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Günter Wallraff. He was the hero of the 70s and 80s. Using controversial methods he wrote against the powers that be in Germany. In the Industrie Reportagen, in his role as the Turk Ali or as Hans Esser, editor at the Bild newspaper Günter Wallraff has repeatedly touched a raw nerve of society, his methods have polarized opinions to this day. This is the way Günter Wallraff is introduced most of the time. It is clear, however, that if many people among the young and old know about the arguably most controversial European writer, they do so just superficially. For the first time, a book comprehensively presents Günter Wallraffs literary and journalistic work, thus looking at an unknown side of his. But one can learn about some aspects of Wallraffs private life, too.
Popular newspapers like the British »The Sun« and the German »Bild« regularly invite controversy over their morals and methods, power and responsibility, political and social impact. At best, their reporting is rejected as trivial, vulgar and tasteless; at worst, it is deemed hazardous to the workings of democratic society. Yet, the papers are able to attract large audiences, and contribute significantly to the daily lives of millions of readers. This book looks at popular newspapers from an audience point of view. Examining the crucial relationship between news and entertainment, it provides timely empirical evidence for the values tabloids really have for readers and modern day Britain and Germany. Contradicting common myths and stereotypes, the book calls for fresh perspectives on the popular media and their audiences. With a foreword by Peter Dahlgren, Lund University, Sweden.