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Biomedical Research
This publication, the fifth in the Ethical Eye series, contains contributions from a multidisciplinary group of authors from different countries in Europe which examine a range of ethical issues arising from the use of biomedical research. Topics discussed include: the problems of obtaining consent, standards for the selection and recruitment of participants for research, the use of placebos, clinical trials of new medicines or experimental treatments for cancer sufferers, industry-sponsored clinical trials, the internationalisation of medical research, and gender aspects. The publication looks at various international and European standards governing this field including the Helsinki Declaration of the World Medical Association, EU DIrective 2001/20 on pharmaceutical research, and the Council of Europe's Convention on Human Rights and Biomedicine.
Edinburgh Companion to Twentieth-Century Scottish Literature
This volume considers the major themes, texts and authors of Scottish literature of the twentieth and, so far, twenty-first century. It identifies the contexts and impulses that led Scottish writers to adopt their creative literary strategies. Moving beyond traditional classifications, it draws on the most recent critical approaches to open up new perspectives on Scottish literature since 1900. The volume's innovative thematic structure ensures that the most important texts or authors are seen from different perspectives whether in the context of empire, renaissance, war and post-war, literary genre, generation, and resistance. In order to provide thorough coverage, these thematic chapters are complemented by chronological 'Arcade' chapters, which outline the contexts of the literature of the period by decades, and by 'Overview' chapters which trace developments across the century in theatre, language and Gaelic literature. Taken together, the chapters provide a thorough and thought-provoking account of the century's literature.
The Soul of Scotland
Religion is at the very core of Scotland's turbulent history and unique cultural heritage. In a fast-paced enthralling celebration of this heritage, Harry Reid introduces us to a spiritual landscape of incredible richness and variety.
Performing National Identity
National identity is not some naturally given or metaphysically sanctioned racial or territorial essence that only needs to be conceptualised or spelt out in discursive texts; it emerges from, takes shape in, and is constantly defined and redefined in individual and collective performances. It is in performances'ranging from the scenarios of everyday interactions to `cultural performances? such as pageants, festivals, political manifestations or sports, to the artistic performances of music, dance, theatre, literature, the visual and culinary arts and more recent media'that cultural identity and a sense of nationhood are fashioned. National identity is not an essence one is born with but som...
British Theatrelog
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After Socialism?
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War on War
The outbreak of World War I precipitated a schism in the international socialist movement that endures today. Heeding calls for "rational defense," the leading European socialist democratic parties abandoned their vision of peace and internationalism as an integral part of the struggle for social justice and set aside their view of interstate war as the clearest example of the irrational essence of competitive capitalism. Only the Zimmerwald Left, led by Lenin, continued to speak out for internationalism. R. Craig Nation utilizes sources in Dutch, French, German, Italian, Russian, and Swedish to provide the first comprehensive history of the Zimmerwald Left as an international political tendency.
Twentieth-Century British Theatre
In this book, Claire Cochrane maps the experience of theatre across the British Isles during the twentieth century through the social and economic factors which shaped it. Three topographies for 1900, 1950 and 2000 survey the complex plurality of theatre within the nation-state which at the beginning of the century was at the hub of world-wide imperial interests and after one hundred years had seen unprecedented demographic, economic and industrial change. Cochrane analyses the dominance of London theatre, but redresses the balance in favour of the hitherto marginalised majority experience in the English regions and the other component nations of the British political construct. Developments arising from demographic change are outlined, especially those relating to the rapid expansion of migrant communities representing multiple ethnicities. Presenting fresh historiographic perspectives on twentieth-century British theatre, the book breaks down the traditionally accepted binary oppositions between different sectors, showing a broader spectrum of theatre practice.
Modern British Playwriting: The 1970s
Essential for students of Theatre Studies, this series of six decadal volumes provides a critical survey and reassessment of the theatre produced in each decade from the 1950s to the present. Each volume equips readers with an understanding of the context from which work emerged, a detailed overview of the range of theatrical activity and a close study of the work of four of the major playwrights by a team of leading scholars. Chris Megson's comprehensive survey of the theatre of the 1970s examines the work of four playwrights who came to promience in the decade and whose work remains undiminished today: Caryl Churchill (by Paola Botham), David Hare (Chris Megson), Howard Brenton (Richard Boon) and David Edgar (Janelle Reinelt). It analyses their work then, its legacy today and provides a fresh assessment of their contribution to British theatre. Interviews with the playwrights, with directors and with actors provides an invaluable collection of documents offering new perspectives on the work. Revisiting the decade from the perspective of the twenty-first century, Chris Megson provides an authoritative and stimulating reassessment of British playwriting in the 1970s.
Scottish Theatre Since the Seventies
Written accessibly for the theatre-going general public, this is an ideal guide to the new Scottish theatre: its people, its plays, its politics, its companies and its audiences. Directors, playwrights, journalists and distinguished theatre critics offer personal, challenging and wide-ranging insights into the last 25 years of Scottish theatre.
