Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Timm Rautert: No Photographing
In 1974 the young Timm Rautert travelled to Pennsylvania to photograph those who would normally not allow themselves to be photographed: the Amish, a group of Anabaptist Protestant communities. Four years later Rautert returned to America, this time to the Hutterites who live so stringently by the Ten Commandments and the bible's restrictions on images that they have their identity cards issued without photographs. Both these two series were influential on Rautert's later work and No Photographing brings them together for the first time.
Timm Rautert
In 2007 Timm Rautert, then professor of photography at Leipzig's Academy of Fine Arts, began photographing his students with their partners and young children among the designer furniture, second-hand treasures and kids' toys of their apartments. So began a decade-long documentary experiment that shows German families in their revealing home environments and their beginnings as a family unit, with all its complex social connotations. The book consists of 40 triptychs, one of each family. At the center is the mother/father/child group; to the left and right the living spaces seem to fold outwards, like a winged altarpiece. Rautert thus questions the idea of the "holy family" today though the ...
Timm Rautert: Otl Aicher / Rotis
A photographic celebration of German typographer Otto "Otl" Aicher Photographs by Timm Rautert (born 1941) taken between 1972 and 1991 celebrate the renowned German graphic designer and typographer Otto "Otl" Aicher, who developed the popular Rotis font family. Accompanying texts by design historians examine the role of Rotis within the cultural history of West Germany.
Josef Sudek, Prague 1967
"Timm Rautert met Josef Sudek for the first time on a study trip to Prague in the spring of 1967. The photography student and the seventy-one-year-old Sudek instantly took to each other, and Rautert began photographing the artist at his studio and home. He accompanied him on his strolls in parks in Little Prague on the left bank of the Vltava river as he searched for adequate perspectives, and documented his work process in and outside the darkroom. The Sudek series is an extraordinary chronicle of a fascinating personality and place in the run-up to the Prague Spring, and marks the beginning of Rautert's career during which the portrait and people at work were always of major importance to him." -- publisher's description
Timm Rautert and the Lives of Photography
The most comprehensive publication of Rautert's work to date, combining his photo series--some unpublished till now--with six essays and an annotated biography Published on the occasion of his 80th birthday, Timm Rautert and the Lives of Photographyis an ambitious retrospective of his diverse artistic oeuvre. The book spans a half century of photography: from Rautert's experimental beginnings as a student of Otto Steinert at the Folkwang School of Design in Essen in the late 1960s, to the methodical research of his "image-analytical photography" in the mid-1970s; from his freelance work as a visual storyteller with his congenial partner Michael Holzach for ZEITmagazin, to his turn away from journalism in the early 1990s towards the long-term documentation of changes in the world of work caused by industrial automation, and his artistic theoretical image formations made while professor at the Academy of Visual Arts in Leipzig between 1993 and 2008.
When We Don't See You, You Don't See Us Either
Timm Rautert has been an experimental photographer, a photojournalist, a portraitist and, since 1993, a professor. Following his 1974 book, Deutsche in Uniform, recently reissued, he has continued to photograph his countrymen, devoting much of his time to extensive series, including one from the Frankfurt Stock Exchange in 2000. When We Don't See You You Don't See Us Either refers in title to the portraitist's vocation of seeing and being seen, and offers Rautert's career for the same defining scrutiny, a portrait of its own. This definitive portfolio spans more than 35 years of distinguished work, much of which has never before been published for English-language audiences
Neverland Lost
Prior to Michael Jackson's death, Henry Leutwyler photographed crates of artifacts removed from Jackson's Neverland ranch in California. The resulting series of photographs document the inner turmoil of the public person who chose to model his private life on Peter Pan and the Lost Boys - children who never wanted to grow up. Leutwyler's unemotional portraits are almost too intimate to behold, but when one digs beneath the surface, what emerges is the profound truth of a star's sequestered reality. Leutwyler's photographs unearth the "Lost Boy" forced to leave Neverland, and now these still lifes are as close as anyone will ever get to what Jackson once had, and ultimately left behind.
Paulo Nozolino: Makulatur
Makulator is an atmospheric and sincere response to the death of Nozolino's parents. Using simple but powerful symbolism, the photographs lead us on a dark journey through Nozolino's relationship to his parents' passing. Smashed and decrepit, burning and ripped, the subjects swell with nuance, providing an insight into Nozolino's outlook on the destructive yet poetic nature of death. Paulo Nozolino was born in Lisbon in 1955, and lived in London and Paris before settling again in Portugal. He has published numerous books, many of his photographs of travels in Europe, the Middle East, and North and South America. The best known of these are Penumbra (1996), including images made in Syria, Yemen, Jordan, Egypt and Mauritania, and Far Cry (2005).
