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The Japanese Ideology
A major Marxist thinker and critic in 1930s Japan, Tosaka Jun was among the world’s most incisive—yet underrecognized—theorists of capitalism, fascism, and ideology during the years before World War II. The Japanese Ideology is his masterpiece, first published in 1935, as Japan and the world plummeted into an age of reaction. Tosaka offers a ruthless philosophical critique of contemporary ideology that exposes liberalism’s deep complicity with fascism. The Japanese Ideology provides a materialist analysis of the reactionary ideology then overtaking Japan, with profound significance for anywhere fascism has taken root. Modeled after Marx and Engels’s The German Ideology, it critique...
Tosaka Jun
Tosaka Jun (1900-1945) was one of modern Japan's most unique and important critics of capitalism, the emperor system, imperialism, and everyday life in wartime Japan. This collection of translations contains some of Tosaka's most important essays and original articles on Tosaka.
Tosaka Jun
Tosaka Jun (1900–1945) was one of modern Japan's most unique and important critics of capitalism, the emperor system, imperialism, and everyday life in wartime Japan. This collection of translations contains some of Tosaka's most important essays and original articles on Tosaka.
Sources of Japanese Tradition, Abridged
For almost fifty years, Sources of Japanese Tradition has been the single most valuable collection of English-language readings on Japan. Unrivalled in its wide selection of source materials on history, society, politics, education, philosophy, and religion, the two-volume textbook is a crucial resource for students, scholars, and readers seeking an introduction to Japanese civilization. Originally published in a single hardcover book, Volume 2 is now available as an abridged, two-part paperback. Part 1 covers the Tokugawa period to 1868, including texts that address the spread of neo-Confucianism and Buddhism and the initial encounters of Japan and the West. Part 2 begins with the Meiji period and ends at the new millennium, shedding light on such major movements as the Enlightenment, constitutionalism, nationalism, socialism, and feminism, and the impact of the postwar occupation. Commentary by major scholars and comprehensive bibliographies and indexes are included. Together, these readings map out the development of modern Japanese civilization and illuminate the thought and teachings of its intellectual, political, and religious leaders.
JAPANESE IDEOLOGY
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Sourcebook for Modern Japanese Philosophy
Providing translations of and commentaries on primary source materials of modern Japanese philosophy, this sourcebook centers on the creative philosophical writings of the Kyoto School broadly conceived, featuring the thought of Nishida Kitarô, Tanabe Hajime, Kuki Shûzô, Watsuji Tetsurô, Miki Kiyoshi, Tosaka Jun, and Nishitani Keiji. The 22 selections include unabridged whole works, essays, or chapters of books. Also included is exhaustive bio-bibliographical information as well as editorial commentary. For most scholars, this will be the first look in English at the thought of Kuki Shûzô, Miki Kiyoshi, and the Marxist critic Tosaka Jun. The sourcebook will be of interest to scholars, ...
Japanese Documentary Film
Among Asian countries--where until recently documentary filmmaking was largely the domain of central governments--Japan was exceptional for the vigor of its nonfiction film industry. And yet, for all its aesthetic, historical, and political interest, the Japanese documentary remains little known and largely unstudied outside of Japan. This is the first English-language study of the subject, an enlightening close look at the first fifty years of documentary film theory and practice in Japan. Beginning with films made by foreigners in the nineteenth century and concluding with the first two films made after Japan's surrender in 1945, Abe Mark Nornes moves from a "prehistory of the documentary, " through innovations of the proletarian film movement, to the hardening of style and conventions that started with the Manchurian Incident films and continued through the Pacific War. Nornes draws on a wide variety of archival sources--including Japanese studio records, secret police reports, government memos, letters, military tribunal testimonies, and more--to chart shifts in documentary style against developments in the history of modern Japan.
Philosophy of Science and The Kyoto School
Introduction : relativity and quantum physics in the Kyoto School -- Nishida philosophy, place, field, and quantum phenomena -- Mediation in Tanabe's dialectical vision of competing fields within physics -- Modern physics, space, and ideology in Tosaka Jun -- What we can learn from the Kyoto School.
The Culture of Japanese Fascism
This bold collection of essays demonstrates the necessity of understanding fascism in cultural terms rather than only or even primarily in terms of political structures and events. Contributors from history, literature, film, art history, and anthropology describe a culture of fascism in Japan in the decades preceding the end of the Asia-Pacific War. In so doing, they challenge past scholarship, which has generally rejected descriptions of pre-1945 Japan as fascist. The contributors explain how a fascist ideology was diffused throughout Japanese culture via literature, popular culture, film, design, and everyday discourse. Alan Tansman’s introduction places the essays in historical context...
Public Opinion – Propaganda – Ideology
As early as prewar Japan, thinkers of various intellectual proveniences had begun discussing the most important topics of contemporary media and communication studies, such as ways to define the social function of the press, journalism and the formation of public opinion. In Public Opinion – Propaganda – Ideology, light is particularly shed on press scholar Ono Hideo, his disciple the sociologist and propaganda researcher Koyama Eizō, Marxist philosopher Tosaka Jun and sociologist and postwar intellectual Shimizu Ikutarō. Besides introducing the different approaches of the aforementioned figures, this book also contextualizes the early discursive space of Japanese media and communication studies within global contexts from three perspectives of transnational intellectual history, i.e. adaptation reciprocities and parallels.
