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The first comprehensive survey of the groundbreaking work of Earle Brown, augmented with several newly published items from his personal archive
Why did so many musicians in the postwar era engage with experimental practices, and why do artists continue to do so today? What happens when we acknowledge the work that goes into performing this repertoire? What kind of work is it to be a contemporary musician, anyway? To address these questions, Interpretive Labor: Experimental Music at Work presents the theory of Interpretive Labor, or the creative work of interpretation. This book introduces and develops Interpretive Labor as grounded in a vast network of participants in new music between c. 1960 and the present, establishes several models of musical work, and explores the myriad connections between music and labor in the neoliberal pr...
Besides financial goals, companies increasingly start formulating strategic environmental goals. However, the management and control of these goals remains a challenge. Therefore, this thesis aims to develop a method that is able to systematically integrate financial and environmental data in investment processes to support the achievement of strategic environmental and financial goals of companies. This new integrated investing method intends to provide a sufficient degree of scientific quality on the one hand and practical applicability on the other hand. In context of this thesis, a deficit analysis assesses reasons why current methods of environmental management accounting have not estab...
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The untold stories of seven revolutionary teen shows (The Fresh Prince of Bel-Air, My So-Called Life, Dawson’s Creek, Freaks and Geeks, The O.C., Friday Night Lights, and Glee) that shaped the course of modern television and our pop cultural landscape forever. The modern television landscape is defined by influential and ambitious shows for and about teenagers. Groundbreaking series like Euphoria, Sex Education, and Pen15 dominate awards season and lead the way when it comes to progressive, diverse, and creative storytelling. So how did we get here from Beverly Hills, 90210? In Freaks, Gleeks, and Dawson’s Creek, entertainment journalist Thea Glassman takes readers behind the scenes of s...
In the American South at the turn of the twentieth century, the legal segregation of the races and psychological sciences focused on selfhood emerged simultaneously. The two developments presented conflicting views of human nature. American psychiatry and
A VAMPIRE IN ZOMBIELAND You wouldn’t like Coburn. People don’t, as a rule. And that’s okay, because he doesn’t like people much either. People are food. Five years ago, Coburn went to sleep – wasn’t exactly planned – and he’s just woken up to find most everybody in the world dead. Not dead like him; he looks human, drinks blood. He’s smart. They’re... none of those things. They outnumber him by about a million to one, and their clotted blood cannot sustain him. Now he’s starving, and on the run. He has to find blood, soon, and – like it or not – he’s gonna have to keep an eye on the frail flesh-bags he finds it in. Time for the wolf to turn shepherd. No, Coburn doesn’t like people. But he’ll have to learn to.