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Brush & Shutter
Accompanies an exhibition held at the J. Paul Getty Museum, 8 February-1 May 2011.
Seizing the Light
The definitive history of photography book, Seizing the Light: A Social & Aesthetic History of Photography delivers the fascinating story of how photography as an art form came into being, and its continued development, maturity, and transformation. Covering major events, practitioners, works, and social effects of photographic practice, author Robert Hirsch provides a concise and discerning chronological account of photography, drawing on examples from across the world. This fundamental starting place shows the diversity of makers, inventors, issues, and applications, exploring the artistic, critical, and social aspects of the creative thinking process. This new edition has been fully revis...
The Girl in the Middle
A haunting image of an unnamed Native child and a recovered story of the American West In 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government’s treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his iconic portrait of Abraham Lincoln and his visceral pictures of the Confederate dead at Antietam, posed six federal peace commissioners with a young Native girl wrapped in a blanket. The hand-labeled prints carefully name each of the men, but the girl is never identified. As The Girl in the Middle goes in search of her, it draws readers into the entangled lives of the photographer and ...
For Want of Wings
In 1872, a young graduate of Yale University named Thomas Russell unearthed the bones of an 83,000,000-year-old dinosaur in western Kansas. The rare fossil, an avian dinosaur with teeth and flightless wings, proved that birds evolved from reptiles. More than a century later, Russell’s great-granddaughter set out to retrace her ancestor’s forgotten expedition. Part detective history, part memoir, For Want of Wings is Jill Hunting’s captivating account of her journey into prehistory, national history, and family history. In her quest to piece together fragments of her family’s past, Hunting ends up crisscrossing the United States, from California to Connecticut. On her first trip acros...
The Conservative Aesthetic
The Conservative Aesthetic: Theodore Roosevelt, Popular Darwinism, and the American Literary West offers an alternative origin story for American conservatism, tracing it to a circle of writers, artists, and thinkers in the late nineteenth century who yoked popular understandings of Darwin to western literary aesthetics. That circle included writer Owen Wister, artist Frederic Remington, entertainer William “Buffalo Bill” Cody, historian Frederick Jackson Turner, and a young Theodore Roosevelt. The book explores how their lives and their writing intertwined with their conservative sensibilities. For them, going west was akin to time travel, a retrogression into an earlier and hardier age. It was through those retrogressions into the American state of nature, they imagined, that society could discover its finest and fittest citizens. Such a society would be the modern realization of Thomas Jefferson’s century-old dream of a “natural aristocracy.” Theirs was a new conservatism, rooted not in a history of European monarchy but rather in stories about American individualism and the frontier west, updated for the age of Darwin.
For Christ and Country
Brigadier General Gustavus Loomis (1789-1872) served for almost six decades in the uniform of the United States Army. A veteran of five wars, Loomis was a professional soldier respected by his peers and feared by his enemies. But Gustavus Loomis, a country boy from Thetford, Vermont was more than a career military officer. Loomis was a sincere and dedicated Christian. His faith in Jesus Christ was visible and undeniable. In his long life, Loomis always placed God first, followed by devotion to his family and then to service to his country. He was a man of the military who saw frequent combat and who spoke about Jesus to all who would listen. His home in garrison and his tent in the field were places of psalm singing and scripture reading. His bravery in the face of the enemy gave him high commendations, but his real passion was for the Lord and for his family. While some ridiculed him for his support of revivals, none ever questioned his professionalism as a soldier and an officer.
The Art of Stereography
Three-dimensional stereoviews were wildly popular in the mid-19th century. Yet public infatuation fueled highbrow scorn, and even when they fell from favor, critics retained their disdain. Thus a dazzling body of photographic work has unjustly been buried. This book explores how compelling images were made by carefully combining subject matter, composition, lighting, tonality, blocking and depth. It draws upon the fine arts, the mass media, humanities, history, and even geology. Throughout, overlooked photographers are celebrated, such as the one who found extraordinary visual parallels within nature, anticipating Cezanne and Seurat--or the one who refused to play favorites during a bitter war and found humanity on both sides--or the one who took a favorite American glen and found menace all about. Stereographers were actually more like film directors or television producers than large format photographers: the best ones fused artistry with commercial appeal.
Hardship, Greed, and Sorrow
In the aftermath of the Civil War, New Mexico Territory endured painful years of hardship and ongoing strife. During this turbulent period, a U.S. military officer stationed in the territory assembled an album of photographs, a series of still shots taken by one or more anonymous photographers. Now, some 150 years later, Hardship, Greed, and Sorrow reproduces the anonymous officer’s “souvenir album” in its totality. Offering an important glimpse of the American Southwest in the mid-1860s, the book opens with a thoughtful foreword by Jennifer Nez Denetdale, who considers the varied and lingering effects that settlement, conquest, and nineteenth-century photography had on the Apaches and...
Pioneer Photographers of the Far West
This extraordinarily comprehensive, well-documented, biographical dictionary of some 1,500 photographers (and workers engaged in photographically related pursuits) active in western North America before 1865 is enriched by some 250 illustrations. Far from being simply a reference tool, the book provides a rich trove of fascinating narratives that cover both the professional and personal lives of a colorful cast of characters.
More of a Man
More of a Man presents the only known diaries of a skilled craft-worker in Victorian Canada: Andrew McIlwraith, a Scottish journeyman who migrated to North America during a tumultuous period marked by economic depression and early industrial change. McIlwraith's journals illuminate his quest to succeed financially and emotionally amidst challenging circumstances. The diaries trace his transformations, from an immigrant newcomer to a respected townsman, a wage worker to an entrepreneur, and a bachelor to a married man. Carefully edited and fully annotated by historians Andrew C. Holman and Robert B. Kristofferson, More of a Man features an introduction providing historical context for McIlwraith's life and an epilogue detailing what happened to him after the diaries end. Historians of labour, gender, and migration in the North Atlantic world will find More of a Man a valuable primary document of considerable insight and depth. All readers will find it a lively story of life in the nineteenth century.
