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Nine case studies on the artistic representation of earthquakes, fires and other natural disasters in European towns, from the late Middle Ages to the end of the 20th century.
This is a compelling compilation of essays by international architectural theorists on the relationship of violence to space. With the events of September 11th, the London bombings, the Madrid train explosions, and the daily blasts in Baghdad, the question of violence and terrorism is imposing architectural ramifications with renewed urgency. A new sense of architectural awareness has been forged as violence is forcing its place as an architectural datum.Wide-ranging contributions approach design issues related to violence through multiple angles and intersections. We only need to flip casually through the repertoire of the built environment to realize that certain built structures (from concentration camps to separation walls, from jails to propaganda exhibitions, from slaughterhouses to suburban complexes, from illegal settlements to palaces) either sanction violence or give it a spatial ground to happen and thrive.
"Leah Marcus's The Politics of Mirth: Jonson, Herrick, Milton, Marvell, and the Defense of Old Holiday Pastimes is a fascinating study of why James and Charles promoted some types of rural sport and festival and of how certain literary texts participated in promoting or critiquing royal policy. . . . Marcus provocatively links texts not often studied in conjunction with one another, and she provides strong and detailed readings of those texts."—Jean E. Howard
The Letterbooks of John Evelyn, a collection of more than eight hundred letters selected by Evelyn himself, constitutes an essential new resource for scholars of seventeenth-century England.
Acclaim for The Great Fire of London "Popular narrative history at its best, well researched, imaginatively and dramatically written. . . . The author marshals his story and his mass of contemporary quotations with great skill." —Times Literary Supplement "The brilliance of its narrative chapters . . . a marvelous eye for evocative detail. Hanson’s prose is animated by the ferocious energy of the fire and seems to be guided by its inexorable movement. He creates the literary equivalent of the special effects in a disaster movie. . . . A rich mixture of imagination and research." —The Daily Telegraph (London) "He writes with knowledge and verve. As if making a television documentary on ...