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Klimt
"In celebration of the 150th birthday of Gustav Klimt (1862-1918) the Vienna Museum is presenting the first catalogue of its complete collection of the artist's works. The world's largest collection of Klimt's drawings--around 400--provides an overview of thematic groups such as the Secession, sketches of the Faculty Paintings, or the nudes. In addition the book features a few paintings, including the portrait of Emilie Flöge (1902). It is one of Klimt's most famous paintings, and the first portrait of a woman in which the ornamentation in and of itself becomes a focal point. Last, but not least, there posters and prints that Klimt designed for the Viennese Secession, including a number of original drafts, as well as the first prints. The collection also contains unique memorabilia, such as the artist's smock, his death mask, and even a drawing by Egon Schiele of Klimt's body. Also featured are rare vintage prints of early portrait photographs and sculptures."--Publisher's description.
Vascular Mechanobiology in Physiology and Disease
This volume of the series Cardiac and Vascular Biology presents the most relevant aspects of vascular mechanobiology along with many more facets of this fascinating, timely and clinically highly relevant field. Mechanotransduction, mechanosensing, fluid shear stress, hameodynamics and cell fate, are just a few topics to name. All important aspects of vascular mechanobiology in health and disease are reviewed by some of the top experts in the field. This volume, together with a second title on cardiac mechanobiology featured in this series, will be of high relevance to scientists and clinical researchers in the area of vascular biology, cardiology and biomedical engineering.
Robert Haas
Moving studies of everyday life and society in Vienna between the two world wars, and fascinating pictures of the American way of life. Sensitive portraits of major personalities--from Albert Einstein to Arturo Toscanini--and Street Photography in New York: the oeuvre of the Austrian-American photographer Robert Haas (1898-1997) encompasses numerous themes and unites the views of two continents. His artistic career began within Viennese modernism in the nineteen-twenties. He established himself as an internationally successful photojournalist in the thirties. After fleeing from the National Socialists in 1938, Haas found a new home in the United States. Besides his work as a well-known graphic artist and printer in New York, he documented everyday life in America in striking photographs. This catalogue allows readers to rediscover a major photographer and an outstanding oeuvre while presenting vintage prints that have never before been shown. (German edition: ISBN 978-3-7757-4182-8).Exhibition: Wien Museum, Vienna 24.11.2016-26.2.2017
The Naked Truth
"In the popular imagination, turn-of-the-century Vienna is a cerebral place, marked by Freud, the discovery of the unconscious, and the advent of high modernist culture. But as historian Alys George argues, this stereotype of Viennese Modernism as essentially "heady" overlooks a rich cultural history of the body in the period. Spanning 1870 to 1930, The Naked Truth is an interdisciplinary tour de force that recasts the visual, literary, and performative cultures of the era and offers an alternative genealogy of this fascinating moment in the history of the West. Starting with the Second Vienna Medical School and its innovations in anatomy and pathology, George traces an emerging culture of b...
Inventing Abstraction, 1910-1925
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
Vienna
In Vienna at the turn of the twentieth century the question of what it meant to be modern was a heated topic of debate. Focusing on interior design, fashion and photography, as well as on painting and architecture, this study casts fresh light on the vital role of the arts in these debates. The 'new' art and literature was crucial in defining a distinctive Viennese modernity while at the same time challenging preconceptions about modern urban life. Many artists and writers produced work that questioned and undermined oppositions between city and country, interior spaces and panoramic views, masculinity and femininity. Issues of gender and the representation of the body were particularly impo...
The Female Secession
Decorative handcrafts are commonly associated with traditional femininity and unthreatening docility. However, the artists connected with interwar Vienna’s “female Secession” created craft-based artworks that may be understood as sites of feminist resistance. In this book, historian Megan Brandow-Faller tells the story of how these artists disrupted long-established boundaries by working to dislodge fixed oppositions between “art” and “craft,” “decorative” and “profound,” and “masculine” and “feminine” in art. Tracing the history of the women’s art movement in Secessionist Vienna—from its origins in 1897, at the Women’s Academy, to the Association of Austr...
Between Ruin and Renewal
Smith takes a provocative look at the fascinating and beautiful landscapes painted by Austrian artist Egon Schiele (1890-1918), renowned for his intensely confrontational portraits, self-portraits, erotic images, and allegories. 90 illustrations, 50 in color.
Constructing the Viennese Modern Body
This book takes a new, interdisciplinary approach to analyzing modern Viennese visual culture, one informed by Austro-German theater, contemporary medical treatises centered on hysteria, and an original examination of dramatic gestures in expressionist artworks. It centers on the following question: How and to what end was the human body discussed, portrayed, and utilized as an aesthetic metaphor in turn-of-the-century Vienna? By scrutinizing theatrically “hysterical” performances, avant-garde puppet plays, and images created by Oskar Kokoschka, Koloman Moser, Egon Schiele and others, Nathan J. Timpano discusses how Viennese artists favored the pathological or puppet-like body as their contribution to European modernism.
Art, Exhibition and Erasure in Nazi Vienna
This book examines three exhibitions of contemporary art held at the Vienna Künstlerhaus during the period of National Socialist rule and shows how each attempted to culturally erase elements anathema to Nazi ideology: the City, the Jewess and fin-de-siècle Vienna. Each of the exhibits was large scale and ambitious, part of a broader attempt to situate Vienna as the cultural capital of the Reich, and each aimed to reshape cultural memory and rewrite history. Applying illuminating theories on memory studies, collective and public memory, and notions of "memoricide," this is the first book in English to focus on visual culture in the period when Austria was erased as a nation and incorporated into the Third Reich as "Ostmark." The organization, content and publications surrounding these three exhibits are explored in depth and set against the larger political changes and dangerous ideologies they reflect. The book will be of interest to scholars working in art history, museum studies, cultural history, memory studies, art and politics and Holocaust studies.
