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Recycling Virginia Woolf in Contemporary Art and Literature
Recycling Virginia Woolf in Contemporary Art and Literature exam>ines Woolf’s life and oeuvre from the perspective of recycling and pro>vides answers to essential questions such as: Why do artists and writers recycle Woolf’s texts and introduce them into new circuits of meaning? Why do they perpetuate her iconic fgure in literature, art and popular culture? What does this practice of recycling tell us about the endurance of her oeuvre on the current literary, artistic and cultural scene and what does it tell us about our current modes of production and consumption of art and literature? This volume offers theoretical defnitions of the concept of recycling applied to a multitude of specif...
The Girl Prince
A new look at a revolutionary writer, a diverse imperial city, and a controversial trick on the Royal Navy.In February 1910, the future Virginia Woolf played the most famous practical joke in British military history. Blackening her face and masquerading as an Abyssinian prince, the young writer and her friends conned their way onto HMS Dreadnought, the Empire's most powerful battleship. The stunt made headlines around the world, embarrassed the Admiralty, and provoked debate in Parliament. But who was the 'girl prince' unidentified at the time, and what was she doing there?The Girl Prince intertwines three fascinating stories: a scandalous prank and its afterlife; Woolf's ideas about race a...
Recycling the Remnants of the Literary Text
Recycling the Remnants of the Literary Text: Verandas for the Residual and the Emergent addresses literary recycling as a creative endeavour that supplements meaning through appropriating remnants of texts and transforming them into traces or echoes of their former selves within a new narrative design. It approaches recycling as a process that extends verandas of meanings and creates sites for ongoing discursive accretion of signification through the dialogic encounter between the old and the new, “the residual” and “the emergent.” Whether seen as markers of the capacity of the literary text to surprise and haunt it readers, or residues of systems of representations predicated on sel...
Odd Affinities
"For decades, Virginia Woolf's work has been seen as part of the "women's writing" canon. Elizabeth Abel extracts Woolf from this women's tradition to position her in a different light, one that shows Woolf's role in a far-reaching modernist genealogy. Abel traces the strong echoes of Woolf in the work of four major writers from diverse cultural contexts: Nella Larsen, James Baldwin, Roland Barthes, and W. G. Sebald. As Abel shows, what Woolf called the "odd affinities" between herself and these successors give us an altogether different picture of the development of transnational modernism, with Woolf as a shadowy but important connection among disparate writers. By charting new pathways of twentieth-century literary transmission, Odd Affinities will appeal to students and scholars working in New Modernist studies, comparative literature, and African American studies"--
Contemporary French Security Policy in Africa
Despite efforts to normalize its post-colonial relationship and the downsizing of its permanent military presence, France remains a sought-after security provider in Africa. This book uncovers individual and collective motivations that drive French foreign and security policy in Africa. It explains French interventionism by drawing on actors’ subjective perceptions of reality and seeks to answer why French decision-makers are ready to accept the considerable risks and costs involved in guaranteeing the security of African countries. Adopting an actor-centric constructivist ontology, the author traces the emergence and subsequent development of ideas throughout the decision-making processes that led to Operation Serval in Mali and Operation Sangaris in the Central African Republic.
Virginia Woolf and Heritage
This collection situates Woolf in relation to the past, exploring her rich and varied heritage from a variety of fields while also assessing her own literary and biographical legacy.
Mental Health Symptoms in Literature since Modernism
Mental Health Symptoms in Literature since Modernism looks at various ways of treating symptoms of psychological disorders in the literature of the long twentieth century. This book shows that literature can, in its questioning of commonly accepted views of this lived experience of psychic symptoms, help engender new theories about the functioning of subjective cases. Modernism emerged at about the same time as Freudian psychoanalysis did and the aim of this book is to also show that to a certain extent, Woolf preceded Freud in her exploration of the symptom and contributed to fashioning another approach that is now more common, especially in writers from the 1990s-onwards.
Vladimir Nabokov as an Author-Translator
Exploring the deeply translational and transnational nature of the writings of Vladimir Nabokov, this book argues that all his work is unified by the permanent presence of three cultures and languages: Russian, English and French. In particular, Julie Loison-Charles focusses on Nabokov's dual nature as both an author and a translator, and the ways in which translation permeates his fictional writing from his very first Russian works to his last novels in English. Although self-translation has received a lot of attention in Nabokov criticism, this book considers his work as an author-translator, drawing particular attention to his often underappreciated and underestimated, but no less crucial...
Trauma, Posttraumatic Growth, and World Literature
Pandemics, global climate chaos, worldwide migration crises? These phenomena are provoking traumatic experiences in unprecedented ways and numbers. This book is targeted for clinicians, scientists, cultural theorists, and other scholars and students of trauma studies interested in cultivating interdisciplinary understandings of trauma and posttraumatic conditions, especially resistance, resilience, and posttraumatic growth. Following clinicians’ invitation for trauma survivors to wear a philosopher’s hat, to engage in creative activities, and to employ cognitive exercises to combat psychic constriction, I introduce the concept of a Literary Arts Praxis. The Praxis is built on clinical research and literature seeped in existential, phenomenological, and aesthetic themes. I argue that an educational training in a Praxis might help trauma survivors to get at trauma, as they engage in imaginative escapades, while forging alliances with characters; interpretative exercises, such as triggering emotions through phenomenological experiences; and creative writing endeavors, that include turning testimonies into imaginative stories.
