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South Africa possesses one of the richest popular music traditions in the world - from marabi to mbaqanga, from boeremusiek to bubblegum, from kwela to kwaito. Yet the risk that future generations of South Africans will not know their musical roots is very real. Of all the recordings made here since the 1930s, thousands have been lost for ever, for the powers-that-be never deemed them worthy of preservation. And if one peruses the books that exist on South African popular music, one still fi nds that their authors have on occasion jumped to conclusions that were not as foregone as they had assumed. Yet the fault lies not with them, rather in the fact that there has been precious little docum...
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Throughout its history, South African Jazz has been formed from complex transactions with other black Atlantic cultures, identities and political possibilities. Making the Changes considers jazz discourse from the legendary élan vital of the Sophiatown writers, through the King Kong reportage and 'white writing', to the agonised poetics of exile.
A captivating account of an interracial jazz opera that took apartheid South Africa by storm and marked a turning point in the nation's cultural history.
A COMPILATION OF COMMENTARIES AND INTERVIEWS FOR THE JAZZ ENTHUSIAST THE MUSIC LOVER. Interviews with Moses Molelekwa, Robbie Jansen, Gito Baloi, Ezra Ngcukana, Miriam Makeba, Louis Moholo, Theo Bophela, Hugh Masekela, Sathima Bea Benjamin, Carlo Mombelli, Marcus Wyatt, Claude Deppa, Morris Goldberg, Abdullah Ibrahim, Moses Khumalo, Vince Colbe, Mr Brookes, Mac Mackenzie and the Goema Captains of Cape Town. Together with running commentary of a life lived and learned through the lens of heart centred South African jazz musical vibration.The Story of SA Jazz Volume One isa great journey into exposing one of the most profound musical languages to ever come out of this country. Jazz it is said is the classical music of the 20th century. Through a collection of interviews, articles and commentaries, 'The Story of SA Jazz Volume One' exposes the extraordinary role South African musicians have played in the development of jazz music and humanity worldwide.
Chronicles the development of dramatic writing and performance from the time South Africa was established to post-apartheid. Investigates the impact of sketches and manifestos, and the oral preservation of scripts that could not be written.
This is a book about Soweto from inside and out. It is an effort to mark a century since the first forced removals of black Africans from central Johannesburg to the banks of the Klipspruit River. It is also in recognition of the limited books available on a world-famous city. A wide variety of writers have contributed: Sowetan experts with views from inside the township as well as interested outsiders who are peering in. Contributors include writers from publications as varied as Drum, Sowetan, Mail & Guardian, Time magazine, The Economist, The Independent and New York Times.
"This book is about southern Africa's long walk to freedom, about the overturning of colonial rule in the northern territories and the dissolution of backs-to-the-wall white settler suzerainty first in what became Zimbabwe and then in South Africa. Chapters on the individual countries detail the stages along their sometimes complicated and tortuous struggle to attain the political New Zion. We learn how and why the Federation of Rhodesia and Nyasaland failed, how and why apartheid eventually collapsed, and exactly how the various components of this heavily white conquered and later white oppressed domain transitioned via diverse fits and starts into today's assemblage of proud, politically-c...
During the past two decades, the study of sexuality and gender in music has become a decidedly mainstream activity. To be sure, music has long been obviously and intimately involved in matters pertaining to relations, both sexual and otherwise, between and amongst the sexes. Its use in courtship is the one that perhaps first comes to mind, this use being probably as old as music itself. This book contains all the papers presented at the conference by the same name.