Tamil oratory and its vital relationship to one of the key institutions of modern society: democracy. Therefore this book also bears on the centrality of language to the modern human condition. Though Tamil oratory is a relatively new practice in south India, the Dravidian (or Tamil nationalist) style employs archaic forms of Tamil that suggest an ancient mode of speech. Beginning with the advent of mass democratic politics in the 1940s, a new generation of politician adopted this style, ...
Throughout history, speech and storytelling have united communities and mobilized movements. Protestant Textuality and the Tamil Modern examines this phenomenon in Tamil-speaking South India over the last three centuries, charting the development of political oratory and its influence on society. Supplementing his narrative with thorough archival work, Bernard Bate begins with Protestant missionaries' introduction of the sermonic genre and takes the reader through its local vernacularization. What originally began as a format of religious speech became an essential political infrastructure used to galvanize support for new social imaginaries, from Indian independence to Tamil nationalism. Completed by a team of Bate's colleagues, this ethnography marries linguistic anthropology to performance studies and political history, illuminating new geographies of belonging in the modern era.
This book comprises speeches delivered by the Honourable Vice President of India Shri M. Venkaiah Naidu since his assumption of office as the 13thVice President of India on the 11thof August 2017.The Vice President has, during the last one year, addressed more than 400 meetings covering a wide range of audiences on a variety of topics ranging from Education to National Security and from Agriculture and Culture to Science and Technology. He has addressed a number of convocations and has delivered keynote addresses and memorial lectures in all the States and Union Territories of our country.The book contains 92 speeches and is categorized into six broad sections - ‘Functioning of Legislature...
Christhu Doss examines how the colonial construct of communalism through the fault lines of the supposed religious neutrality, the hunger for the bread of life, the establishment of exclusive village settlements for the proselytes, the rhetoric of Victorian morality, the booby-traps of modernity, and the subversion of Indian cultural heritage resulted in a radical reorientation of religious allegiance that eventually created a perpetual detachment between proselytes and the “others.” Exploring the trajectories of communalism, Doss demonstrates how the multicultural Indian society, known widely for its composite culture, and secular convictions were categorized, compartmentalized, and communalized by the racialized religious pretensions. A vital read for historians, political scientists, sociologists, anthropologists, and all those who are interested in religions, cultures, identity politics, and decolonization in modern India.
Prologue: Global itineraries, Earth inscriptions -- In pursuit of a global thing -- "As you live in the world, you ought to know something of the world"--The global pandit -- Down to Earth? Of girls and globes -- "It's called a globe. It is the Earth. Our Earth!" -- Epilogue: The conquest of the world as globe
‘நாம் அறிந்த தமிழகத்தின் அறியாத பரிமாணம் இந்நூல். ஒரு பொருட்டாக நாம் கருதாத ஒரு செய்தியை எடுத்துக்கொண்டு அதில் வரலாறும் பண்பாடும் எவ்வாறு படிவம் படிவமாகப் படிந்துள்ளன என்பதை நூலின் ஒவ்வொரு கட்டுரையும் வெளிச்சமிட்டுக் காட்டுகின்றது. உப்பு, எண்ணெய், தேங...
பண்பாடு என்பது தொன்மையான அசைவுகளின் தொடர்ச்சி. இது உயிர்த்திரள்களின் காலஞ்சார்ந்த அசைவுகளின் வெளிப்பாடு. உயிர்த்திரள் என்றால் அறுகம்புல்லும், மூங்கில் தூறும், ஆலமரமும் நமக்குக் காட்டுகின்ற வெளிப்பாடுகள். புதர் என்பதன் முந்திய வடிவமான அறுகம்புல், தூறு என்...
Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact that the Tamil film industry, based in southern India, has overtaken Bollywood in terms of annual output. This book examines critically the cultural and cinematic representations in Tamil cinema. It outlines its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora. Throughout, the book cogently links the analysis to wider social, political and cultural phenomena in Tamil and Indian society. Overall, it is an exciting and original contribution to an under-studied field, also facilitating a fresh consideration of the existing body of scholarship on Indian cinema.