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Literature and Political Intellection in Early Stuart England
Todd Butler charts how some of the Stuart period's major challenges to governance evoked much greater disputes about the mental processes by which monarchs and subjects imagined and effected political action. He draws upon a myriad of literary and political texts, including the work of Francis Bacon, John Donne, Philip Massinger, and John Milton.
The Rule of Manhood
Explores how classical and gendered conceptions of tyranny shaped early Stuart understandings of monarchy and the development of republican thought.
The Theatre of Imagining
This book is the first comprehensive analysis of the fascinating and strikingly diverse history of imagination in the context of theatre and drama. Key questions that the book explores are: How do spectators engage with the drama in performance, and how does the historical context influence the dramaturgy of imagination? In addition to offering a study of the cultural history and theory of imagination in a European context including its philosophical, physiological, cultural and political implications, the book examines the cultural enactment of imagination in the drama text and offers practical strategies for analyzing the aesthetic practice of imagination in drama texts. It covers the early modern to the late modernist period and includes three in-depth case studies: William Shakespeare’s Macbeth (c.1606); Henrik Ibsen’s A Doll’s House (1879); and Eugène Ionesco’s The Killer (1957).
Performing the Renaissance Body
In the Renaissance period the body emerges as the repository of social and cultural forces and a privileged metaphor for political practices and legal codification. Due to its ambivalent expressive force, it represents the seat and the means for the performance of normative identity and at the same time of alterity. The essays of the collection address the manifold articulations of this topic, demonstrating how the inscription of the body within the discursive spheres of gender identity, sexuality, law, and politics align its materiality with discourses whose effects are themselves material. The aesthetic and performative dimension of law inform the debates on the juridical constitution of authority, as well as its reflection on the formation and the moulding of individual subjectivity. Moreover, the inherently theatrical elements of the law find an analogy in the popular theatre, where juridical practices are represented, challenged, occasionally subverted or created. The works analyzed in the volume, in their ample spectre of topics and contexts aim at demonstrating how in the Renaissance period the body was the privileged focus of the social, legal and cultural imagination.
True Relations
Examining seventeenth-century crises of evidence and genres of evidence on which both literary critics and historians now depend, True Relations explores the notion that we apprehend truth through other people's relations of it and that those relations, and our own relation to them, are a function of social relationships in conflict.
Robert Burton and the Transformative Powers of Melancholy
Few English books are as widely known, underread, and underappreciated as Robert Burton’s The Anatomy of Melancholy. Stephanie Shirilan laments that modern scholars often treat the Anatomy as an unmediated repository of early modern views on melancholy, overlooking the fact that Burton is writing a cento - an ancient form of satire that quotes and misquotes authoritative texts in often subversive ways - and that his express intent in so doing is to offer his readers literary therapy for melancholy. This book explores the ways in which the Anatomy dispenses both direct physic and more systemic medicine by encouraging readers to think of melancholy as a privileged mental and spiritual acuity...
Alien Phenomenology, Or, What It's Like to be a Thing
Examines the author's idea of object-oriented philosophy, wherein things, and how they interact with one another, are the center of philosophical interest.
God and Nature in the Thought of Margaret Cavendish
Only recently have scholars begun to note Margaret Cavendish’s references to 'God,' 'spirits,' and the 'rational soul,' and little has been published in this regard. This volume addresses that scarcity by taking up the theological threads woven into Cavendish’s ideas about nature, matter, magic, governance, and social relations, with special attention given to Cavendish’s literary and philosophical works. Reflecting the lively state of Cavendish studies, God and Nature in the Thought of Margaret Cavendish allows for disagreements among the contributing authors, whose readings of Cavendish sometimes vary in significant ways; and it encourages further exploration of the theological elements evident in her literary and philosophical works. Despite the diversity of thought developed here, several significant points of convergence establish a foundation for future work on Cavendish’s vision of nature, philosophy, and God. The chapters collected here enhance our understanding of the intriguing-and sometimes brilliant-contributions Cavendish made to debates about God’s place in the scientific cosmos.
