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This publication assembles for the first time photographs from Nozolino's different projects over the years, from Bosnia and the Arab world to South America and Mauritania.
A man stands in the middle of destruction, feeling lonely to an unbelievable point, bone lonely. He makes deaf images during his blind walks. Dwelling with thoughts about the loss in all conflicts, the feeling that all systems fail and the certainty that nothing lasts forever.
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Makulator is an atmospheric and sincere response to the death of Nozolino's parents. Using simple but powerful symbolism, the photographs lead us on a dark journey through Nozolino's relationship to his parents' passing. Smashed and decrepit, burning and ripped, the subjects swell with nuance, providing an insight into Nozolino's outlook on the destructive yet poetic nature of death. Paulo Nozolino was born in Lisbon in 1955, and lived in London and Paris before settling again in Portugal. He has published numerous books, many of his photographs of travels in Europe, the Middle East, and North and South America. The best known of these are Penumbra (1996), including images made in Syria, Yemen, Jordan, Egypt and Mauritania, and Far Cry (2005).
Since early in its history, photography has been used by a diversity of travellers, whose collected photographs have been compiled into albums. But Photographic Travel as a genre of art did not appear before the second half of the twentieth century, and had a singular fate and fortune in the US as well as in Europe. The initial objective of some itinerant photographers is to make a book; their shooting practice is conditioned by this objective, as well as their travel experience. Their books – designed as one coherent hole – refer to their wandering experience, even though their stories are never completely free from fiction. In these books, their travels are converged, and their subjectivity is revealed. It is therefore relevant to call such books made of photographies, and possibly words about the travel experience, Photographic Travel books (comparably to Travel books). Danièle Méaux has tackled the task of characterizing this genre.
Street Culture explores the family tree of youth movements, examining the lines that tie Beatniks to Bikers, Punks to Emos, Goths to Metal Heads. Illustrated throughout, the book presents a sumptuous visual history of youth culture, and the style, behaviour and values of the groups who have defined it.
This survey of Portuguese photography consists of technical rarities from the 19th century, historical and journalistic images, landscape photography, and the works of the most important modern and contemporary Portuguese photographers. The spectrum is wide, from street scenes of Lisbon to artistically stylized portraits, and all points between. Central to the book are those themes of Portugal's history, including the travel inherent in a once colonial power. The book includes many photographs from locales far outside of the country's actual borders.