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The Penalty is Death
In 1872 Susan Eberhart was convicted of murder for helping her lover to kill his wife. The Atlanta Constitution ran a story about her hanging in Georgia that covered slightly more than four full columns of text. In an editorial sermon about her, the Constitution said that Miss Eberhart not only committed murder, but also committed adultery and "violated the sanctity of marriage." An 1890 article in the Elko Independent said of Elizabeth Potts, who was hanged for murder, "To her we look for everything that is gentle and kind and tender; and we can scarcely conceive her capable of committing the highest crime known to the law." Indeed, at the time, this attitude was also applied to women in general. By 1998 the press's and society's attitudes had changed dramatically. A columnist from Texas wrote that convicted murderess Karla Faye Tucker should not be spared just because she was a woman. The author went on to say that women could be just as violent and aggressive as men; the idea that women are defenseless and need men's protection "is probably the last vestige of institutionalized sexism that needs to be rubbed out."
History of Computer Art
The development of the use of computers and software in art from the Fifties to the present is explained. As general aspects of the history of computer art an interface model and three dominant modes to use computational processes (generative, modular, hypertextual) are presented. The "History of Computer Art" features examples of early developments in media like cybernetic sculptures, computer graphics and animation (including music videos and demos), video and computer games, reactive installations, virtual reality, evolutionary art and net art. The functions of relevant art works are explained more detailed than usual in such histories.
The Theater of Transformation
The Theater of Transformation: Postmodernism in American Drama offers a fresh and innovative reading of the contemporary experimental American theater scene and navigates through the contested and contentious relationship between postmodernism and contemporary drama. This book addresses gender and class as well as racial issues in the context of a theoretical discussion of dramatic texts, textuality, and performance. Transformation is contemporary drama's answer to the questions of postmodernism and a major technique in the development of a postmodern language for the stage. In order to demonstrate the multi-faceted nature of the postmodern theater of transformation, this study draws on a wi...
Chapman's Comprehensive Orthopaedic Surgery
Chapman’s Comprehensive Orthopaedic Surgery, 4th Edition, comprising 5807 pages across five volumes, has been totally updated and expanded to provide comprehensive coverage of the workup, medical and surgical treatment and rehabilitation of musculoskeletal disorders. The senior editors and 12 section editors from the University of California Davis Medical Center along with 554 internationally renowned experts provide in 12 subspecialty sections, containing 285 chapters, detailed coverage of all aspects of orthopaedic surgery and physical medicine and rehabilitation. The book begins with the physical examination and workup of musculoskeletal disorders, preoperative planning and perioperativ...
Mainframe Experimentalism
Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of "computer art." Juxtaposing the original works alongside scholarly contributions by well-established and emerging scholars from several disciplines, Mainframe Experimentalism demonstrates that the radical and experimental aesthetics and political and cultural engagements of early digital art stand as precursors for the mobility among technological platforms, artistic forms, and social sites that has become commonplace today. Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers ar
Neo-Avant-Garde
The neo-avant-garde of the 1950s, 60s and 70s, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blindspots in current neo-avant-garde studies, with thematic issues such as art’s entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the ‘cultural logic’ of the immediate post-World War II period.
Proof of Guilt
Barbara Graham might have been a diabolical dame in a hard-boiled detective story--beautiful, sexy, and deadly. Charged alongside two male friends in the murder of an elderly widow during a botched robbery attempt, "Bloody Babs" became the third woman executed in California--after a 1953 trial that played out before standing-room-only crowds captured the imaginations of journalists, filmmakers, and death penalty opponents. Why, Kathleen A. Cairns asks, of all the capital cases in the twentieth century, did Graham's have such political resonance and staying power? Leaving aside the question of guilt or innocence--debated to this day--Cairns examines how Graham's case became a touchstone in th...
Literatur inter- und transmedial / Inter- and Transmedial Literature
Literatur oder, allgemeiner, Texte sind nicht erst seit dem 20. Jahrhundert inter- und transmedial ausgerichtet. Dennoch ist es sinnvoll, von einer medial reflexiven Literatur erst seit dem audiovisuellen Jahrhundert zu sprechen, dem des Films. Medientransformationen sind seitdem nicht allein paradigmatische Wechsel der Systeme, sondern auch Vervielfältigungen durch die Pluralität der medialen Träger. Neben allgemeineren Fragestellungen und theoretischen Bestimmungen steht das Wechselverhältnis von Text, Bild und Musik im Zentrum detaillierter Untersuchungen. Der intermedialen Performanz ist ein weiterer Teil des Bandes gewidmet, der schließlich die Brücke zu Film und Fernsehen schläg...
