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Jazz
Praised by the Washington Post as a "tough, unblinkered critic," James Lincoln Collier is probably the most controversial writer on jazz today. His acclaimed biographies of Louis Armstrong, Duke Ellington, and Benny Goodman continue to spark debate in jazz circles, and his iconoclastic articles on jazz over the past 30 years have attracted even more attention. With the publication of Jazz: The American Theme Song, Collier does nothing to soften his reputation for hard-hitting, incisive commentary. Questioning everything we think we know about jazz--its origins, its innovative geniuses, the importance of improvisation and spontaneous inspiration in a performance--and the jazz world, these ten...
Spaniards, Planters, and Slaves
Spaniards, Planters, and Slaves is a provocative look at the institution of slavery and how it functioned as a part of Louisiana's culture during the years of Spanish rule. Gilbert C. Din challenges the idea that conditions under the Spaniards differed little from the years of French rule and examines how local culture merged with colonial government and residual laws to create a slave system unlike any other in the Deep South. Din presents many aspects of the slavery issue, including a look at the French system, conflicts between planters who favored the established system and governors who promoted the less stringent Spanish laws, and the political favoritism that sought to benefit the wea...
Coolies and Cane
Publisher Description
Struggling to Define a Nation
Identifying music as a vital site of cultural debate, Struggling to Define a Nation captures the dynamic, contested nature of musical life in the United States. In an engaging blend of music analysis and cultural critique, Charles Hiroshi Garrett examines a dazzling array of genres—including art music, jazz, popular song, ragtime, and Hawaiian music—and numerous well-known musicians, such as Charles Ives, Jelly Roll Morton, Louis Armstrong, and Irving Berlin. Garrett argues that rather than a single, unified vision, an exploration of the past century reveals a contested array of musical perspectives on the nation, each one advancing a different facet of American identity through sound.
Cultures of Darkness
Peasants, religious heretics, witches, pirates, runaway slaves, prostitutes and pornographers, frequenters of taverns and fraternal society lodge rooms, revolutionaries, blues and jazz musicians, beats, and contemporary youth gangs--those who defied authority, choosing to live outside the defining cultural dominions of early insurgent and, later, dominant capitalism are what Bryan D. Palmer calls people of the night. These lives of opposition, or otherness, were seen by the powerful as deviant, rejecting authority, and consequently threatening to the established order. Constructing a rich historical tapestry of example and experience spanning eight centuries, Palmer details lives of exclusio...
Empires of the Imagination
Empires of the Imagination takes the Louisiana Purchase as a point of departure for a compelling new discussion of the interaction between France and the United States. In addition to offering the first substantive synthesis of this transatlantic relationship, the essays collected here offer new interpretations on themes vital to the subject, ranging from political culture to intercultural contact to ethnic identity. They capture the cultural breadth of the territories encompassed by the Louisiana Purchase, exploring not only French and Anglo-American experiences, but also those of Native Americans and African Americans. Despite differences in concerns and methods, the pieces collected share...
Dixie Debates
The contemporary American South is a region of economic expansion, political sophistication, and, particularly, cultural ferment. Its literature is well-known and celebrated. But what of the popular cultural forms of expression that have done so much to reflect the curious tensions between the traditional South—white-dominated, rural, religous—and contemporary multicultural forms and discourses? This collection offers a wealth of exciting new perspectives on cultural studies in general and of the particular forms of popular Southern culture—from rock and roll to Cajun music to the impact on the South of tourism and the questions of genre and race in contemporary film-making.
Subversive Sounds
Subversive Sounds probes New Orleans’s history, uncovering a web of racial interconnections and animosities that was instrumental to the creation of a vital American art form—jazz. Drawing on oral histories, police reports, newspaper accounts, and vintage recordings, Charles Hersch brings to vivid life the neighborhoods and nightspots where jazz was born. This volume shows how musicians such as Jelly Roll Morton, Nick La Rocca, and Louis Armstrong negotiated New Orleans’s complex racial rules to pursue their craft and how, in order to widen their audiences, they became fluent in a variety of musical traditions from diverse ethnic sources. These encounters with other music and races subverted their own racial identities and changed the way they played—a musical miscegenation that, in the shadow of Jim Crow, undermined the pursuit of racial purity and indelibly transformed American culture. “More than timely . . . Hersch orchestrates voices of musicians on both sides of the racial divide in underscoring how porous the music made the boundaries of race and class.”—New Orleans Times-Picayune
Louis Moreau Gottschalk
"Innovating American composer, virtuoso pianist, and swashbuckling Romantic hero, Louis Moreau Gottschalk produced immensely popular works combining the French, Hispanic, and African influences of his native New Orleans. Many of his syncopated compositions anticipated ragtime by half a century. S. Frederick Starr's biography, originally published as Bamboula!, is the most extensive chronicle available of Gottschalk's eventful life. Starr examines Gottshalk's music, his frenetic life on the road, his virtuosity as a performer, his effect on his audiences, and the scandals surrounding his romantic dalliances. He also reveals a generous and compassionate man who sponsored a host of young musicians and provided financial support for his many siblings."
Roving Editor
This new edition reproduces the text of The Roving Editor together with important supplemental documents and extensive editorial apparatus.
