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Time, Tide and History
Time, Tide and History: Eleanor Dark’s Fiction is the first book-length edited collection of scholarly essays to treat the full span of Eleanor Dark’s fiction, advancing a recent revival of critical and scholarly interest in Dark’s writing. This volume not only establishes a new view of Dark’s fiction as a whole, but also reflects on the ways in which her fiction speaks to our present moment, in the context of a globally fraught, post-pandemic, Anthropocene era. Above all, the revisiting of Dark’s fiction is mandated by a desire to recognise the ways in which it anticipates vital debates in Australian literary and national culture today, about settler colonialism and its legacies, ...
The Last Muster
'We only have the frozen Mississippi to cross...if we get through this...' Virginia continued to walk beside the wagon as she trudged through the snow, her hand in Allen's, her thoughts lingering on her dead sister, buried outside Gallatin, just yesterday. Then she stopped and looked back. Joseph Smith was not with them this time. He was in the hands of the mob awaiting execution for treason. It had been a long time since those desperate days in Missouri. The temple in Salt Lake City had taken forty years to build. Virginia looked up at the granite structure and thanked God she had been allowed to live to see it finished. Today her grandsom would be sealed there.--Back cover.
Safe in the Pirate's Arms
Her breath caught in her throat as the white sails came into view. She watched The Lady sail into port grandly. Although it was a known Pirate ship she couldn't help but admire it.• • • He wanted to see her again. He'd only caught site of her quickly on the docks. Who was she? She'd been like a breath of fresh air. • • • Their fates were entwined. Although he was deemed a pirate by most, those that knew him were aware of the truth. He would protect her With his life. • • • Their lives were changed forever the moment she stowed away on his ship.
The Girl Prince
A new look at a revolutionary writer, a diverse imperial city, and a controversial trick on the Royal Navy.In February 1910, the future Virginia Woolf played the most famous practical joke in British military history. Blackening her face and masquerading as an Abyssinian prince, the young writer and her friends conned their way onto HMS Dreadnought, the Empire's most powerful battleship. The stunt made headlines around the world, embarrassed the Admiralty, and provoked debate in Parliament. But who was the 'girl prince' unidentified at the time, and what was she doing there?The Girl Prince intertwines three fascinating stories: a scandalous prank and its afterlife; Woolf's ideas about race a...
Jacob's Room
'What do we seek through millions of pages? Still hopefully turning the pages — oh, here is Jacob's room.' Who is Jacob Flanders? Virginia Woolf's third novel, published in 1922 alongside James Joyce's Ulysses and T.S. Eliot's The Waste Land, follows this elusive title character from a sunlit childhood on the Cornwall coast to adventures in Cambridge, London, and Athens. Women fall in love with Jacob; young men desire his company and conversation. But Woolf keeps her scornful, charming protagonist at a distance, enveloping Jacob in mystery as he enters adulthood and the Great War thunders across Europe. A daring work that reimagines every element of the traditional novel, Jacob's Room tells a new story for a new century. In 1922, Lytton Strachey pronounced Jacob's Room 'a most wonderful achievement—more like poetry, it seems to me, than anything else, and as such I prophesy immortal.' One hundred years after its publication, Woolf's first full-length work of experimental fiction pulls us into the inexhaustible mysteries of intimacy and mortality.
Bloomsbury, Beasts and British Modernist Literature
Argues that the Bloomsbury group's fascination with beasts was integral to their exploration of imperialism, race, gender, sexuality and technology.
Modernist Waterscapes
This book identifies water as the key element of Virginia Woolf’s modernist poetics. The various forms, movements, and properties of water inspired Woolf’s writing of reality, time, and bodies and offered her an apt medium to reflect on the possibilities as well as on the exhaustion of her art. As a deeply intertextual writer, Woolf recognised how profoundly water has shaped human imagination and the landscape of the literary past. In line with recent ecocritical and ecofeminist assessments of her works, this book also shows Woolf’s attraction to water as part of an indifferent nature that exists prior to and beyond the symbolic. Through close analyses that span the whole of Woolf’s oeuvre, and that centre on the metaphorical and the material voices of water in her works, Modernist Waterscapes offers a fresh perspective on a writing that is as versatile as the element from which it draws. The monograph addresses postgraduate students and scholars working in modernist studies and Woolf studies in particular.
Marching to Victory
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Their Own Country
This is a novel of the lives of immigrants in the fictitious town of Colfax, Kansas involving Hester and Stephen Chase, originally introduced in her first novel, Oil for the Lamps of China.
Recycling Virginia Woolf in Contemporary Art and Literature
Recycling Virginia Woolf in Contemporary Art and Literature exam>ines Woolf’s life and oeuvre from the perspective of recycling and pro>vides answers to essential questions such as: Why do artists and writers recycle Woolf’s texts and introduce them into new circuits of meaning? Why do they perpetuate her iconic fgure in literature, art and popular culture? What does this practice of recycling tell us about the endurance of her oeuvre on the current literary, artistic and cultural scene and what does it tell us about our current modes of production and consumption of art and literature? This volume offers theoretical defnitions of the concept of recycling applied to a multitude of specif...
