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Thomas Bayrle
Not only Mao before the masses, but also dozens of housewives armed with brooms, scores of Gillette razors and hundreds of Mon Cheri chocolates. In a play on perceptions in which nothing (or everything) is what it seems, in the midst of a profusion of food tins, cleaning products, cars, reinforced concrete buildings and motorways that populate the works of Thomas Bayrle (Berlin, 1937). Acclaimed as one of the voices of Pop Art in Germany, the truth is that Bayrle's ironic, repetitive, almost grotesque visual displays ultimately subvert the paradigms of the Pop movement. His works are practically psychedelic maps constructed from mosaics of images and hallucinatory to a point far beyond pop's hypnotic and surface effects. This book, based on the first retrospective devoted to this artist of artists, reproduces part of his work.
Thomas Bayrle: Playtime
The work of a pioneering artist, whose explorations of mass culture, consumerism, and politics remain highly relevant today This richly illustrated monograph brings together Bayrle's paintings, sculptures, drawings, wallpapers, installations, and prints from the past years to showcase his lasting influence and continued relevance. Bayrle, along with Gerhard Richter and Sigmar Polke, is considered a pivotal figure of the German Pop movement, and his early adoption of computer-aided art production anticipated today's digital aesthetics. This remarkable book highlights the full breadth and complexity of Bayrle's career to date.
Thomas Bayrle
The catalogue presents, One Day on Success Street - a monograph that accompanies and expands upon the major survey dedicated to the renowned German artist Thomas Bayrle.It traces Bayrle's exploration of the profoundly complex impact of technology on humans and their environments over the course of his nearly 50-year career and across a range of mediums including painting, sculpture, video, collage, and installation.Featuring over 100 works from the 1960s through to the present day, the presentation highlights Bayrle's focus on the experience of the urban citizen and the artist.Essays contextualize the artist's work over the last half-century through investigations of the re-building of Europe, and its relationship to the construction of ideology, technology and culture.Published after the exhibition, Thomas Bayrle: One Day on Success Street at Institute of Contemporary Art, Miami (29 November 2016 - 26 March 2017).
Thomas Bayrle
This book represents a first attempt at offering an overview of Thomas Bayrle's multifaceted practice, from his first kinetic machines to the recent engine installations. Amply illustrated, the catalogue highlights not only the serigraphies and super-images Bayrle is perhaps best known for, but also his sculptures, his early work as a graphic designer and publisher (included is an illustrated bibliography of all of Bayrle's artist books), his videos, as well as samples from his own texts (excerpts from his 'San Francisco Diary' of 1981, reprinted here for the first time) and from his dabblings in concrete poetry. Holding together this expansive approach are the concerns that have always animated his work: consumerism and consumer society, political propaganda, weaves and patterns, movement, sexuality, religion. Exhibition: WIELS, Contemporary Art Centre, Brussels, Belgium (09.02.-12.05.2013).
Bayrle Automobil
Thomas Bayrle (b. 1937) has introduced into contemporary art an awareness of the sensual qualities of machines and the aesthetics of automated production. After training as a weaver and graphic designer in the 1950s, he was one of the first artists in Germany to work with computer generated imagery; adopting the principle of serialism, he was also a pioneer of Pop art. His creative evolution is evident in his early films, all of which are on view in the exhibition. Using the means of art, Bayrle examines the laws that organize individuality and masses, gleaning his motifs from our everyday reality and the world of consumer goods. He regards the growth of urban structures and means of mass tr...
Today We Should be Thinking about
Tiré du site de l'éditeur: Today we should be thinking about reflects on the first six seasons of The Artist's Institute, which took place between 2010 and 2013, and covered artists Robert Filliou, Jo Baer, Jimmie Durham, Rosemarie Trockel, Haim Steinbach and Thomas Bayrle. Narrated by Anthony Huberman, it documents the legacies and contemporary conversations that surround these artists today.
Thomas Bayrle
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Thomas Bayrle
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