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Ecclesiology is a key issue for the present age of church history. This groundbreaking work by one of today's leading theologians offers a major Protestant ecclesiology for the church catholic. This volume, the first of three, considers the priesthood of the church in light of the priesthood of Christ. Tom Greggs shows the connection between Christ's work as high priest and the universal church's role in salvation. All together, the three volumes will offer a major statement on the doctrine of the church for Christians from a variety of backgrounds.
With a per capita publishing rate of more that three times that of the United States, Slovenia has a long and storied literary history, from the legendary 9th-century Freising Manuscripts to postmodern masterpieces by Igor Bratoz. Continuing that tradition, Angels Beneath the Surface, the first collection of Slovene fiction to be published in English outside of Slovenia since 1994, offers a rich sampling of Slovene short stories. The thirteen tales here represent a wide array of voices and writing styles among the country's renowned–and emergent–writers. Written between 1990 and 2005, the selections in Angels Beneath the Surface together comprise a vivid snapshot of Slovene literary consciousness at the turn of the millennium. These authors mine their culture for often startling insights in stories that range from wicked variations on fairy tales to dour romances to skewerings of the bureaucratic state. Recent articles in The New Yorker, The New York Times Book Review, and other prominent publications attest to renewed interest in European literature in translation, and this collection is an incisive entry in the genre.
Working within a postmodern style, this rhythmic and melodious bilingual collection of poems originally written in Slovenian by Cvetka Lipuš and translated here by Tom Priestly, blends the real with the surreal, dull urban lives with dreams. Lipuš, known for the lexical beauty of her work, dwells on topics of time and space which she handles in an almost revolving, irreverent manner. Priestly captures the maze-like characteristic of her verse and carefully reconstructs the sonoric beauty of the work in its original language.
In National Poets, Cultural Saints Marijan Dović and Jón Karl Helgason explore the veneration of artists, writers, and poets in Europe, especially in the period 1840–1940, and present an analytical model of canonization for further studies on “cultural sainthood”.
In 1934, Priestley published an account of his journey through England from Southampton to the Black Country, to the North East and Newcastle, to Norwich and home. This illustrated edition is introduced by Stuart Maconie and comes with a foreword by Tom Priestley.
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Number is the most underestimated of the grammatical categories. It is deceptively simple yet the number system which philosophers, logicians and many linguists take as the norm - namely the distinction between singular and plural (as in cat versus cats) - is only one of a wide range of possibilities to be found in languages around the world. Some languages, for instance, make more distinctions than English, having three, four or even five different values. Adopting a wide-ranging perspective, Greville Corbett draws on examples from many languages to analyse the possible systems of number. He reveals that the means for signalling number are remarkably varied and are put to a surprising range of special additional uses. By surveying some of the riches of the world s linguistic resources this book makes a major contribution to the typology of categories and demonstrates that languages are much more varied than is generally recognised.
Well-known to those who devour ghost stories, the North of England has a rich tapestry of tales relating to the paranormal and many are well known; Lady Gerrard of Darlington, the Screaming Skull of Burton Agnes Hall and so on. But some are not so well known and have languished in obscurity for decades. Now rescued from oblivion, these stories are a compilation of tales from long neglected volumes dating back to the 1970s and 1980s describing some of the region's rarer and unknown cases. Many will startle. Many will alarm. All with thrill...
Working within a postmodern style, this rhythmic and melodious collection of poems originally written in Slovenian by Cvetka Lipuš and translated here by Tom Priestly, blends the real with the surreal, dull urban lives with dreams. Lipuš, known for the lexical beauty of her work, dwells on topics of time and space which she handles in an almost revolving, irreverent manner. Priestly captures the maze-like characteristic of her verse and carefully reconstructs the sonoric beauty of the work in its original language.