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En El Baúl de Mi Alm
Jose tomas garcia, cubano, 19 de mayo 1977, Guanajay, La Habana, estudio termo-energética en Cuba, su país natal, graduado del Instituto Politécnico de su ciudad, emigro a los estados unidos en agosto del 2005, desempeñando varios trabajos en relación a su profesión, escritor de forma autodidacta, su inclinación por la poesía de amor, lo lleva a realizar una recopilación de poemas escritos a lo largo de muchos años, algunos en libretas viejas, otros casi perdidos en el tiempo, con el libro, EN EL BAUL DE MI ALMA, pretende llevar a todo el público amante de la poesía de amor y desamor, sus mas escondidos sentimientos, plasmados en estos versos.
Tapas Made Easy
Tapas Made Easy is the perfect book for anyone who wants to recreate the rich flavours and delicious dishes of Spain's greatest culinary tradition. Small food is enjoying a renaissance, perhaps because it is ideal for entertaining. It is possible to produce a whole range of different dishes to cater for a number of tastes, all with the minimum of fuss. It is also great food for sharing, to be eaten in the company of friends, with a glass of wine. The origin of the word comes from tapar, meaning to cover, apparently referring to slices of bread or cheese that were used to cover glasses. Now a thriving tradition, the range of tapas dishes has extended to include more substantial snacks, from a...
Senate documents
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Tomas Cruz Conga Method Volume 1 - Beginning
In Volume I, Tomasito reveals the time tested conga method which he himselfstudied with Changuito and other master congueros at the ENA conservatory in Havana. Volume I starts at the absolute beginning and is designed for the personwho has never touched the congas, but is also of great value to the advanced player who wishes to understand the foundation and rudiments of the approach that has allowed the ENA and the other Havana conservatories to consistently turn out so many world class congueros each year. Volume I begins with simple exercises to develop technique and systematically works its way through rudiments and 'recursos' for use in solos and fills and basic rhythm patterns such as Salsa, Cha-Cha and Bolero. These are presented using the unique Step by Step online video Method, which enables the student to learn the patterns by watching the video and imitating Tomasito as he builds the patterns stroke by stroke. This, combined with a special type of notation designed to be simple for those who don't read music, results in a conga course that really works, rather than just another reference book to add to the bookshelf!
Tomas Cruz Conga Method Volume 2 - Intermediate
Volume II is aimed at two distinct categories of readers: 1) Intermediate players who are ready for a wider range of rhythms to study and use in live playing situations; and 2) Experienced congueros who have digested Volume I and now seek to understand the roots of the modern Cuban conga style. Having assimilated the material in Volume I, the student should be able to play basic Son Montuno, Salsa, Chachacha, and Bolero. Volume II moves on to Guaguanco, Iyesa, 6/8, Changui, Afro, Mozambique, Pilon, Songo, Merengue, Bomba, Cumbia and other rhythms that a professional conguero will be expected to know. Each rhythm is accompanied by an article reflecting on its history and role in the "big picture" of Latin music and offering listening recommendations. Like Volume I, it uses the Step by Step online video Method. A special 8-page appendix explains the often infuriatingly complex subject of "clave" with an unprecedented level of clarity and insight. Includes access to online video.
Official Gazette
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Modular Perspective for Architects & other related professionals
Dr. Tomás García-Salgado's invention of Modular Perspective is a rare accomplishment –one that I have been privileged to review, study and analyze and assess for this book. The ingenious method that he has devised is a remarkable process for precision projection of perspective. Modular Perspective is a synthesis of many brilliant studies and research into perspective theory from across the centuries, beginning with the invention of accurate three-dimensional projection from the 14th century and early Renaissance, the methodical system of traditional perspective projection, from plan, elevation and section, drafted point by point, from station point to picture plane, from vanishing points into three-dimensionality is synthesized into Dr. Salgado's compact and rigourous system.
Iconotropy and Cult Images from the Ancient to Modern World
The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.
