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"Why has no one written about this subject before? Every teacher should read this book." Michael G. Thompson, coauthor of Raising Cain Embarrassment. None of us escape it. Especially as kids, in school. How might our fear of failure, of not living up to expectations, be holding us back? How can our fear of embarrassment affect how we learn, how we teach, and how we live? Tom Newkirk argues that this "emotional underlife," this subterranean domain of emotion, failure, and embarrassment, keeps too many students and teachers silent, hesitant, and afraid. "I am absolutely convinced," Tom writes, "that embarrassment is not only the true enemy of learning, but of so many other actions we could tak...
In this highly readable and provocative book, Thomas Newkirk explodes the long standing habit of opposing abstract argument with telling stories. Newkirk convincingly shows that effective argument is already a kind of narrative and is deeply "entwined with narrative." --Gerald Graff, former MLA President and author of Clueless in Academe Narrative is regularly considered a type of writing-often an "easy" one, appropriate for early grades but giving way to argument and analysis in later grades. This groundbreaking book challenges all that. It invites readers to imagine narrative as something more-as the primary way we understand our world and ourselves. "To deny the centrality of narrative is...
"This important book rests on a simple but powerful belief&—that good readers practice the art of paying attention. Building on memoir, research, and many examples of classroom practice, Thomas Newkirk, recuperates six time-honored practices of reading&—performance, memorization, centering, problem-finding, reading like a writer, and elaboration&—to help readers engage in thoughtful, attentive reading. The Art of Slow Reading provides preservice and inservice teachers with concrete practices that for millennia have promoted real depth in reading. It will show how these practices enhance the reading of a variety of texts, from Fantastic Mr. Fox to The Great Gatsby to letters from the IRS. Just as slow reading is essential for real comprehension, it is also clearly crucial to the deep pleasure we take in reading&—for the way we savor texts&—and for the power of reading to change us."--Publisher.
This book is both an analysis of and a tribute to the personal writing that young adults attempt.
In this new book Tom Newkirk invites teachers to decide and lay claim to what's worth fighting for, and he offers them substantive ammunition. He asserts that no curriculum can ever work unless it fits on the back of an envelope, then offers his own envelope-sized curriculum for teaching writing, four questions and sixteen focal points.
Taking Stock reassesses the ways that the writing process has been taught, institutionalized, researched, and theorized.
"The author uses Reading Responses (RRs) as a way for students to read deeper, write more persuasively, and think differently"--
Critical Expressivism is an ambitious attempt to re-appropriate intelletual territory that has more often been charted by its detractors than by its proponents. Indeed, as Peter Elbow observes in his contribution to this volume, “As far as I can tell, the term ‘expressivist’ was coined and used only by people who wanted a word for people they disapproved of and wanted to discredit.” The editors and contributors to this collection invite readers to join them in a new conversation, one informed by “a belief that the term expressivism continues to have a vitally important function in our field.”
Children Want to Write is a collection of Donald Graves most significant writings paired with recovered video-tapes that illuminate his research and his inspiring work with teachers. See the earliest documented use of invented spelling, the earliest attempts to guide young children through a writing process, the earliest conferences. This collection allows you to see this revolutionary shift in writing instruction-with its emphasis on observation, reflection, and approaching children as writers. Read Chapter 3: Follow the Child
Describes why secondary students don't read, and offers teachers practical advice and strategies for developing depth, stamina, and passion in adolescent readers.