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If I Should Die
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Completely Mad
From the New York Times bestselling author of The First Man comes a sweeping saga involving two extraordinary—and extraordinarily different—adventurers who have only one thing in common: the ambition to cross the Atlantic in a rowboat . . . alone. In this bracing adventure tale, the stories of John Fairfax and Tom McLean are woven together for the first time. Fairfax would set off from the Canary Islands off the coast of Africa with his sights on Florida. McClean charted a course from Newfoundland to Ireland. The two men couldn’t have been more different. John Fairfax was a golden-haired playboy, gambler, whiskey, gun smuggler, and ex-pirate who blamed his boat often, and who brazenly ...
Captain Tom
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Soldiers
Winner of the 2019 Michael Gifkins Prize for an Unpublished Novel, Soldiers is a raw and empathetic portrait of young soldiers as they come of age in the chaos of war.
The Other East and Nineteenth-Century British Literature
The Polish exile and the Russian villain were familiar figures in nineteenth-century British culture. This book restores the significance of Eastern Europe to nineteenth-century British literature, offering new readings of Blake's Europe , Byron's Mazeppa , and Eliot's Middlemarch , and recovering influential works by Thomas Campbell and Jane Porter.
Tom Thomson
Tom Thomson (1877-1917) occupies a prominent position in Canada’s national culture and has become a celebrated icon for his magnificent landscapes as well as for his brief life and mysterious death. The shy, enigmatic artist and woodsman’s innovative painting style produced such seminal Canadian images as The Jack Pine and The West Wind, while his untimely drowning nearly a century ago is still a popular subject of fierce debate. Originally a commercial artist, Thomson fell in love with the forests and lakes of Ontario’s Algonquin Park and devoted himself to rendering the north country’s changing seasons in a series of colourful sketches and canvases. Dividing his time between his beloved wilderness and a shack behind the Studio Building near downtown Toronto, Thomson was a major inspiration to his painter friends who, not long after his death, went on to change the course of Canadian art as the influential - and equally controversial - Group of Seven.
Politics as a Vocation
German sociologist Max Weber’s 1919 lecture Politics as a Vocation is widely regarded as a masterpiece of political theory and sociology. Its central strength lies in Weber’s deployment of masterful interpretative skills to power his discussion of modern politics. Interpretation involves understanding both the meaning of evidence and the meaning of terms – questioning definitions, clarifying terms and processes, and supplying good, clear definitions of the author’s own. As a sociologist accustomed to working with historical evidence, Weber based his own work on precisely these skills, solidly backed up by analytical acuity. Politics as a Vocation, written in a Germany shocked by its crippling defeat in World War I, saw Weber turn his eye to an examination of how the modern nation state emerged, and the different ways in which it can be run – interpreting and defining the different types of rule that are possible. It is testament to Weber’s interpretative skills that Politics is famous above all in sociological circles for its clear definition of a state as an institution that claims “the monopoly of legitimate physical violence” in a given territory.
Counting Sheep
In a society where sleep has been outlawed, it pays to keep your eyes open. It began noble enough. A simple procedure to remove exhaustion. Lengthen the working day. But when people start dropping dead in the streets, the world begins to wake up. With a fascist government on one side and gun-toting sleep dealers on the other, the battle lines are drawn and the sheep are caught in the middle. Caught sleeping in public, an average Joe must decide which hill he wants to die on. Meanwhile, a surprise sting operation threatens to unravel the haphazard insurgency. As the conflict reaches a crescendo, there's no telling who will emerge from the nightmare unscathed.
Tom Thomson
This is an intimate biography of an artist who became a legend after his death, but who in his private life stands revealed as a troubled man who was, in many ways, his own victim. Joan Murray’s new biography is part detective work, too: she investigates his beliefs, and the origins of his great masterpieces, and provides a convincing description of the possible circumstances of his death. The art of Tom Thomson represents one of the high points of Canadian modernism, which flourished in the first two decades of this century. During his brief career, lasting just five years, Thomson evolved a highly intense, naturalistic style, introducing formal innovations and challenging the idiom of th...
Racing Illustrated
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