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Forgetting Lot's Wife
Can looking at disaster and mass death destroy us? Forgetting Lot’s Wife provides a theory and a fragmentary history of destructive spectatorship in the twentieth century. Its subject is the notion that the sight of historical catastrophe can destroy the spectator. The fragments of this history all lead back to the story of Lot’s wife: looking back at the destruction of the cities of Sodom and Gomorrah, she turns into a pillar of salt. This biblical story of punishment and transformation, a nexus of sexuality, sight, and cities, becomes the template for the modern fear that looking back at disaster might petrify the spectator. Although rarely articulated directly, this idea remains power...
Artbibliographies Modern
Abstracts of journal articles, books, essays, exhibition catalogs, dissertations, and exhibition reviews. The scope of ARTbibliographies Modern extends from artists and movements beginning with Impressionism in the late 19th century, up to the most recent works and trends in the late 20th century. Photography is covered from its invention in 1839 to the present. A particular emphasis is placed upon adding new and lesser-known artists and on the coverage of foreign-language literature. Approximately 13,000 new entries are added each year. Published with title LOMA from 1969-1971.
The Art of Toshiko Takaezu
Tracing the artistic development of renowned potter Toshiko Takaezu (1922-2011), this masterful study celebrates and analyzes an artist who held a significant place in the post-World War II craft movement in America. Born in Hawaii of Japanese descent in 1922, Takaezu worked actively in clay, fiber, and bronze for over sixty years. Influenced by midcentury modernism, her work transformed from functional vessels to abstract sculptural forms and installations. Over the years, continued to draw on a combination of Eastern and Western techniques and aesthetics, as well as her love of the natural world. In particular, Takaezu's vertical closed forms became a symbol of her work, created through a ...
Dialogue
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Art Of The Postmodern Era
Sandler discusses the major and minor artists and their works; movements, ideas, attitudes, and styles; and the social and cultural context of the period. He covers post-modernist art theory, the art market, and consumer society. American and European art and artists are included.
American Art Directory 1999-2000
Identify key characteristics for thousands of art institutions in the U.S. and Canada with the American Art Directory 1990-2000. This fully revised and updated resource is conveniently organized into four sections to quickly pinpoint the information needed: -- Art Organizations -- profiling more than 3,470 National and Regional Organizations, Museums, Libraries and Associations in the U.S. and Canada. -- Art Schools -- covering more than 1,600 institutions located in the U.S. and Canada. -- Art Information -- consisting of 9 useful address directories -- Major Museums Abroad, Major Art Schools Abroad, State Arts Councils, State Directors and Supervisors of Art Education, Art Magazines, Newspaper Art Editors and Critics, Scholarships and Fellowships, Open Exhibitions, Traveling Exhibition Booking Agencies. -- Includes Three Indexes -- Subject, Personnel, and Organizational.
TOME OF HORROR
David Maurice Garrett‘s stories have been variously compared to Edgar Allan Poe, H.P. Lovecraft, Algernon Blackwood, Ambrose Bierce, and Manly Wade Wellman. Drawing on legends, folktales, and a rich blend of classic short horror story elements, Garrett’s stories conjure supernatural terrors and gothic atmospheres reminiscent of the Elder Days of Horror. This collection contains 32 eerie tales including “The Undertaker’s Task”, a story of a mortician’s grim job of embalming his own daughter, “The Sacred Burial Ground”, wherein two hapless friends unleash an ancient curse upon a community, and “The Door”, in which a professor infatuated with tombs unwittingly becomes the victim of his own obsession. Prepare to be unnerved, for the classic horror tale is not dead!
