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With a per capita publishing rate of more that three times that of the United States, Slovenia has a long and storied literary history, from the legendary 9th-century Freising Manuscripts to postmodern masterpieces by Igor Bratoz. Continuing that tradition, Angels Beneath the Surface, the first collection of Slovene fiction to be published in English outside of Slovenia since 1994, offers a rich sampling of Slovene short stories. The thirteen tales here represent a wide array of voices and writing styles among the country's renowned–and emergent–writers. Written between 1990 and 2005, the selections in Angels Beneath the Surface together comprise a vivid snapshot of Slovene literary consciousness at the turn of the millennium. These authors mine their culture for often startling insights in stories that range from wicked variations on fairy tales to dour romances to skewerings of the bureaucratic state. Recent articles in The New Yorker, The New York Times Book Review, and other prominent publications attest to renewed interest in European literature in translation, and this collection is an incisive entry in the genre.
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Working within a postmodern style, this rhythmic and melodious bilingual collection of poems originally written in Slovenian by Cvetka Lipuš and translated here by Tom Priestly, blends the real with the surreal, dull urban lives with dreams. Lipuš, known for the lexical beauty of her work, dwells on topics of time and space which she handles in an almost revolving, irreverent manner. Priestly captures the maze-like characteristic of her verse and carefully reconstructs the sonoric beauty of the work in its original language.
This handbook comprises an in-depth presentation of the state of the art in word-formation. The five volumes contain 207 articles written by leading international scholars. The XVI chapters of the handbook provide the reader, in both general articles and individual studies, with a wide variety of perspectives: word-formation as a linguistic discipline (history of science, theoretical concepts), units and processes in word-formation, rules and restrictions, semantics and pragmatics, foreign word-formation, language planning and purism, historical word-formation, word-formation in language acquisition and aphasia, word-formation and language use, tools in word-formation research. The final chapter comprises 74 portraits of word-formation in the individual languages of Europe and offers an innovative perspective. These portraits afford the first overview of this kind and will prove useful for future typological research. This handbook will provide an essential reference for both advanced students and researchers in word-formation and related fields within linguistics.
During the 1970s todays Austrian Federal Ministry of Education, Science and Research (Bundesministerium für Bildung, Wissenschaft und Forschung, BMBWF) supported the founding of the Center for Austrian Studies at the University of Minnesota in Minneapolis and the Austrian Chair at Stanford University in California. These foundings were the initial incentives for the worldwide `spreading' of similar institutions; currently, nine Centers for Austrian and Central European Studies exist in seven countries on three continents. The funding of the Ministry enables to connect senior scholars with young scholars, to help young PhD students, to participate in and to benefit from the scientific connection of experienced researchers, and to get in touch with the national scientific community by `sniffing scientific air', as the Austrians like to say. Furthermore, it aims to avoid prejudices, and to spread a better understanding and knowledge about Austria and Central Europe by promoting scientific exchange.
John McTiernan is one of the most influential action filmmakers of his generation. Educated at the American Film Institute and influenced by European cinematic style, he made his name with a trio of groundbreaking action films--Predator, Die Hard and The Hunt for Red October. His later output was a mixture of successes and failures, including Last Action Hero, one of the most colossal misfires in Hollywood history. His career and personal life unravelled when he was indicted and briefly imprisoned for involvement in a wiretapping scandal. Drawing on extensive research, the author covers McTiernan's tumultuous life and career, from his early triumphs through his extensive legal battles and his multiple attempts at a comeback.
In this poignant and meditative collection of short stories, Zubair Ahmad captures the lives and experiences of the people of the Punjab, a region divided between India and Pakistan. In an intimate narrative style, Ahmad writes a world that hovers between memory and imagination, home and abroad. The narrator follows the pull of his subconscious, shifting between past and present, recalling different eras of Lahore’s neighbourhoods and the communities that define them. These stories evoke the complex realities of post-colonial Pakistani Punjab. The contradictions of this region’s history reverberate through the stories, evident in the characters, their circumstances, and sometimes their erasure. Skillfully translated from Punjabi by Anne Murphy, this collection is an essential contribution to the wider recognition of the Punjabi language and its literature.
This book offers a substantial and up-dated discussion and presentation of the new European “frontiers” related to complex and controversial social and spatial (re)integration issues in multicultural and border regions. It represents an inter-disciplinary endeavour from human geographers, social and political scientists, and linguists to understand and interpret the current developments of the European “unity in diversity” paradigm, based on simultaneous and continuous processes of social and spatial convergence and divergence, changing territorialities and identities, particularly in the wider EU’s “inner” and “outer” border regions. These studies convincingly display the ...
In National Poets, Cultural Saints Marijan Dović and Jón Karl Helgason explore the ways in which certain artists, writers, and poets in Europe have become major figures of cultural memory, emulating the symbolic role formerly played by state rulers and religious saints. The authors develop the concept of cultural sainthood in the context of nationalism as a form of invisible religion, identify major shifts in canonization practices from antiquity to the nationally-motivated commemoration of the nineteenth century, and explore the afterlives of two national poets, Slovenia's France Prešeren and Iceland's Jónas Hallgrímsson. The book presents a useful analytical model of canonization for further studies on cultural sainthood and opens up fruitful perspectives for the understanding of national movements.
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