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Thomas Bayrle: Playtime
The work of a pioneering artist, whose explorations of mass culture, consumerism, and politics remain highly relevant today This richly illustrated monograph brings together Bayrle's paintings, sculptures, drawings, wallpapers, installations, and prints from the past years to showcase his lasting influence and continued relevance. Bayrle, along with Gerhard Richter and Sigmar Polke, is considered a pivotal figure of the German Pop movement, and his early adoption of computer-aided art production anticipated today's digital aesthetics. This remarkable book highlights the full breadth and complexity of Bayrle's career to date.
Thomas Bayrle
The catalogue presents, One Day on Success Street - a monograph that accompanies and expands upon the major survey dedicated to the renowned German artist Thomas Bayrle.It traces Bayrle's exploration of the profoundly complex impact of technology on humans and their environments over the course of his nearly 50-year career and across a range of mediums including painting, sculpture, video, collage, and installation.Featuring over 100 works from the 1960s through to the present day, the presentation highlights Bayrle's focus on the experience of the urban citizen and the artist.Essays contextualize the artist's work over the last half-century through investigations of the re-building of Europe, and its relationship to the construction of ideology, technology and culture.Published after the exhibition, Thomas Bayrle: One Day on Success Street at Institute of Contemporary Art, Miami (29 November 2016 - 26 March 2017).
Thomas Bayrle
This book represents a first attempt at offering an overview of Thomas Bayrle's multifaceted practice, from his first kinetic machines to the recent engine installations. Amply illustrated, the catalogue highlights not only the serigraphies and super-images Bayrle is perhaps best known for, but also his sculptures, his early work as a graphic designer and publisher (included is an illustrated bibliography of all of Bayrle's artist books), his videos, as well as samples from his own texts (excerpts from his 'San Francisco Diary' of 1981, reprinted here for the first time) and from his dabblings in concrete poetry. Holding together this expansive approach are the concerns that have always animated his work: consumerism and consumer society, political propaganda, weaves and patterns, movement, sexuality, religion. Exhibition: WIELS, Contemporary Art Centre, Brussels, Belgium (09.02.-12.05.2013).
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Thomas Bayrle
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Bayrle - Monotony in a Hurry
In this time of uncertainty and mixed feelings, Thomas Bayrle's new body of work grapples with and negotiates our splintered culture, the strikingly frequent intersection of our aspirations and our anxieties, our hopes and our resentments. Continuing his uncannily prescient, presciently uncanny exploration of the ways in which images saturate, inform, transform, liberate, and implicate, Bayrle presents a series of "superforms" - the artist's trademark portraits composed of repeated distortions of small, subtly unique images - of political, historical, and pop culture figures, including Xi Jinping, the Pope, and Kim Kardashian.
Bayrle Automobil
Thomas Bayrle (b. 1937) has introduced into contemporary art an awareness of the sensual qualities of machines and the aesthetics of automated production. After training as a weaver and graphic designer in the 1950s, he was one of the first artists in Germany to work with computer generated imagery; adopting the principle of serialism, he was also a pioneer of Pop art. His creative evolution is evident in his early films, all of which are on view in the exhibition. Using the means of art, Bayrle examines the laws that organize individuality and masses, gleaning his motifs from our everyday reality and the world of consumer goods. He regards the growth of urban structures and means of mass tr...
Edizioni F. Conz
The Edizioni Conz of the Italian collector, publisher and photographer Francesco Conz–including portfolios, large silkscreen prints on fabrics and objects–are among the finest and most elaborate art editions of the second half of the 20th century. A friend and patron of Viennese Actionism, Fluxus, Concrete Poetry, and Lettrism, he was an obsessive, knowledgeable enthusiast open to all the arts, for whom hospitality, the magic of community, and respect for the arts were more important than any mercantile aspirations. This publication is the first comprehensive catalogue raisonné of the editions published by Conz between 1972 and 2009. Comprising more than 500 editions, it is both a refle...
The Art Firm
The Art Firm explores the seemingly unorthodox alliance of the arts, management, and marketing. Art firmsas avant-garde enterprises and arts corporationshave existed for at least two hundred years, using texts, images, and other types of art to create corporate wealth. This book investigates how to apply the methods artists use in creating value to the methods more traditional managers use in running their businesses. Guillet de Monthoux offers a crash course in aesthetics from Kant to Gadamer, showing how aesthetic management and metaphysical marketing can create value. Using case studies of successful art managers from Richard Wagner to Robert Wilson, the author illustrates the creative roleso central to value-making in contemporary economiesperformed by aesthetic play in art firms. Along the way, Guillet de Monthoux points out how responsible aesthetic management and marketing can eradicate the problems of banality and totality, the two capital sins of an art-based economy.
