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Mr. Trunnell, Mate of the Ship "Pirate"
In "Mr. Trunnell, Mate of the Ship 'Pirate,'" T. Jenkins Hains crafts a vivid maritime narrative that explores the complexities of life at sea through the eyes of its protagonist, Mr. Trunnell. Hains employs a colloquial and engaging literary style that captures the rough textures of naval life, interspersed with rich descriptions of oceanic landscapes and seafaring camaraderie. Set against the backdrop of the late 19th century, a time when adventure tales thrived in American literature, this novel reflects the era's fascination with the romance of piracy and exploration, providing readers with both escapism and an acute sense of realism in the challenges that sailors faced. T. Jenkins Hains...
Sea-Brothers
Sea-Brothers offers the most extensive analysis to date of the sea and its meaning in American literature. On the basis of his study of Melville, Crane, London, Hemingway, Matthiessen, and ten lesser-known sea-writers, Bert Bender argues that the tradition of American sea fiction did not end with the opening of the western frontier and the replacement of sailing ships by steamers. Rather, he demonstrates its continuity and vitality, identifying a central vision within the tradition and showing how particular authors draw from, transform, and contribute to it. What is most distinctive about American sea fiction, Bender contends, is its visionary, often mystical, response to the biological wor...
American Fiction, 1901-1925
A 1997 bibliography of American fiction from 1901-1925.
Florence Foster Jenkins
People may say that I couldn't sing. But no one can say that I didn't sing.' Despite lacking pitch, rhythm or tone, Florence Foster Jenkins became one of America's best-known sopranos, celebrated for her unique recordings and her sell-out concert at Carnegie Hall. Born in 1868 to wealthy Pennsylvanian parents, Florence was a talented young pianist but her life was thrown into turmoil when she eloped with Frank Jenkins, a man twice her age. The marriage proved a disaster and, in order to survive, Florence was forced to abandon her dreams of a musical career and teach the piano. Then her father died in 1909 and, newly installed in New York, she used a considerable inheritance to fund her passi...
Lighthouse Horrors
Storm-swept, remote light stations—and the isolated souls who man the beacons—are the perfect inspirations for tales of suspense and horror. Lighthouse Horrors collects 17 of the best from such writers as Rudyard Kipling, Robert Bloch, Jack Vance, and Ray Bradbury. This is a book to save for a fogbound or rain-dark night. Once you've read these pages, you'll never look at a lighthouse in quite the same way again.
Encyclopedia of American Literature of the Sea and Great Lakes
The sea and Great Lakes have inspired American authors from colonial times to the present to produce enduring literary works. This reference is a comprehensive survey of American sea literature. The scope of the encyclopedia ranges from the earliest printed matter produced in the colonies to contemporary experiments in published prose, poetry, and drama. The book also acknowledges how literature gives rise to adaptations and resonances in music and film and includes coverage of nonliterary topics that have nonetheless shaped American literature of the sea and Great Lakes. The alphabetical arrangement of the reference facilitates access to facts about major literary works, characters, authors, themes, vessels, places, and ideas that are central to American sea literature. Each of the several hundred entries is written by an expert contributor and many provide bibliographical information. While the encyclopedia includes entries for white male canonical writers such as Herman Melville and Jack London, it also gives considerable attention to women at sea and to ethnically diverse authors, works, and themes. The volume concludes with a chronology and a list of works for further reading.
The Class of 1861
Ralph Kirshner has provided a richly illustrated forum to enable the West Point class of 1861 to write its own autobiography. Through letters, journals, and published accounts, George Armstrong Custer, Adelbert Ames, and their classmates tell in their own words of their Civil War battles and of their varied careers after the war. Two classes graduated from West Point in 1861 because of Lincoln's need of lieutenants: forty-five cadets in Ames's class in May and thirty-four in Custer's class in June. The cadets range from Henry Algernon du Pont, first in the class of May, whose ancestral home is now Winterthur Garden, to Custer, last in the class of June. “Only thirty-four graduated,” rema...
