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Theodore Sider presents a broad new vision of metaphysics centred on the idea of structure. To describe the world well we must use concepts that 'carve at the joints', so that conceptual structure matches reality's structure. This approach illuminates a wide range of topics, such as time, modality, ontology, and the status of metaphysics itself.
What do the humanities have to offer in the twenty-first century? Are there compelling reasons to go on teaching the literate arts when the schools themselves have become battlefields? Does it make sense to go on writing when the world itself is overrun with books that no one reads? In these simultaneously personal and erudite reflections on the future of higher education, Richard E. Miller moves from the headlines to the classroom, focusing in on how teachers and students alike confront the existential challenge of making life meaningful. In meditating on the violent events that now dominate our daily lives—school shootings, suicide bombings, terrorist attacks, contemporary warfare—Miller prompts a reconsideration of the role that institutions of higher education play in shaping our daily experiences, and asks us to reimagine the humanities as centrally important to the maintenance of a compassionate, secular society. By concentrating on those moments when individuals and institutions meet and violence results, Writing at the End of the World provides the framework that students and teachers require to engage in the work of building a better future.
The Jake Mosby Story centers around the life of 90-year-old Korean War hero Jake Mosby, his Bride of 65 years Frances, and their children and grandchildren. Jake Mosby's amazing life experiences began early--he became the patriarch of his family at the age of 11 years old; taking over his ailing father's role as provider and caretaker for his mother and sibling and hiring out to a large rice farmer in the community. His story, Jake says, would not be worth writing if he had not met and married the woman he calls his soul mate. Frances and Jake met doing what has meant so much to them both throughout their lives --praising God through song. For many years, each of them belonged to family sing...
'There are many guides to good writing but none as valuable as this.' Oliver Kamm, author and columnist for The Times Creative writing can enhance wellbeing, which can enhance creative writing, which can enhance wellbeing ... Become a better writer with over 100 inspiring prompts, insights and exercises specially devised by an award-winning author and creative writing teacher. Discover how the practice of creative writing - being expressive, exploring ideas, crafting words, shaping stories - can also deepen your appreciation of life.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction ...
Collects personal stories from people who grew up in Arkansas and asks them to discuss their lives in terms of family, community, school, and play.
Cultural Writing. African American Studies. Biography and Memoir. Former Clinton diarist, Janis F. Kearney, pens a biography that is part historical narrative and part oral history. In 2001, Kearney began a journey, in search of black American's stories about the south that shaped a man and a leader such as William Jefferson Clinton; and memories about this southern enigma, from those who knew him. Over a two year span she collected conversations, memories, and stories from men and women from across the country. These conversations, and a carefully painted abstract of the pre-civil rights Arkansas that Bill Clinton called home; are the centerpieces of this biography. CONVERSATIONS includes r...
Trains, and boats and the Mississippi River are the things that defined young TJ Kearney of southeast Arkansas. At 107-years old, he has seen it all, and lived to tell it...and, tell it, he does. The 107-year old TJ Kearney has spent his lifetime sharing the stories of his life with family, friends and passersby who happened to stop by, on Varner Road. Born just 40 years after Lincoln's Abolition of Slavery, in the atypical southern town of Lake Village, Arkansas; TJ's life was defined by struggles, losses and miracles. The wanderer-turned family patriarch was first introduced in Janis F. Kearney's award winning memoir, -Cotton Field of Dreams,- in 2004. Now, just months after he passed in 2013, the author reintroduces TJ to old and new acquaintances.
With the admittance in 1948 of Silas Hunt to the University of Arkansas Law School, the university became the first southern public institution of higher education to officially desegregate without being required to do so by court order. The process was difficult, but an important first step had been taken. Other students would follow in Silas Hunt's footsteps, and they along with the university would have to grapple with the situation. Remembrances in Black is an oral history that gathers the personal stories of African Americans who worked as faculty and staff and of students who studied at the state's flagship institution. These stories illustrate the anguish, struggle, and triumph of ind...
On the campaign trail, Barack Obama faced a difficult task—rallying African American voters while resisting his opponents’ attempts to frame him as “too black” to govern the nation as a whole. Obama’s solution was to employ what Toni Morrison calls “race-specific, race-free language,” avoiding open discussions of racial issues while using terms and references that carried a specific cultural resonance for African American voters. Stephanie Li argues that American politicians and writers are using a new kind of language to speak about race. Challenging the notion that we have moved into a “post-racial” era, she suggests that we are in an uneasy moment where American public discourse demands that race be seen, but not heard. Analyzing contemporary political speech with nuanced readings of works by such authors as Toni Morrison, Jhumpa Lahiri, and Colson Whitehead, Li investigates how Americans of color have negotiated these tensions, inventing new ways to signal racial affiliations without violating taboos against open discussions of race.