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An anthology of fictive adventures by the Unbearables and collaborators, a free-floating in-your-face scrum of black humorists, chaos-mongers, immediatists, and verse-spouting Beer Mystics, disorganized around recuperating essence away from the humorless commodification of experience. Includes: Judy Nylon, Max Blagg, Bikini Girl, Bruce Benderson, Hakim Bey, Jordan Zinovich, and the Unbearables.
Another mammoth compilation from Downtown New York's 'drinking group with a writing problem', the previous perpetrators of The Worst Book I Ever Read, Crimes of the Beats and Help Yourself!, among other innumerable assaults on decency and good taste. Now they finally turn themselves to their most likely subject matter ever (even if it's frequently more a matter of fantasy and theory than of deviant practice)...
This book is a pioneering study of Yiddish and Polish-Jewish concentration camp and ghetto poetry. It reveals the impact of the immediacy of experience as a formative influence on perception, response, and literary imagination, arguing that literature that is contemporaneous with unfolding events offers perceptions different from those presented after the fact. Documented here is the emergence of poetry as the dominant literary form and quickest reaction to the atrocities. The authors shows that the mission of the poets was to provide testimony to their epoch, to speak for themselves and for those who perished. For the Jews in the condemned world, this poetry was a vehicle of cultural sustenance, a means of affirming traditional values, and an expression of moral defiance that often kept the spirit of the readers from dying. The explication of the poetry (which has been translated by the author) offer challenging implications for the field of critical theory, including shifts in literary practices—prompted by the growing atrocities—that reveal a spectrum of complex experimental techniques..
When four very different small-town Delaware high school girls are forced to join a mother-daughter book club over summer vacation, they end up learning about more than just the books they read.
"Unbearable Weight is brilliant. From an immensely knowledgeable feminist perspective, in engaging, jargonless (!) prose, Bordo analyzes a whole range of issues connected to the body—weight and weight loss, exercise, media images, movies, advertising, anorexia and bulimia, and much more—in a way that makes sense of our current social landscape—finally! This is a great book for anyone who wonders why women's magazines are always describing delicious food as 'sinful' and why there is a cake called Death by Chocolate. Loved it!"—Katha Pollitt, Nation columnist and author of Subject to Debate: Sense and Dissents on Women, Politics, and Culture (2001)
The first book to capture the spontaneity of lower Manhattan's Downtown literary scene collects more than 125 images and over 80 texts that encompass the most vital work produced between 1974 and 1992. (Literary Criticism)
Help Yourself! is the newest discharge in the Unbearables series of blasts on American culture, in which they dismantle, parody, and otherwise mangle the literary tradition of the Self Help Book. More than 75 individual contributors took on the topic, and in their Unbearable tradition, demolish the myths of self help in more than 75 ways.
‘Psychology in Action’ is a term coined by the Guest Editors from the Centre for Research into Reading, Literature and Society (CRILS), University of Liverpool, in their work in filming, recording and analyzing shared reading groups, led by The Reader organization. It refers both to the work of psychology within literary texts and to the responses of multifarious reader-participants to literature read live and aloud in small community groups within a variety of settings. In particular, ‘psychology in action’ has meant seeing readers suddenly activated into deep personal thinking, responding to situations imaginatively simulated by reading literature in ways that trigger surprised and involuntary emotion, autobiographical memory and spontaneous empathy.
'A cult figure.' Guardian 'A dark and brilliant achievement.' Ian McEwan 'Shamelessly clever ... Exhilaratingly subversive and funny.' Independent 'A modern classic ... As relevant now as when it was first published. ' John Banville A young woman is in love with a successful surgeon; a man torn between his love for her and his womanising. His mistress, a free-spirited artist, lives her life as a series of betrayals; while her other lover stands to lose everything because of his noble qualities. In a world where lives are shaped by choices and events, and everything occurs but once, existence seems to lose its substance and weight - and we feel 'the unbearable lightness of being'. The Unbeara...