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Sixteen nationally acclaimed authors reflect on how their Midwestern heritage has affected their attitudes, values, and development as writers. Includes brief biographies and bandw photos of contributors. Annotation copyright by Book News, Inc., Portland, OR
"Western writers," says Thomas J. Lyon in his epilogue to Updating the Literary West, "have grown up with the frontier myth but now find themselves in the early stages of creating a new western myth." The editors of the Literary History of the American West (TCU Press, 1987) hoped that the first volume would begin, not conclude, their exploration of the West's literary heritage. Out of this hope comes Updating the Literary West, a comprehensive reference anthology including essays by over one hundred scholars. A selected bibliography is included with each piece. In the ten years since publication of LHAW, western writing has developed a significantly larger presence in the national literary ...
Using the author?s own experiences in addition to a survey of 150 creative writing teachers, this book critiques the creative writing workshop and suggests a possible replacement that ?unsilences? the writer and recognises the complexities of the student?teacher relationship by focussing on dialogue rather than criticism.
Only eternal life is worthy of the name, writes Kilian McDonnell, O.S.B., in an elegy for a brother monk, and in his poetry one feels the working out of this life that begins with Adam and proceeds beyond our own span of time on earth. These poems breathe human air, but are always conscious of the larger picture of life in Christ. I wrestle with God 'flesh to flesh, sweat to mystery, ' and I limp away. This is how Father McDonnell describes his poetic project, and in these poems the reader attends a wrestling match of the highest order. He takes on the great themes of poetry: desire, mortality, love and age, brotherhood and God. Beginning with the figures of the Old and New Testament, he is ...
From the Pulitzer Prize–winning poet, a stunning collection of poems that course with the rhythms of nature. A poet of piercing revelations and arresting imagery, Kumin is "unforgettable, indispensable" (New York Times Book Review). In And Short the Season she muses on mortality: her own and that of the earth. Always deeply personal, always political, these poems blend myth and modernity, fecundity and death, and the violence and tenderness of humankind. From "Whereof the Gift Is Small" And short the season, first rubythroat in the fading lilacs, alyssum in bloom, a honeybee bumbling in the bleeding heart on my gelding’s grave while beetles swarm him underground. Wet feet, wet cuffs, little flecks of buttercup on my sneaker toes, bluets, violets crowding out the tufts of rich new grass the horses nose and nibble like sleepwalkers held fast— brittle beauty—might this be the last?
Emily Dickinsons words may be well known to students, but they may know very little of her quiet solitary life. This text positions her work within the political climate in which she lived, the culture and expectations for an educated young woman of the day, and discusses what it meant to be a poet during the American Civil War. Through critical analysis of her themes, language, and style and direct quotations from Dickinsons many correspondences, readers will learn how to think about and understand the works of Emily Dickinson.
This collection of stories contains a multicultural thread which runs through all the pages bind the stories intimately together, providing the reader with a seamless experience. The tone and style flows continuously from story to story, which allows the reader to experience the collection not as four isolated moments of multiculturalism, but rather as a culmination of an entire world struggling to understand, tolerate, and accept the various cultural beliefs of the world. In this prize-winning collection of stories, people from diverse cultural, ethnic, and class backgrounds respond to large historical events such as 9/11 and to forces beyond their individual control such as Hurricane Katri...
Louis Phillips, a widely published poet, playwright, and short story writer, has written some 50 books for children and adults. Among his published works are: five collections of short stories – A DREAM OF COUNTRIES WHERE NO ONE DARE LIVE (SMU Press), THE BUS TO THE MOON (Fort Schuyler Press), and THE WOMAN WHO WROTE KING LEAR AND OTHER STORIES (Pleasure Boat Studio), FIREWORKS IN SOME PARTICULARS (Fort Schuyler Press), and MUST I WEEP FOR THE DANCING BEAR (Pleasure Boat Studio). HOT CORNER, a collection of his baseball writings, and R.I. P. (a sequence of poems about Rip Van Winkle) from Livingston Press; THE ENVOI MESSAGES, and THE LAST OF THE MARX BROTHERS’ WRITERS, full-length plays,...
Kimberly M. Blaeser begins with an examination of Vizenor's concept of Native American oral culture and his unique incorporation of oral tradition in the written word. She details Vizenor's efforts to produce a form of writing that resists static meaning, involves the writer in the creation of the literary moment, and invites political action and explores the place of Vizenor's work within the larger context of contemporary tribal literature, Native American scholarship, and critical theory.
In an age when many find themselves disconnected from the natural world, celebrated poet Todd Davis offers the possibilities of reconnection, of listening to the earth’s labored breathing, to the thoughts of other-than-human animals and the languages trees speak. In thirty new poems, and with ample selections from his previous seven books, Davis’s roots run deep in Rust-Belt Appalachia, attending to the harmed but healing landscape, the people whose lives are too often neglected, and the looming threat of climate collapse and extinction. Orion Magazine likens Davis’s work to Wendell Berry and Mary Oliver, as he continues to demonstrate what one reviewer describes as his knowledge of “Latin names, common names, habitats and habits . . . steeped in the exactness of the earth and the science that unfolds in wildness.” Known for both narrative and lyrical impulses, Davis asks readers to acknowledge their kinship with all living beings, which demands some grieving for past sins but also suggests a way toward restoration. With a Foreword by David James Duncan.