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Drawing together themes in Church of England history, the activity of second-generation leaders of the Oxford Movement, social change, secularization, and Victorian recreation, The Church of England and Victorian Oxford explains the difficulties faced by Churchmen who tried to use self-improvement and leisure to accomplish religious goals.
Robert Tittler investigates the growing affinity for secular portraiture in Tudor and early Stuart England, a cultural and social phenomenon which can be said to have produced a 'public' for that genre. He breaks new ground in placing portrait patronage and production in this era in the broad social and cultural context of post-Reformation England, and in distinguishing between native English provincial portraiture, which was often highly vernacular, and foreign-influenced portraiture of the court and metropolis, which tended towards the formal and 'polite'. Tittler describes the burgeoning public for portraiture of this era as more than the familiar court-and-London based presence, but rath...