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there's more
In there’s more, Uchechukwu Peter Umezurike takes on the rich concepts of home and belonging: home lost and regained, home created with others and with the land, home as “anywhere we find something to love.” Giving voice to the experiences of migrant and other marginalized citizens whose lives society tends to overlook, this collection challenges the oppressive systems that alienate us from one another and the land. Carefully built lyric meditations combine beauty and ugliness, engaging with violence, and displacement, while seeking to build kinship and celebrate imagination. Weaving domestic and international settings, salient observation and potent memory, Umezurike immerses the reader in rich, precise imagery and a community of voices, ideas, and recollections. there’s more navigates immigrant life with a multifaceted awareness of joy, melancholia, loss, and hope.
Wish Maker
Ebele wishes he and his widowed mother would have a memorable Christmas with lots of presents. With his mother barely able to afford food and his friends mocking him, Ebele is afraid that he might not get any presents at all. When a strange man comes to town, Ebele opens his heart and home reluctantly. In return, the stranger teaches him there is more to Christmas than just gifts and that kindness is a virtue rewarded by great fortune. WISH MAKER tells the story of Ebele, a 9-year-old boy whose widowed mother can't afford to grant his wish for a bicycle. His friends cannot wait to show off their Christmas presents to Ebele, and they delight in making fun of him because he and his mother are ...
Your Madness, Not Mine
Women’s writing in Cameroon has so far been dominated by Francophone writers. The short stories in this collection represent the yearnings and vision of an Anglophone woman, who writes both as a Cameroonian and as a woman whose life has been shaped by the minority status her people occupy within the nation-state. The stories in Your Madness, Not Mine are about postcolonial Cameroon, but especially about Cameroonian women, who probe their day-to-day experiences of survival and empowerment as they deal with gender oppression: from patriarchal expectations to the malaise of maldevelopment, unemployment, and the attraction of the West for young Cameroonians. Makuchi has given us powerful portraits of the people of postcolonial Africa in the so-called global village who too often go unseen and unheard.
Your Crib, My Qibla
Derek Walcott Prize for Poetry Winner Julie Suk Award Winner Nigeria Prize for Literature shortlist Your Crib, My Qibla interrogates loss, the death of a child, and a father's pursuit of language able to articulate grief. In these poems, the language of memory functions as a space of mourning, connecting the dead with the world of the living. Culminating in an imagined dialogue between the father and his deceased daughter in the intricate space of the family, Your Crib, My Qibla explores grief, the fleeting nature of healing, and the constant obsession of memory as a language to reach the dead.
Arrows of Rain
Annotation Both humorous and poignant, Arrows of Rain dramatises the relationship between an individual and the modern African state.
Wreaths for a Wayfarer
Wreaths for a Wayfarer is an assemblage of original poems written by established and emerging African writers that celebrate Pius Adesanmi, who died in the doomed Ethiopian Airline flight on March 10, 2019.
Black Markets and Militants
Understanding the political and socio-economic factors which give rise to youth recruitment into militant organizations is central to grasping some of the most important issues that affect the contemporary Middle East and Africa. In this book, Khalid Mustafa Medani explains why youth are attracted to militant organizations, examining the specific role economic globalization plays in determining how and why militant activists emerge. Based on extensive fieldwork, Medani offers an in-depth analysis of the impact of globalization, neoliberal reforms and informal economic networks on the rise and evolution of moderate and militant Islamist movements. In an original contribution to the study of Islamist and ethnic politics, he shows the importance of understanding when and under what conditions religious rather than other forms of identity become politically salient. This title is also available as Open Access on Cambridge Core.
I Am Still Your Negro
Social Justice Poetry Spoken-word poet Valerie Mason-John unsettles readers with potent images of ongoing trauma from slavery and colonization. Her narratives range from the beginnings of the African Diaspora to the story of a stowaway on the Windrush, from racism and sexism in Trump’s America to the wide impact of the Me Too movement. Stories of entrapment, sexual assault, addictive behaviours, and rave culture are told and contrasted to the strengthening and forthright voice of Yaata, Supreme Being. I Am Still Your Negro is truth that needs to be told, re-told, and remembered. I was your Negro Captured and sold I am still your negro Arrested and killed —from “I Am Still Your Negro”
Kindred Spirits
"This is the first book-length comparative study of literary giants Toni Morrison and Chinua Achebe"--
