Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Tullio Lombardo and Venetian High Renaissance Sculpture
The great Venetian sculptors of the High Renaissance, led by Tullio Lombardo (c. 1455-1532), explored a poetic and nostalgic approach to classical antiquity in their work. Their expression shares much with Mantegna, Bellini, Giorgione, and Titian in these painters' imaginative evocations of ancient history, mythology, philosophy, and poetry. Featuring a range of Tullio's work, including his sensuous and dramatic double-portrait reliefs, this book introduces the romantic qualities and beautiful craftsmanship of the sculptor and his closest followers, including his brother Antonio Lombardo, Simone Bianco, Antonio Minello, and Giammaria Mosca. Essays examine Tullio's innovations and the Venetian cultural setting where he developed them in dialogue with the northern Italian masters of Renaissance painting. Twelve works, carefully selected from this milieu, exemplify the creative approach and influence of Tullio and the Lombardo workshop. Published in association with the National Gallery, Washington Exhibition Schedule: National Gallery of Art, Washington, D.C. (7/4/09 - 10/31/09)
The Sculpture of Tullio Lombardo
Acknowledgments 3Chapter 1 • Tullio 's Critical Fortune 5Chapter 2 • Inscriptions, Documents, and Sources 16Chapter 3 • The Style of Tullio's Sculpture and His Early Works 34Chapter 4 • The Tomb of Doge Andrea Vendramin 46Chapter 5 • ln the Wake of the Vendramin Tomb: Tullio's Sculpture at the End of the Fifteenth and the Beginning of the Sixteenth Century 67Chapter 6 • Tullio's Late Works 93Chapter 7 • Conclusion 122Bibliography 129List of illustrations 143Illustrations 151Index 447.
Art in Renaissance Italy
'Art in Renaissance Italy' sets the art of that time in its context, exploring why it was created and in particular looking at who commissioned the palaces and cathedrals, the paintings and the sculptures.
The Art of Renaissance Venice
Norbert Huse and Wolfgang Wolters provide the first contemporary single-volume survey of the three arts of Venice -- painting, sculpture, and architecture. They offer an important counterbalance to the traditional orientation toward painting as the city's preeminent art by focusing on architecture as the essential Venetian artistic medium. In the process, they define the distinctly Venetian terms by which the city and culture should be understood. Huse and Wolters begin their study with 1460, when Venice was one of the key powers of Italy, and end their discussion with the death of Tintoretto in 1594, a period of waning international power. Wolfgang Wolters outlines the city's development an...
The Art of Sculpture in Fifteenth-Century Italy
Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.
Venice and the Renaissance
Pursuing the intersections of Venetian culture from the beginning of the sixteenth century through the first decades of the seventeenth, Manfredo Tafuri develops a story crowded with characters and full of surprises. He engages the doges Andrea Gritti and Leonardo Dona; architects and artists Sansovino, Serlio, Palladio, and Scamozzi; and scientists Francesco Barozzi and Galileo. He records the battle that was fought for architecture as metaphor for absolute truth and good government, and contrasts these with the myths that inspired them.
Venetian Colour
Discusses the relation of Venetian color to social, cultural, and environmental factors
The Companion Guide to Venice
`It offers all that the visitor with a concern for beauty and for leisurely sight-seeing will require.' Financial Times`If ever a guidebook were designed to be read as literature it is Mr Honour's. Even those who know Venice welland love it well will add to their appreciation from this seemingly endless store of information.' Economist Offers all that the visitor with a concern for beauty and for leisurely sight-seeing will require. FINANCIAL TIMES The best guide book I have ever encountered... and a book I found it impossible not to read from beginning to end. OBSERVER There are few pleasanter ways of passing a summer's evening than sitting over a cup of coffee, and perhaps a glass of Aurum...
Venice: Lion City
Garry Wills's Venice: Lion City is a tour de force -- a rich, colorful, and provocative history of the world's most fascinating city in the fifteenth and sixteenth centuries, when it was at the peak of its glory. This was not the city of decadence, carnival, and nostalgia familiar to us from later centuries. It was a ruthless imperial city, with a shrewd commercial base, like ancient Athens, which it resembled in its combination of art and sea empire. Venice: Lion City presents a new way of relating the history of the city through its art and, in turn, illuminates the art through the city's history. It is illustrated with more than 130 works of art, 30 in full color. Garry Wills gives us a unique view of Venice's rulers, merchants, clerics, laborers, its Jews, and its women as they created a city that is the greatest art museum in the world, a city whose allure remains undiminished after centuries. Like Simon Schama's The Embarrassment of Riches, on the Dutch culture in the Golden Age, Venice: Lion City will take its place as a classic work of history and criticism.
