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* A photographic collection that salutes the strong will of women through times of war, poverty and hardship* Photographic assignments from The Balkans, The Sudan, Mozambique, South Africa, India, Bangladesh, Lebanon, Iran, Iraq, Afghanistan, Albania, Turkey, China, America, Ireland, and much more* Foreword by Angelina Jolie, introduction by Robin Morgan, Editor in Chief of the Sunday Times Magazine (1991-2009)* The Extraordinary Women images will be screened at Visa pour I'image, the world's biggest international festival of photojournalism at Perpignan, France, in the first week of September. Extraordinary Women will be exhibited at Side Gallery in Newcastle upon Tyne from Saturday 26th Se...
During a long and distinguished career in photojournalism, Tom Stoddart has documented many of the world's most incredible events, including the scourge of famine and AIDS in Africa, the strife of civil war in the Balkans, and the monumental destruction of a superpower in Iraq. His powerful, humanistic, black-and-white photographs have won him many awards and the international respect of his peers. iWITNESS is as much a celebration of Stoddart's exceptional career as a photojournalist as it is a merciless diatribe on the day-to-day business of how the world conducts itself. This is an intensely personal view by an observer who refuses to believe that human beings can only exist in conflict with one another and the environment they inhabit. An exhibition of this work will be mounted in London in the summer of 2004 and will then travel worldwide.
As both an art form and a universal language, the photograph has an extraordinary ability to connect and communicate with others. But with over one trillion photos taken each year, why do so few of them truly connect? Why do so few of them grab our emotions or our imaginations? It is not because the images lack focus or proper exposure; with advances in technology, the camera does that so well these days. Photographer David duChemin believes the majority of our images fall short because they lack soul. And without soul, the images have no ability to resonate with others. They simply cannot connect with the viewer, or even—if we’re being truthful—with ourselves.
p.p1 {margin: 0.0px ...Mountains bear the imprint of human activity. Deep scars from logging and surface mining crosscut the landmarks of sports and recreation - national parks and lookout areas, ski slopes and lodges. Although the environmental effects of extractive industries are well known, skiing is more likely to bring to mind images of luxury, wealth, and health. In Making Meaning out of Mountains, Mark Stoddart draws on interviews, field observations, and media analysis to explore how the ski industry in British Columbia has helped transform mountain environments and, in turn, how skiing has come to be inscribed with multiple, often conflicted meanings informed by power struggles rooted in race, class, and ...
You want to look through the lens of your camera and change the world. You want to capture powerful moments in one click that will impact the minds of other people. Photographic images are one of the most popular tools used to advocate for social and environmental awareness. This can be as close to home as drug use, prostitution, or pollution or as far away as famine, war, and the plight of refugees and migrant workers. One well-known example of an activist photographer would be landscape photographer Ansel Adams, who trudged to Washington with stunning images of the American west to advocate protecting these areas. His images and testimony were instrumental in creating the National Park Sys...
More than ever, there is an urgent need to rediscover timeless and objective principles in order to confront the issues of our times. In this collection of thirty remarkable essays, Lakhani summons us to rediscover the sacred worldview of Tradition, governed by truth, virtue, and beauty, as he addresses some of the most pressing issues today, including fundamentalism, gender and sexuality, religious diversity and pluralism, faith and science, and the problem of evil.
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Madras in the 1920s. The British are slowly losing the grip on the subcontinent. The end of the colonial enterprise is in sight and the city on India's east coast is teeming with intrigue. A grisly murder takes place against the backdrop of political tension and Superintendent Le Fanu, a man of impeccable investigative methods, is called in to find out who killed a respectable young British girl and dumped her in a canal, her veins clogged with morphine. As Le Fanu, a man forced to keep his own personal relationship a secret for fear of scandal in the face British moral standards, begins to investigate, he quickly slips into a quagmire of Raj politics, rebellion and nefarious criminal activities that threaten not just to bury his case but the fearless detective himself. The first Detective Le Fanu Adventure, A Madras Miasma, tells a classic tale of murder, corruption and intrigue with a sharp eye on British colonial politics and race relations. It is a story that, like its main protagonist, has its heart firmly in the right place.
Biography of Tom Lamb, a bush pilot from northern Manitoba, whose other activities included ranching, trapping, and wildlife conservation.