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Modalities of Change
While in some cases modernity may dominate 'traditional' forms of expression, in others, the modern is embraced as a welcome source of new ideas that can modify 'tradition' while still keeping it within its own bounds. Maintaining a strong and distinct cultural identity with the help of modernity helps representatives of that identity cope with the modern world more generally. By contrast, assimilation to a dominant culture marked as modern is clearly associated with not only the loss of a distinct identity, but also its specific forms of cultural expression. This book explores the consequences of the interface between modernity and tradition in selected societies in Taiwan, mainland China and Vietnam. The contributors examine how traditions are themselves exploiting modernity in creative ways, in the interests of their own further cultural developments, and to what extent this approach is likely to help a tradition survive.
Hmong and American
Farmers in Laos, U.S. allies during the Vietnam War, refugees in Thailand, citizens of the Western world, the stories of the Hmong who now live in America have been told in detail through books and articles and oral histories over the past several decades. Like any immigrant group, members of the first generation may yearn for the past as they watch their children and grandchildren find their way in the dominant culture of their new home. For Hmong people born and educated in the United States, a definition of self often includes traditional practices and tight-knit family groups but also a distinctly Americanized point of view. How do Hmong Americans negotiate the expectations of these two very different cultures? This book contains a series of essays featuring a range of writing styles, leading scholars, educators, artists, and community activists who explore themes of history, culture, gender, class, family, and sexual orientation, weaving their own stories into depictions of a Hmong American community where people continue to develop complex identities that are collectively shared but deeply personal as they help to redefine the multicultural America of today.
Writing with Thread
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How Textile Communicates
Textile has been used as a medium of communication since the prehistoric period. Up until the 19th century, civilizations throughout the world manipulated thread and fabric to communicate in a way that would astound many of us now. Unlike text and images, textile is haptic and three-dimensional. Its meaning is unfixed, constantly shifting as it circulates between different owners and creators. In How Textile Communicates, Ganaele Langlois dissects textile's unique capacity for communication through a range of global case studies, before examining the profound impact of colonialism on textile practice and the appropriation of this medium by capitalist systems. A thought-provoking contribution to the fields of both fashion and communication studies, Langlois' writing challenges readers' preconceptions and shines new light on the profound impact of textiles on human communication.
Les Chants du Fil
Cet ouvrage présente des trésors d’un monde disparu: les textiles des ethnies du sud-ouest de la Chine, précisément ceux des Miao de la province du Guizhou. Pendant plus de vingt ans, Philippe Fatin a partagé, malgré la méfiance des autorités chinoises, la vie de ces peuples, fasciné par leurs coutumes et leurs traditions. Pressentant les grands bouleversements à venir, il s’est attaché à la préservation de l’expression la plus spectaculaire du génie de ces peuples que sont leurs costumes de cérémonie réservés aux grands rites de passage: naissance, mariage, funérailles et autres fêtes importantes. Philippe Fatin raconte ses soirées d’hiver dans les montagnes iso...
The Textile Reader
Addressing textiles as a distinctive area of cultural practice and field of scholarly research, The Textile Reader introduces students to the key issues essential to the exploration of the textile from both a critical and a creative perspective. The second edition brings together lectures, catalogue essays, academic articles, fiction and poetry, as well as several articles available in English translation for the first time, to capture the diversity of voices informing textile studies today. Content is organized around the themes of touch, memory, structure, politics, and production plus a new section exploring the role of community. With 22 new contributors, this revised edition includes selected work from Maria Fusco, Ursula le Guin, Elaine Igoe, Faith Ringgold, and T'ai Smith. Extended introductions and annotated suggestions for further reading by the editor Jessica Hemmings make the second edition an invaluable resource to students of textiles, craft and material culture.
Shibori
Potential for creating designs in textiles can be seen even in the physical properties of cloth. The simple fact that cloth tightly compressed into wrinkles or folds resists the penetration of dye is an opportunity—an opportunity to let the pliancy of textiles speak in making designs and patterns. People around the world have recognized this opportunity, producing resist designs in textiles by shaping and then securing cloth in various ways before dyeing. Yet in no other country has the creative potential of this basic principle been understood and applied as it has in Japan. Here, in fact, it has been expanded into a whole family of traditional resist techniques, involving first shaping t...
