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Features new photographs and text by artist Trevor Paglen, centered on the archive of Peter Merlin - a historian and leading expert on classified aircraft. Merlin, a former NASA archivist, has amassed a vast collection of flight wreckage, dossiers, and memorabilia - objects that are sometimes the only remnants of covert government operations. Paglen's stark photographs of these symbol-laden challenge coins, patches, models, and other objects build on his long-standing interest in the culture of secrecy while providing a fragmentary peek into decades of elusive military missions.
Human civilizations' longest lasting artifacts are not the great Pyramids of Giza, nor the cave paintings at Lascaux, but the communications satellites that circle our planet. In a stationary orbit above the equator, the satellites that broadcast our TV signals, route our phone calls, and process our credit card transactions experience no atmospheric drag. Their inert hulls will continue to drift around Earth until the Sun expands into a red giant and engulfs them about 4.5 billion years from now. The Last Pictures, co-published by Creative Time Books, is rooted in the premise that these communications satellites will ultimately become the cultural and material ruins of the late 20th and ear...
The first complete monograph on an artist whose work investigates surveillance and government secrecy in the digital age Trevor Paglen's art gives visual geography to hidden forces, relentlessly pursuing what he calls the 'unseeable and undocumentable' in contemporary society. Blending photography, installation, investigative journalism, and science, Paglen explores the clandestine activity of government and intelligence agencies, using high-grade equipment to document their movements and reveal their hidden inner workings. This book presents over three decades of Paglen's groundbreaking work, making visible the structures and technologies that impact our lives.
The first volume to present Paglen's early photographic series alongside his recent sculptural objects and new work with AI.
"Invisible: Covert Operations and Classified Landscapes" is Trevor Paglen's long-awaited first photographic monograph. Social scientist, artist, writer and provocateur, Paglen has been exploring the secret activities of the U.S. military and intelligence agencies--the "black world"--for the last eight years, publishing, speaking and making astonishing photographs. As an artist, Paglen is interested in the idea of photography as truth-telling, but his pictures often stop short of traditional ideas of documentation. In the series "Limit Telephotography," for example, he employs high-end optical systems to photograph top-secret governmental sites; and in "The Other Night Sky," he uses the data of amateur satellite watchers to track and photograph classified spacecraft in Earth's orbit. In other works Paglen transforms documents such as passports, flight data and aliases of CIA operatives into art objects. Rebecca Solnit contributes a searing essay that traces this history of clandestine military activity on the American landscape.
Shown here for the first time, these 60 patches reveal a secret world of military imagery and jargon, where classified projects are known by peculiar names (Goat Suckers', 'None of Your Fucking Business', 'Tastes Like Chicken') and illustrated with occult symbols and ridiculous cartoons. Although the actual projects represented here (such as the notorious Area 51) are classified, these patches - which are worn by military units working on classified missions - are precisely photographed, hinting at a world about which little is known.'
Visibility Machines explores the unique roles that German filmmaker, video artist and author Harun Farocki and American artist and author Trevor Paglen play as meticulous observers of global military operations.
Welcome to a top-level clearance world that doesn't exist...Now with updated material for the paperback edition. This is the adventurous, insightful, and often chilling story of a road trip through a shadow nation of state secrets, clandestine military bases, black sites, hidden laboratories, and top-secret agencies that make up what insiders call the "black world." Here, geographer and provocateur Trevor Paglen knocks on the doors of CIA prisons, stakes out a covert air base in Nevada from a mountaintop 30 miles away, dissects the Defense Department's multibillion dollar "black" budget, and interviews those who live on the edges of these blank spots. Whether Paglen reports from a hotel room in Vegas, a secret prison in Kabul, or a trailer in Shoshone Indian territory, he is impassioned, rigorous, relentless-and delivers eye-opening details.
This is an investigative journalism in the mould of Carl Bernstein and Bob Woodward. This is an incredible story of shadowy CIA kidnappings followed by imprisonment and torture. The secret may be out, but the horror remains in this original expose of extraordinary rendition. This is the incredible story of how the CIA's darkest secret of the War on Terror - the 'extraordinary rendition' programme - was exposed. It's no longer a secret: since 9/11, the CIA has quietly kidnapped more than a hundred people and detained them at prisons throughout the world. Often, the detainees are tortured or disappear entirely. Now infamous, the 'extraordinary rendition' programme is a key part of the largest ...
The militarized legacy of the digital cloud: how the cloud grew out of older network technologies and politics. We may imagine the digital cloud as placeless, mute, ethereal, and unmediated. Yet the reality of the cloud is embodied in thousands of massive data centers, any one of which can use as much electricity as a midsized town. Even all these data centers are only one small part of the cloud. Behind that cloud-shaped icon on our screens is a whole universe of technologies and cultural norms, all working to keep us from noticing their existence. In this book, Tung-Hui Hu examines the gap between the real and the virtual in our understanding of the cloud. Hu shows that the cloud grew out ...