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Department of Art
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Art
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The American School
An in-depth look at the changing status of American artists in the 18th and early 19th century This fascinating book is the first comprehensive art-historical study of what it meant to be an American artist in the 18th- and early 19th-century transatlantic world. Susan Rather examines the status of artists from different geographical, professional, and material perspectives, and delves into topics such as portrait painting in Boston and London; the trade of art in Philadelphia and New York; the negotiability and usefulness of colonial American identity in Italy and London; and the shifting representation of artists in and from the former British colonies after the Revolutionary War, when Lon...
Department of Art
Course catalog with faculty information for the University of Texas at Austin Department of Art, 1954. Includes examples faculty works, including Everett Spruce and William Lester.
Department of Art
Course catalog featuring faculty information for the University of Texas at Austin Department of Art, 1952(?). Illustrated with examples of works by each professor, including Everett Spruce and William Lester.
Department of Art and Art History, University of Texas at Austin (UT).
Presents the Department of Art and Art History, a division of the College of Fine Arts of the University of Texas (UT) at Austin. Profiles faculty and staff. Provides information on the following undergraduate and graduate courses of study: art education and visual art studies, art history, design, and studio art. Details foreign study programs, UT art collections, and Departmental lecture series. Includes an FAQ and links to UT libraries and research centers.
Hotel Mexico
In 1968, Mexico prepared to host the Olympic games amid growing civil unrest. The spectacular sports facilities and urban redevelopment projects built by the government in Mexico City mirrored the country’s rapid but uneven modernization. In the same year, a street-savvy democratization movement led by students emerged in the city. Throughout the summer, the ‘68 Movement staged protests underscoring a widespread sense of political disenfranchisement. Just ten days before the Olympics began, nearly three hundred student protestors were massacred by the military in a plaza at the core of a new public housing complex. In spite of institutional denial and censorship, the 1968 massacre remains a touchstone in contemporary Mexican culture thanks to the public memory work of survivors and Mexico’s leftist intelligentsia. In this highly original study of the afterlives of the ’68 Movement, George F. Flaherty explores how urban spaces—material but also literary, photographic, and cinematic—became an archive of 1968, providing a framework for de facto modes of justice for years to come.
