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Macroeconomics
Macroeconomics: An Introduction, provides a lucid and novel introduction to macroeconomic issues. It introduces the reader to an alternative approach of understanding macroeconomics, which is inspired by the works of Adam Smith, David Ricardo, Karl Marx, John Maynard Keynes, and Piero Sraffa. It also presents the reader with a critical account of mainstream marginalist macroeconomics. The book begins with a brief history of economic theories and then takes the reader through three different ways of conceptualizing the macroeconomy. Subsequently, the theories of money and interest rates, output and employment levels, and economic growth are discussed. The book ends by providing a policy template for addressing the macroeconomic concerns of unemployment and inflation. The conceptual discussion in Macroeconomics is situated within the context of the Indian economy. Besides using publicly available data, the contextual description is instantiated using excerpts from works of fiction by Indian authors.
Deities and Devotees
How have cinema and popular religion shaped each other? Is the display of devotion in a cinema hall the same as devotion in a temple? How do we understand cinema’s compelling power to mesmerize people? Unlike Hindi cinema, mythological and devotional films remained popular genres in Telugu (and Tamil too) until quite recently. The political success of film star N.T. Rama Rao, well-known for his portrayal of gods and kings, posed afresh the problem of cinema’s power to enthral. To what extent viewers were persuaded of his divinity became a matter of debate. In later decades, the figure of another kind of viewer haunted the discourses around cinema, that of the female viewer who got posses...
The Language of Secular Islam
During the turbulent period prior to colonial India’s partition and independence, Muslim intellectuals in Hyderabad sought to secularize and reformulate their linguistic, historical, religious, and literary traditions for the sake of a newly conceived national public. Responding to the model of secular education introduced to South Asia by the British, Indian academics launched a spirited debate about the reform of Islamic education, the importance of education in the spoken languages of the country, the shape of Urdu and its past, and the significance of the histories of Islam and India for their present. The Language of Secular Islam pursues an alternative account of the political disagr...
Women in Contemporary Indian Films and Media
This book investigates the ways in which contemporary Indian cinema, particularly 2010 onwards, has projected and represented women on screen – not just on films and TV but also on new media platforms like OTT and other digital media. The wide-ranging essays reflect on issues of gender violence, sexuality, performance, domestic and public spaces, along with the role of women in the Indian film industry. They draw on current global discourses on gender including #Me Too, ‘Time’s Up’, LGBTQIA, and a call for wages for women on a par with their male counterparts and other socio-cultural debates in the Indian society. The book will be of great interest to scholars and researchers of film studies, gender studies, culture studies, and South Asian studies.
Brought to Life by the Voice
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India.
The Routledge Companion to Literature and the Global South
The Routledge Companion Literature and the Global South offers a comprehensive overview of the field at a key moment in its development—a snapshot of where Global South literary studies stands in its second decade. As the aftermath of a string of global cataclysms since the rise of neoliberal globalization has demonstrated, it is the poor, the disenfranchised, and the marginalized who consistently bear the brunt of the suffering. What defines the Global South is the recognition across the world that globalization’s promised bounties have not materialized. It has failed as a global master narrative. Global South studies centers on three general areas: Globalization, its aftermath/failure,...
The Gulf Migrant Archives in Kerala
The Indian state of Kerala is one of the largest blocs of migrants in the oil economies of the Arab Gulf. Looking closely at the cultural archives produced by and on the Gulf migrants in Malayalam -- the predominant language of Kerala -- this book takes stock of circular migration beyond its economics. It combines formal and thematic analyses of photographs, films, and literature with anthropological and historical details to offer a nuanced understanding of the construction of the Gulf and its translation to the cultural imaginary of Kerala. It explores the dissonance between the private and public discourses on the Gulf among migrants and non-migrants, and demonstrates the role of this disjuncture in the continued fascination for Gulf migrant lives. An enquiry into the various dimensions of the Gulf in Kerala, as an acknowledged means of living, as a rumour, an object of gossip, a public secret, or even a private thrill, this book debunks the idea of language as a common entity and studies the tentative borders built within. Finally, it explores the resources, possibilities, and perils of affiliative communities constructed along and across those borders.
A World of Equals
A World of Equals: A Textbook on Gender attempts to sensitise readers to gender and gender-related issues. Using examples from popular literature, films and advertisements, the book raises issues relating to inequalities of race, religious affiliation, class, caste, disability and the sexual spectrum, and stimulates discussions on these subjects. The book is accompanied by an app that provides links to resources mentioned in the text.
Dalit Representation in Popular Hindi Cinema
This book explores the dynamics of caste in Bollywood and popular Hindi cinema through an examination of the representation of Dalits since the 1930s. Drawing on critical textual analysis and historical analyses of a number of key films, the author argues that popular Hindi cinema corroborates in the construction, naturalisation, and dissemination of Dalit stereotypes in line with the dominant culture, on the one hand, and ignores the Dalit history of struggle against caste discrimination, on the other hand. The book maps the evolution of Dalit representation from the 1930s to the 2000s. In doing so, it addresses the continuity and shifts in their portrayals and explores the linkages between the cinematic representation of Dalits and real- world power structures. This book will be of interest to scholars and students working in film studies, film history, cultural politics, sociology, and cultural studies.
Indian Cinema Today and Tomorrow
Cinema has been, and is, a powerful tool for social mobilisation. The political importance of cinema was of course always well-known and has continued to evolve and grow. However, with innovations in modern technology, there has been the exponential growth of television alongside the movies, with content made especially for TV, as well as social media. This volume covers developments in Indian Cinema over the last decade. It explores an array of changes which has dramatically changed cinema — a surge of new filming and broadcasting technologies, from the camera phone to the most sophisticated digital equipment; an avalanche of talent, from trained to completely untrained actors; and a volume of content difficult to document and categorise. It also studies cinema growth and reactions to the onslaught of home entertainment and discusses its changing formats over the years, from TV to satellite, to VCRs and DVDs, serials to OTT streaming platforms. This book will be of great interest to scholars and researchers in film studies, performance studies, cultural studies, media studies, and popular culture. It will also interest professionals working in media and entertainment industries.
