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Revising the Curriculum and Co-Curriculum to Engage Diversity, Equity, and Inclusion
Entering at a critical time in the national dialogue on higher education and diversity, equity, and inclusion (DEI), this edited book presents case studies from six institutions that have successfully enacted curricular change. Pulled from research, state, private, and small colleges as well as various regions of the United States, these case studies cover a range of approaches, including faculty-driven and institution-wide processes, aimed at engaging the entire campus, as well as efforts at the classroom and disciplinary level. Accompanying chapters overview the work, exploring themes and best practices, discuss the current political climate, and offer cutting-edge research on assessment in DEI. An inspiring and practical read for higher education faculty, leaders, and practitioners, this book demonstrates that curricular change is an achievable, worthwhile, and urgently necessary pursuit.
Dig That Beat!
Disc jockey Alan Freed coined the term "rock and roll" in the 1950s. Rooted in rockabilly, rhythm and blues, country and western, gospel, and pop, the genre was popularized by performers like Elvis Presley, Bill Haley, Chuck Berry and Jerry Lee Lewis. Rock and roll's originators and revivalists continue to entertain crowds at roots music festivals worldwide. This book presents stories about performers' lives on the road and in the studio, along with the stories behind popular songs. Informative biographical profiles are provided. Artists sharing their experiences include Dale Hawkins, Big Jay McNeely, Ace Cannon, Sleepy LaBeef, Billy Swan, Robin Luke, Rosie Flores and James Intveld. Conway Twitty, Buck Owens and Janis Martin are also featured.
Singing God's Words
The first in-depth study of chanting Torah among contemporary Jews in the United States, Singing God's Words presents a reconceptualization of spiritual experience. Jeffrey A. Summit details the transforming effect that digital technology, feminism, and a pursuit of self-fulfillment in the community has had on congregants and clergy as they teach, learn, and understand what it means to stand at the epicenter of Jewish worship and "read Torah."
Instrument of the State
Louisiana State Penitentiary is one of the largest and most brutal maximum-security prisons in the United States. Built on the grounds of a former plantation, the prison is commonly referred to as "Angola" apropos of the country of origin for many of the enslaved people who inhabited the land. Despite notoriously inhumane conditions within the prison, people incarcerated at Angola have sustained a rich and dynamic musical legacy since the late nineteenth century, attracting folklorists such as John and Alan Lomax and Harry Oster. Well-known musicians including Huddie William "Lead Belly" Ledbetter, Charles Neville, and James Booker played a part in this history, in addition to a litany of ot...
Capital Bluegrass
Documenting the history and development of bluegrass in and around the nation's capital since it emerged in the 1950s, Capital Bluegrass: Hillbilly Music Meets Washington, D.C. is central to our understanding of bluegrass in the United States and its place in our nation's capital.
Jazz Migrations
Since the 1990s, migrant musicians have become increasingly prominent in New York City's jazz scene. Challenging norms about who can be a jazz musician and what immigrant music should sound like, these musicians create mobile and diverse notions of jazz while inadvertently contributing to processes of gentrification and cultural institutionalization. In Jazz Migrations, author Ofer Gazit discusses the impact of contemporary transnational migration on New York jazz, examining its effects on educational institutions, club scenes, and jam sessions. Drawing on four years of musical participation in the scene, as well as interviews with musicians, audience members, venue owners, industry professi...
Resounding Afro Asia
Cultural hybridity is a celebrated hallmark of U.S. American music and identity. Yet hybrid music is all too often marked -and marketed - under a single racial label. Resounding Afro Asia examines music projects that counter this convention; these projects instead foreground racial mixture in players, audiences, and sound in the very face of the ghettoizing culture industry. Giving voice to four contemporary projects, author Tamara Roberts traces black/Asian engagements that reach across the United States and beyond: Funkadesi, Yoko Noge, Fred Ho and the Afro Asian Music Ensemble, and Red Baraat. From Indian funk & reggae, to Japanese folk & blues, to jazz in various Asian and African tradit...
The Other Irish
What do Mark Twain, Neil Armstrong, and John McCain have in common? Theyre all descendants of a merry group of Scots-Irish braggarts that crossed the Atlantic from Ireland in the early 1700s and settled in Americas South. Also known as the "Other Irish," this wild bunch of patriotic, rebellious, fervently religious rascals gave us the NRA, at least fourteen presidents, decisive victories in the Revolutionary War, a third of todays US Military, country music, Star Wars, the Munchkins, American-style Democracy, and even the religious right . . . not to mention NASCAR, whose roots go back to Prohibition-era moonshine runners. Yet few Americans are familiar with the Other Irish or their contributions to American culture. Now author and documentary filmmaker Karen McCarthy shines a probing light on this fascinating topic, illuminating the extent to which the Scots-Irish helped weave the fabric of our nation.
A Rocket in My Pocket
Rockabilly had its roots in country, blues, folk, hillbilly, R&B, boogie-woogie and most other indigenous Deep South forms of popular song that you could strum three chords along to or howl down a cheap microphone. It was young people's music, made almost entirely by the first wave of teenagers, despised by adults in general and the country music establishment in particular. Its pioneer exponent, Elvis, eventually become respectable in the eyes of straight society but he was the exception. 1950s rockabilly was a spontaneous outburst of spirited three-chord songs, tiny record labels, primitive studios, fiercely partisan audiences and wild-eyed, driven performers who weren't even sure that their musical careers would last the week. The book charts the rise (and fall) of the original 50s wave of rockabillies. It will also follow the progress of the music, in clubs, on radio, TV and film, pinpointing the key record labels and important regional centres, showing how fashions eventually changed and left rockabilly high and dry, far too wild and primitive in an era of smoother sounds. Décharné traces the music to its Memphis roots.
The Oxford Handbook of Country Music
Approaches country music through an interdisciplinary lens, Features close analyses of gendered and racial disparities in country music, Examines politics of both the performance of country music and the scholarship surrounding it Book jacket.
