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This delightful pocket sized title, coming from one of the UK's foremost experts on roses, will be an indispensable guide to rose-lovers everywhere.
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
We speak to Trevor about his approaches to playing the eldest Tyrone son, Jamie. He discusses the challenges of playing a character battling his demons.
Mavis Templeton faces a crisis when his septuagenarian father drops dead outside a dubious Mexican restaurant, somewhere in the bleak North Dakotan outback. After a moment of panic, Mavis props up his dead father in the passenger seat of the old Ford Pinto and makes a run for the Canadian border, determined to get the old duffer home at any cost. But time is running out for the last Templeton, and the greatest crisis of his life awaits his return. Told through the unique eyes and mind of Mavis, The Last Templeton is the poignant and slightly off-kilter story of a man who learns that family doesn't have to be defined by bloodlines.
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When gay couples become parents, they face a host of questions and issues that their straight counterparts may never have to consider. How important is it for each partner to have a biological tie to their child? How will they become parents: will they pursue surrogacy, or will they adopt? Will both partners legally be able to adopt their child? Will they have to hide their relationship to speed up the adoption process? Will one partner be the primary breadwinner? And how will their lives change, now that the presence of a child has made their relationship visible to the rest of the world? In Gay Dads: Transitions to Adoptive Fatherhood, Abbie E. Goldberg examines the ways in which gay fathe...
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He was the pop star with the raccoon eyes who sang ‘Hollywood Seven’ and ‘Six Ribbons’; the swashbuckling Pirate King in The Pirates of Penzance; the rocker who packed beer barns across Australia; and, in the words of Tim Rice, ‘a brilliantly judged and truly exciting’ Judas in Jesus Christ Superstar. On the small screen he was as comfortable portraying Bobby Rivers in All Together Now as he was Jonathan Garrett in Against the Wind. But there was a lot more to Jon English. He was a proud father of four who married his high school sweetheart. He was so devoted to the Parramatta Eels that he wrote one of their team songs. And he was also a composer whose rock opera, Paris, proved to be the biggest challenge of his life. Written with the full support of Jon’s family, friends and peers, Behind Dark Eyes swings from the massive highs of Jesus Christ Superstar and pop stardom to the turmoil brought about by creative frustration and depression - and Jon’s tragic death in 2016 at the age of 66.
Highly Commended in the Society of Educational Studies Book Prize This book explores how economic changes and the growing importance of educational qualifications in a shrinking labour market, particularly effects marginalized young men. It follows a group of young working-class men in a de-industrial community and challenges commonly held representations that often appear in the media and in policy discourses which portray them as feckless, out of control, educational failures and lacking aspiration. Ward argues that for a group of young men in a community of social and economic deprivation, expectations and transitions to adulthood are framed through the industrial legacy of geographically and historically shaped class and gender codes. These codes have an impact on what it means to be a man and what behaviour is deemed acceptable and what is not.